6.4 | / 10 |
Users | 3.8 | |
Reviewer | 4.0 | |
Overall | 3.8 |
Marie has two appetites, sex and blood. Her career as a vampire is going along fine until two problems come up, she is interrupted while feeding on Sal (the shark) Macelli and she begins to develope a relationship with the policeman who has been trying to put Sal away. Sal wakes up in the morgue very confused and very thirsty. He goes back to his old haunts and begins to create an organized crime family of vampires while Marie and her policeman lover hunt him...
Starring: Anne Parillaud, Anthony LaPaglia, Robert Loggia, Don Rickles, Chazz PalminteriHorror | 100% |
Dark humor | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 4.0 |
Innocent Blood was ahead of its time. In 1992, no one knew what to make of a vampire comedy that was just as silly as it was gory. Until then, comedic vampire films had been strictly PG (e.g., Love at First Bite), while buckets of blood were reserved for serious horror films like Bram Stoker's Dracula, which appeared the same year. Even today, after TV's Buffy the Vampire Slayer and Angel have demonstrated how vampire tales can accommodate both fear and laughter, Innocent Blood's R-rated mix remains a rarity. Indeed, the film's original cut had so much blood (not to mention sex and nudity) that it had to be trimmed to obtain an R rating. But director John Landis' preferred version played in Europe, and that unedited edition has now been restored for Blu-ray in a new transfer from the Warner Archive Collection, which also returns the film to its widescreen aspect ratio. (The U.S. DVD was 4:3 from a VHS-era transfer.)
Innocent Blood was shot by Swedish-born cinematographer Mac Ahlberg, who was no stranger to
extreme makeup effects after photographing Reanimator and From
Beyond for director Stuart
Gordon. (He also worked with Landis on Oscar and Beverly Hills Cop III.) Warner treated the
film badly on DVD, using a dated VHS-era fullscreen transfer that poorly served the film's many
dark scenes. The U.S. DVD was also limited to the R-rated theatrical cut, although releases in
other regions contained slightly longer versions with additional nudity and gore.
For this 1080p, AVC-encoded Blu-ray from the Warner Archive Collection, Warner's Motion
Picture Imaging facility scanned a complete interpositive of the U.S. version at 2K, along with
select reels of an interpositive from the European release. Because WAC was unable to locate
any cutting guide or notes from the original editorial process, a shot-by-shot comparison was
used to ensure that the new master stitched together from these sources was the most complete
version possible. The final running time is 115 minutes, approximately three minutes longer than
the theatrical release. MPI used an original answer print on low-fade stock as a reference for
color-correction, followed by WAC's customary clean-up to remove dust, scratches and damage.
According to reliable sources, the negative from which the IPs were struck was unusually
damaged and dirty for a film from this period, but you wouldn't know it from the final result,
which is virtually pristine.
I suspect that Innocent Blood's Blu-ray presentation will be controversial, because the disc
accurately reproduces the soft and often indistinct textures of a project shot mostly at night and in
darkened interiors. In well-lit scenes, the image is acceptably sharp and detailed, but as soon as
the light dims, the frame becomes an impressionistic layering of outlines, shadows and dimly lit
faces, with frequent accents from patches of brightly illuminated (and often surreal) color. The
overall effect is moody, beautiful and most importantly, true to the filmmakers' intent, but eyes
accustomed to contemporary digital sharpness may react differently. (One of digital
photography's strengths is its superior ability to capture detail with minimal light.) WAC and
MPI have resisted any temptation to modernize the film with artificial sharpening or grain
reduction, and the image remains film-like throughout. The Blu-ray of Innocent Blood has been
authored with WAC's customary high average bitrate, here 34.99 Mbps.
Innocent Blood's original stereo track has been taken from the magnetic print master, cleaned of any age-related deterioration and encoded on Blu-ray in lossless DTS-HD MA 2.0. Even when played through a surround decoder, the mix remains front-oriented, but it is effectively spread across the front soundstage, with dialogue firmly (and clearly) anchored to the center. The dynamic range is broad, with sufficient bass extension to lend authority to gunshots, the occasional explosion and various manifestations of the supernatural. Ira Newborn, who was John Hughes's preferred composer and also scored The Naked Gun movies and Landis' Into the Night, provided the agile score, which segues back and forth among gangster-movie parody, horror-film suspense and gentle romance.
The only extra is a trailer (1080p; 1.78:1; 1:58), which is more than Warner's 1999 DVD had.
Even by present-day standards, when the proliferation of vampire-themed entertainments would
appear to have exploited every imaginable permutation of the Nosferatu legend, Innocent Blood
is a unique creation and one that's ripe for rediscovery. WAC has given it a superior treatment
that is highly recommended.
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