8.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Hong Kong, 1962: Chow Mo-wan and Su Li-zhen move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them.
Starring: Maggie Cheung, Tony Leung Chiu-wai, Roy Cheung, Paulyn Sun, Ping Lam SiuDrama | 100% |
Foreign | 94% |
Romance | 26% |
Period | 14% |
Melodrama | 5% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
Cantonese: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (locked)
Movie | 5.0 | |
Video | 3.5 | |
Audio | 5.0 | |
Extras | 5.0 | |
Overall | 3.5 |
Wong Kar Wai's "In the Mood for Love" (2000) arrives on 4K Blu-ray/Blu-ray courtesy of Criterion. The supplemental features on the release include documentary on the making of the film; deleted scenes; video interview with director Wong Kar Wai; footage from a press conference featuring actors Tony Leung Chiu-wai and Maggie Cheung; and more. In Cantonese, with optional English subtitles for the main feature. Region-Free.
Criterion's release of In the Mood for Love is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray disc is Region-Free. However, The Blu-ray disc is Region-A "locked".
All of the screencaptures that are included with this article are taken from the 4K Blu-ray and are downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content.
The following text appears inside the leaflet that is provided with this release:
"Supervised and approved by director Wong Kar Wai, this digital transfer was created in 4K resolution on an ARRISCAN film scanner from the 35mm original camera negative and restored at L'Immagine Ritrovata in Bologna, Italy. The 5.1 surround soundtrack was created from the original dialog, music, and effects track, with additional foley and effects. The audio was restored by Jet Tone Films at Robert Mackenzie Sound and 3H Sound studio, under the director's supervision.
Transfer supervisor: Wong Kar Wai.
Colorist: Calmen Lui/One Cool Production Ltd., Hong Kong.
Restoration production coordinator: Bede Cheng/L'Immagine Ritrovata Asia, Hong Kong."
The native 4K presentation of In the Mood for Love does not have an HDR/Dolby Vision grade, so the main upgrade from the 1080p presentation is the increase in resolution. I think that the discrepancy is very difficult to describe as substantial because the overall quality of the visuals in 1080p is already very strong. I would say that fluidity is slightly better, but I have a very large screen and tend to pay a lot more attention to it than a casual viewer would. I paid very close attention to the darker areas because there are a lot of very delicate shadows/shadow nuances and I assume that this is where trained eyes will recognize the benefits of the move to native 4K. There are some areas that look very sharp and tight now. Unfortunately, I have to restate my profound disappointment with the new color grade. It does not look right and gives the film a completely different vibe. I associate the prominent color red from the original theatrical appearance of the film with passion and the new grade replaces it with green. Needless to say, there are entire sections of the film that look off.
There is only one standard audio track on this Blu-ray release: Cantonese DTS-HD Master Audio 5.1. Optional English subtitles are provided for the main feature.
This is the same lossless track that was used on the recent Blu-ray release of In the Mood for Love. Naturally, my take on it remains the same. Here are my comments from the Blu-ray release:
The only minor difference that I could identify is the slightly fuller sound in some areas, but I don't think that the difference is significant enough. The music sounds fantastic and there are plenty of lovely dynamic nuances, especially in more subdued material where the difference is typically difficult to appreciate. The dialog is very clear, clean, and stable.
4K BLU-RAY DISC
I find the 4K restoration of Wong Kar Wai's In the Mood for Love every bit as unconvincing as the recent 4K makeover of Steven Soderbergh's Out of Sight. I associate the prominent color red from the original theatrical appearance of In the Mood for Love with passion and the 4K restoration replaces it with green. As a result, the entire film has a completely different vibe now. Criterion's first Blu-ray release of In the Mood for Love with the proper color grade is still in circulation, so my advice would be to pick it up if you want to see the film as it was shot and screened theatrically.
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