6.8 | / 10 |
Users | 4.4 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Based on the 1820 event, a whaling ship is preyed upon by a sperm whale, stranding its crew at sea for 90 days, thousands of miles from home.
Starring: Chris Hemsworth, Benjamin Walker, Cillian Murphy, Brendan Gleeson, Ben WhishawAdventure | 100% |
Biography | 20% |
Drama | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French (Canada): Dolby Digital 5.1
German: Dolby TrueHD 5.1
Spanish: Dolby Digital 5.1
Portuguese: Dolby Digital 5.1
English: Dolby Digital 5.1
Japanese: Dolby Digital 5.1
English DD 5.1=descriptive narrative, Japanese hidden
English SDH, French, German SDH, Japanese, Portuguese, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region free
Movie | 2.5 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 3.0 |
The third disc in Warner's second wave of UHD releases is Ron Howard's In the Heart of the Sea (or "ItHotS"), a box office failure that isn't nearly as bad as Point Break but pales in comparison to Creed (those being the other two UHD titles in the group). Warner's 4K/HDR treatment of ItHotS doesn't tinker with the color scheme, as happened with Point Break on UHD, but it does offer a noticeable uptick in contrast and clarity.
Screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.
Note: The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K
screenshots at a later date.
As with Creed, which was also finished on a 2K
digital intermediate, the UHD presentation of In
the Heart of the Sea offers no meaningful improvement in resolution or detail. However, HDR
encoding has subtly enhanced contrast and brightness so that numerous scenes gain in definition
and immediacy. In the conversations between Melville and the older Nickerson, which are set in
a darkened room at night illuminated by flickering lamps, the two men are more visible, as are
objects in their environment; for example, when Nickerson illustrates the course of the Essex on
his wooden table carved with charts, the markings stand out more distinctly. Scenes on
the Essex at night or in darkened spaces (e.g., when the young Nickerson is forced to descend
into a whale carcass to scoop out the remaining liquid fat) remain dark but with sharper focus and
improved shadow detail. In the meeting with Captain Pelaez in Ecuador, where Chase and
Pollard first hear of the white whale, the faces of the men sitting in a darkened bar are more
visible. Colors are slightly (but only slightly) more intense, especially the pale greens and blues
that dominate the palette in the Essex portions of the film. The differences between the Blu-ray
and UHD presentations of ItHotS are more pronounced than those in Creed, but still subtle
enough that they might easily be overlooked without a direct comparison.
The UHD release of ItHotS features the same Dolby Atmos track previously reviewed.
The UHD disc contains no extras. The accompanying standard Blu-ray is identical to the initial release and contains the same extras listed here.
It's curious that Warner's initial wave of UHDs contains so many films released to both theaters
and Blu-ray in 3D, because the 3D presentations routinely offer more visual stimulation, even
with a film like ItHotS, which doesn't exploit the additional dimension as aggressively as, e.g.,
Point Break. The studio keeps forcing viewers to choose between the obvious "pop" of 3D and
the subtler enhancements offered by UHD, and the trend continues with Warner's upcoming third
wave of 4K titles, which includes Man of Steel and
Batman v Superman, both of
which offer a
3D alternative. The studio should broaden its UHD offerings with more 2D-only titles, and it
needs some titles sourced from 4K masters, if it wants to demonstrate the benefits of the format.
As for ItHotS, while the UHD improves on the Blu-ray presentation, the difference isn't
sufficient to justify a double-dip.
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