6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
After pulling off the jewelry heist of the century, which left dozens dead, Genji Nakamura and his partner Michiko Nishiwaki of the Red Army terrorists plan to use the jewellery they've snatched to buy an arms cache.
Starring: Cynthia Khan, Hiroshi Fujioka, Stuart Ong, Michiko Nishiwaki, Hua YuehForeign | 100% |
Martial arts | 37% |
Action | 18% |
Crime | 18% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Cantonese: LPCM 2.0
English: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region B (C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 3.5 | |
Overall | 3.0 |
Arthur Wong and Brandy Yuen's "In the Line of Duty III" (1988) arrives on Blu-ray courtesy of Eureka Entertainment. The supplemental features on the release include exclusive new audio commentary by critics Mike Leeder and Arne Venema; exclusive new audio commentary by critic Frank Djeng; and original Hong Kong and UK trailers for the film. In Cantonese and English, with optional English subtitles for the main feature. Region-B "locked".
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, In the Line of Duty III arrives on Blu-ray courtesy of Eureka Entertainment.
The release is sourced from a new 2K master that I found quite frustrating. The raw files that were prepared after the 2K scan was done are incredibly healthy and make the film look brand new. The surface of the visuals, in particular, is simply immaculate. Unfortunately, the entire film is graded like a contemporary production and in some areas there are anomalies that destabilize the native dynamic range of the visuals. For example, there is a very obvious emphasis on brown(ish)/dark yellow hues that alter skin tones and interact with other primaries, like red, blue, and white. As a result, most of the time faces appear unnaturally brown or oddly pale. (You can see examples in screencaptures #15, 19, 28, 32, 33, 35, and 36). Also, much of the daytime footage is supposed to take place during warm and sunny weather, but because of the color anomalies its native temperature is off and it looks like it comes from late Autumn. In some darker areas with different ranges of shadow nuances, the problematic dynamic range of the visuals introduces digital flatness as well. (See screencapture #5). Elsewhere when blue must interact with other colors it routinely evolves into contemporary turquoise. (See screencapture #36). The only solid blue is during very dark footage -- such as the footage from the shootout in the nightclub -- or in transitional footage where it is set to easily overwhelm all other colors. (See screencaptures #27 and 35). In summary, there are many fluctuations that cannot be associated with stylistic preferences on a 35mm film shot during the 1980s, which is why different parts of the new master do not have a proper organic appearance. Density levels are excellent. Image stability is very good, too. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).
There are two standard audio tracks on this Blu-ray release: Cantonese LPCM 2.0 and English LPCM 2.0. Optional English subtitles are provided for the Cantonese track.
I tried both tracks. I started with the Cantonese track, switched to the English tracks, and eventually went back to the Cantonese track. Both tracks show their age. The Cantonese track has a slightly better range of dynamic contrasts but there is plenty of unevenness and thinning. It is pretty easy to tell that this is how it was finalized. The English track is all-around thinner, though not clarity and sharpness are comparable to those of the Cantonese track. Obviously, its timbre is very different because of the overdubbing, but this is hardly surprising. (For what it's worth, the Cantonese track uses overdubbing, too). I did not encounter any serious age-related imperfections to report.
Stuart Ong and Michiko Nishiwaki's presence is so overpowering that for my money they become the true stars of In the Line of Duty III. Also, I think that they are the reason much of the action in this film is more impressive than that from the previous two films, not Cynthia Khan, who was chosen to fill the void left after the departure of Michelle Yeoh and Cynthia Rothrock. (For what it's worth, as they emerged, the four In the Line of Duty films were not part of a cohesive franchise). Eureka Entertainment's release is sourced from an exclusive new 2K master that I found quite frustrating. This 2K master makes In the Line of Duty III look brand new but gives it a contemporary identity and produces some anomalies. If you wish to have the release in your library, the best thing to do is find a way to test it on your system first and then consider a purchase.
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