5.2 | / 10 |
Users | 0.0 | |
Reviewer | 1.5 | |
Overall | 1.5 |
Granger - a warrior in medieval times - is sent on a quest to fulfill an ancient prophecy. Venturing through the now war torn Kingdom of Ehb, he teams up with an unlikely band of allies with the goal of slaying the leader of the "Dark Ones". Fighting against all odds, they must free the land from the grasp of the evil tyrant Raven and save the world.
Starring: Dolph Lundgren, Natassia Malthe, Lochlyn Munro, Heather Doerksen, Aleks PaunovicAction | 100% |
Adventure | 35% |
Fantasy | 34% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 1.5 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 1.5 |
It’s a mystery. How is it that Uwe Boll, whose very name has become a kind of punchline in the film industry, is still allowed to make movies? I understand how he gets funding--through a complicated German tax loophole--but what completely baffles me is why distributors agree to release his films at all. The only rational answer, of course, is that there’s a buck to be made, that somewhere, for reasons inexplicable, people are actively seeking out these awful video game adaptations and presumably watching them. (As opposed to, I dunno, using the discs as $20 drink coasters.) What makes me profoundly depressed is to think of the $60 million wasted on the production of a film like Boll’s 2008 medieval fantasy disaster, In the Name of the King: A Dungeon Siege Tale, and realize that that money could’ve been split equally amongst, say, thirty independent filmmakers all keen on making their debut features. In this hypothetical thought experiment, it’s easy to imagine that at least one of these directors, and probably more--blessed unexpectedly with $2 million--would create something beautiful and lasting and true. Instead, the world has yet another instantly forgettable action movie flop, which bombed at the box office and is now cluttering bargain bins in discount stores the world over. But wait, it gets worse. Somehow, Uwe Boll proceeded with In the Name of the King 2: Two Worlds, a low-budget, straight-to-video sequel that comes across like a sorry basic cable Game of Thrones rip-off. Only much, much worse than you’d ever think that could possibly be.
This is one of those cases where no matter how good the technical merits of the encode are, the film is still going to look cheap on Blu-ray because of the meager production values in the lighting and costuming departments. In the Name of the King 2 looks exactly like what it is--a low-budget, straight-to-video movie. The film was shot with the Red One camera and features a 1080p/AVC-encoded digital-to-digital transfer that's fairly sharp and clean, but, as they say, you can't polish a turd. Still, for what it's worth, clarity is usually excellent, especially in close-ups, where you can easily make out facial textures, clothing details, and the chintziness of the King's crown. Color is also dense and nicely toned, with warm skin hues contrasted against generally cool backgrounds. Black levels sometimes crush a bit of shadow detail, but I suppose this is all part of the film's punchy, high contrast look. Noise is elevated somewhat during darker scenes, and you'll notice some faint banding in the blue gradient of the sky as the dragon circles overhead, but there are no real distractions here. The only downside to such a clear presentation is that the CGI probably looks more hokey and artificial than it would on DVD.
In the Name of the King 2 receives Fox's usual DTS-HD Master Audio 5.1 surround sound treatment, and the mix might best be described as adequate but underwhelming. (Which is probably exactly what you expect from this kind of movie.) Most of the action is anchored up front, but the rear channels do get in on the action occasionally, with the aerial swoops and arcing fire breath of the CGI dragon, metal-on-metal battle clamor, and a modest amount of outdoorsy ambience. All of which is dynamically solid, but hardly exemplary. Filling out the soundfield is a rather generic score from Jessica de Rooj. Dialogue, as much as you sometimes wish it weren't so, is always clean and easily understood. The disc includes optional English SDH and Spanish subtitles.
As one final note, I'd like to acknowledge how horrible In the Name of the King 2: Two Worlds is as a title. Really? A numeric "2" and then "Two" spelled out immediately afterwards? It's just another example of how no real thought goes into Uwe Boll's slapdash adaptations. Do yourself a favor and stay as far away from this one as possible, but if you must see it--I know some of you Dolph Lundgren fans are a hardcore bunch--then I'd wait for it to drop below $5 used on Amazon. Which is inevitability considering the first film can currently be bought on DVD for forty-nine cents.
2014
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