8 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
Hit men Ray and Ken have been ordered to cool their heels in the storybook city of Bruges, Belgium, after botching a big job. But since hit men make the worst tourists, they soon find themselves in a life-and-death struggle of comic proportions against one very angry crime boss.
Starring: Colin Farrell, Brendan Gleeson, Ralph Fiennes, Clémence Poésy, Jérémie RenierDrama | 100% |
Crime | 73% |
Dark humor | 71% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 2.0 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 2.5 |
Martin McDonagh's "In Bruges" (2008) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the release include archival featurettes; deleted scenes; gag reel; and more. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
Presented in its original aspect ratio of 2.39:1, encoded with MPEG-4 AVC and granted a 1080p transfer, In Bruges arrives on Blu-ray courtesy of Kino Lorber.
The comments below were used in our review of the 4K Blu-ray release of In Bruges. They are reposted here because they address specific areas of the 1080p presentation of the film.
4K BLU-RAY DISC
I viewed the entire film with Dolby Vision. I thought that all areas of the film looked excellent, frequently producing the type of visual quality I could easily use as reference material. However, I have to point out right away that my only other experience with this film, which happened with this Region-B Blu-ray release in 2019, was quite impressive as well.
I ran multiple comparisons with the Blu-ray that is included in this release and I have to speculate that there are only a few tiny discrepancies that might be appreciated by casual viewers. Also, I think that these discrepancies become meaningful on a bigger screen. Before I identify them, you need to keep in mind that this film does not have a conventional 4K master, so the 4K presentation has different technical characteristics. What are some of the areas where the discrepancies can be appreciated? If you have a very big screen, you will likely conclude that the superior encode on the 4K Blu-ray produces superior visuals. However, even in some darker areas where I thought that on my system the difference would be easy to spot, the 1080p presentation still looked great. The Dolby Vision grade is quite gentle, but the overall color balance looks slightly more impressive on it. However, even in darker footage, and there is plenty of it in this film, you will not see the type of expanded nuances that usually make the transition to 4K striking. The superior encode probably strengthens the fluidity of the visuals, but the size of your screen will almost certainly determine what type of positive difference your eyes will register. Image stability is outstanding. All in all, I think that the technical presentation is really solid, but the film looks great in 1080p as well.
BLU-RAY DISC
I did not view the entire film in 1080p. After I was done viewing the 4K presentation, I did various comparisons in areas where I thought there would be meaningful discrepancies to address in our review. My general impression is that the film looks great in 1080p, and because of the nature of the 4K presentation, I think that the size of your screen will be crucial in determining what type of visual improvements you will see when moving from 1080p to 4K. Isn't this always the case? With this film, you really are looking at marginal improvements in this transition, and while the Dolby Vision/HDR grade does impact the overall quality of the 4K presentation, the key technical characteristics of the 1080p and 4K presentations are similarly solid. One last thing. While I was performing my comparisons, I noticed a couple of different areas with blockiness in darker spots. You can see examples in screencaptures #1 and 16. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There are two standard audio tracks on this release: English DTS-HD Master Audio 5.1 and English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature. When turned on, they appear inside the image frame.
I viewed the entire film with the English DTS-HD Master Audio 5.1 track. I sounded great on my system. Clarity, sharpness, depth, and balance were excellent. This isn't surprising because it replicates the native qualities of the film's original studio mix. I did not encounter any technical anomalies to report in our review.
Foreign gangsters running wild in the ancient city of Bruges certainly sounds like a terrific idea for a great genre film. But at least as far as I am concerned this isn't what Martin McDonagh's In Bruges is. I found the posturing of its characters quite awful and its sense of humor seriously ineffective, at times even perplexingly random. To be honest, it just feels like too many directors keep using the same formula that made Guy Ritchie successful but there are no more decent tricks left for them to impress with. This is the main reason why I found In Bruges so frustrating -- it could have been unique but it ends up rehashing the same old cliches in a fairly amateurish fashion. If you wish to add In Bruges to your collection, I suggest that you take a look at our review of the 4K Blu-ray release, which offers a better technical presentation of the film.
(Still not reliable for this title)
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Limited Edition to 3000 - SOLD OUT
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Limited Edition
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Includes Beanie
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