6 | / 10 |
Users | 4.5 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Scott is a fashion photographer concerned about the sudden appearance of nightmares in his nightly dreams. In these, he seems to be involved in the murder of a beautiful young woman. When he actually meets this dreamwoman in reality, he begins to suspect that something strange must be responsible. As he attempts to solve the enigma of his troubling dreams, he is falling deeply in love with the mysterious woman. In the end, he uncovers a diabolical and sinister plot....
Starring: Adrianne Sachs, Jeff Lester, Marc Singer (I), Brian Thompson, Shannon TweedErotic | 100% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region free
Movie | 2.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 4.0 |
Two months ago, I reviewed “Blind Date,” a 1984 thriller from director Nico Mastorakis. The plot concerned a young man who lost his sight, regaining it through help from electronic equipment, but also inheriting an ability to see horrible visions of murder. For 1990’s “In the Cold of the Night,” Mastorakis returns to a similar plot, exploring the mental breakdown of a man who’s cursed with visions of homicide, setting out to decode exactly why he’s experiencing such horrors. For the prolific helmer, such recycling is to be expected, but with a return to a familiar premise comes less adventurousness, as Mastorakis is aiming “In the Cold of the Night” in an erotic chiller direction, striving to pack in as much sex and nudity as possible (the picture is rated NC-17), with thrills and spills a lesser priority for the production. Mastorakis isn’t a refined cinema architect, leaving polish and dramatic consideration a pipe dream, but for those who prefer plenty of skin to go with mild suspense, this feature delivers, showing more enthusiasm for bedroom antics than anything else it covers.
"Newly scanned & restored in 4K from its 35mm original camera negative," Vinegar Syndrome gives "In the Cold of the Night" the royal treatment for its Blu-ray debut. The AVC encoded image (1.85:1 aspect ratio) presentation looks sharp and fresh, with distinct details across any given frame. Skin particulars are defined, picking up on facial features and ample nudity. Costuming is fibrous, showcasing period outfits that range from crisp cotton to silkier bedroom attire. Distances are defined, delivering beach vistas and cityscapes. Interiors also show off all sorts of decoration (Scott's studio is covered with photos to peruse) and expanse. Colors enjoy '90s amplification, with heavy emphasis on blues and whites, while clothing invites a more varied palette. Greenery is ideal, capturing the beach setting. Skintones are natural. Delineation is strong, doing well with shadowy cinematography. Source is in healthy shape.
The 5.1 DTS-HD sound mix isn't something that wows with dimensionality, but its frontal presence is wonderfully defined. Dialogue exchanges are exact, securing performances of all skill levels, keeping excitement measured, with nothing slipping into distortion. Soundtrack selections offer depth, delivering heavier beats to deliver some low-end activity, and instrumentation is crisp. Scoring selections are just as appealing, sharing a fuller synth wave to carry the action. Surrounds aren't commanding, but atmospherics are secured, with beach visits most active. Sound effects are satisfactory, sharpening gun shots and murderous visions.
"In the Cold of the Night" is ridiculous, and grows more so when explanations for Scott's visions are offered. Mastorakis doesn't flinch with absurdities, sticking to the B-movie handbook with additions of shootouts and car chases, eventually leading to a conclusion that pays tribute to "Casablanca." It's impossible to hate a feature that includes laserdisc technology as a plot point, and Marc Singer makes a late-inning appearance to spice up the casting, but "In the Cold of the Night" isn't nearly as fun as a could be, laboring through an uninteresting story with an uncomfortably dim protagonist. There's plenty of eye candy, as the film couldn't look more 1990 if it tried, but such distractions are fleeting, with the picture quickly returning to the plight of Scott and his uncanny ability to get caught up in easily avoidable danger.
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