7.1 | / 10 |
Users | 4.5 | |
Reviewer | 4.0 | |
Overall | 4.2 |
Leopold Socha, a sewer worker and petty thief in Lvov, a Nazi occupied city in Poland, one day encounters a group of Jews trying to escape the liquidation of the ghetto. He hides them for money in the labyrinth of the town's sewers beneath the bustling activity of the city above. What starts out as a straightforward and cynical business arrangement turns into something very unexpected, the unlikely...
Starring: Robert Wieckiewicz, Benno Fürmann, Agnieszka GrochowskaWar | 100% |
History | 71% |
Foreign | 33% |
Period | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Polish: DTS-HD Master Audio 5.1
English, English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 2.5 | |
Overall | 4.0 |
These are my Jews.
Sometimes, there's a subject matter so completely terrible that to experience it upon multiple occasions through a medium primarily used as a form of
entertainment simply becomes too much of an emotional burden for the collective audience or individual viewer to bear. That's not to say that the
core terror and heartbreak of such a story loses any of its
power, but there's only so much audiences can do, so much grief that they can feel, until it's easier to turn away than it is to continue watching.
In Darkness is another Holocaust picture that aims to tell a terribly dark -- literally and figuratively -- chapter of the Nazi reign of terror, this
time in occupied Poland during the Second World War. Its retelling and recreating of the underground self-imposed Jewish captivity is a story worth
sharing to
be sure; it's harrowing, dangerous, emotionally charged, and all the more so because it really happened, and probably happened in a way that's much
worse than what can be depicted in film, worse in terms of the terrible physical conditions in which the in-hiding people lived, and much worse as it
relates to their mental and emotional states. Yet the material is so bleak and emotionally draining that audiences might choose to simply slip away, to
respect the event but choose to neither see it nor live it. Yet no matter one's emotional reaction, how hard the movie hits, and whatever dramatic
highs or shortcomings may
exist even in the retelling of a story this strong, audiences cannot deny this movie's technical merits, which are nearly above reproach.
Coming up for air.
In Darkness may offer a fairly gritty viewing experience, but Director Agnieszka Holland's film was captured digitally, and the results are always visually beautiful. There are moments when the digital sheen gives way to a rougher appearance that suits the mood and drained color and sense of despair, and there are moments of incredible clarity and unbeatable attention to detail. Said clarity is simply outstanding from the first shot to the last. The transfer's ability to so easily capture every last little textural nuance on cobblestone, bricks, building façades, worn wooden materials, faces, clothes, even dust and debris will amaze. This is easily one of the sharpest, most vivid, and most tremendously detailed images on the marketplace. The film spends much time in the darkness below ground, and those scenes above favor a fairly gray, limited palette. But the image captures splashes of color with pinpoint precision. Bright blues and a yellow building façade impress with unmatched accuracy up against the drab, dreary gray-shaded surroundings. Black levels are critical to the film's success, and Sony's transfer captures with ease very balanced blacks that are perfectly dark and haunting but not so much so that the image goes unseen or, on the other end of the spectrum, unnaturally bright. Even in the darkest corners, the transfer's strengths -- tremendous details and balanced colors even in low light -- reinforce the digital shoot's high yield. The image suffers from no major bouts of blocking or banding. This is a handsome, impeccable transfer from Sony.
In Darkness features the Sony-standard DTS-HD MA 5.1 lossless soundtrack, and the results come as-expected. The track features a fairly unique musical experience. Rarely is it prominent and the most intense use of it comes in a smooth orchestral scene in chapter eleven that plays with unbeatable precision, spacing, true-to-life clarity, and a quality low end. Often, ambience is the centerpiece element. The opening moments feature fine woodland ambience and the sound of popping gunfire in the distance. But the bulk comes in the underground, where scurrying rats; splashing and flowing sewer waste; and a disquieting, chilling, and lingering hollowness fills the stage. These elements are presented with wonderful accuracy and transform the soundstage into the frightening and filthy underground environment. Certainly, there are heavier audible happenings. Underground, the muffled sounds of screaming and gunfire are as emotionally chilling as they are sonically enveloping. Above, the same sounds play with the expected accuracy and crispness. Gunfire enjoys a prominent, heavy, rattly, real-life feel, and driving rain in one late scene and the flood waters which follow play with skin-soaking and ribcage-rattling accuracy, respectively. Dialogue plays cleanly and through the center save for when the action demands otherwise. English and English SDH support the Polish language track. This is a wonderfully ambient, finely engineered masterpiece of a soundtrack.
In Darkness contains nearly an hour's worth of conversational supplements and deleted scenes intermixed into the second piece.
In Darkness tells a terrible true story. It's expectedly difficult to watch, even as the movie never quite develops its characters -- its secondary characters in particular -- to satisfaction or manages to truly draw the audience into the underground hideout and have them experience as closely to firsthand as possible the true terrors of life and death as they struggled to survive. But In Darkness is a very well made, sometimes gripping, emotionally draining, and important film, even if it only leaves the audience feeling rather hopeless but at least hopeful in a reinforcement of the human spirit and will to live. Perhaps that more than any other is what the film aims to achieve, the reinforcement of good ideals, of perseverance through literal and figurative darkness, that living and seeing something through is worth the difficulties that most will, thankfully, probably never experience beyond the cinema screen. In that regard, In Darkness is a success, but one can only wonder what the movie might have been had it ironed out a few issues and drawn its audience closer to the moment. Sony's Blu-ray release of In Darkness features fantastic video and audio. An hour or so worth of extras are included. Recommended.
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