6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A childless Western couple visit a fertility shrine in Karachi run by eunuchs and set off a huge culture clash.
Starring: James Wilby, Melissa Leo, Zia Mohyeddin, James Cossins, Shreeram LagooDrama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 (48kHz, 24-bit)
English: LPCM Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.0 |
There were around only a half dozen or so years between Jamil Dehlavi’s
Born of Fire (which came out in 1986 or 1987, depending on whom you believe) and Immaculate Conception (which, er,
was born in 1992, though some sources state
1998), but in at least some salient ways, both films are of a certain piece. First of all, as even James Wilby, one of the two principal stars of
Immaculate Conception, gets into in an interview included on this disc as a supplemental feature, Dehlavi’s films are often opaque to the point
of frankly not making sense. Wilby argues that there is a comprehensible plot in Immaculate Conception, but some may find it
at least partially obscured by weird, often intentionally hallucinatory, imagery, and a surplus of subplots that keep the film darting off into various
nooks and crannies at unexpected moments. But perhaps more importantly, aside from any consternation both films will probably engender in
many
viewers, Born of Fire and Immaculate Conception share a proto-religious aspect that includes the birth of what might be
thought of as a “mystical child”. Immaculate Conception in fact begins with an American Jew named Hannah (Melissa Leo in an early
performance) and her photographer friend Samira (Shabana Azmi) visiting a real life shrine in Pakistan called Gulab Shah which is home to
supposedly magically empowered eunuchs, including in this case a central supporting character in the film, Shehzada (Zia Mohyeddin, whom some
viewers may remember from such films as Lawrence of
Arabia and Khartoum).
While Samira is off
photographing various pilgrims and other revelers, Shehzada seems to intuit almost instantaneously that Hannah is suffering from fertility problems
and wants a baby, and tells her, via some helpful translation from his young acolyte Kamal (Ronny Jhutti), that if she wishes for a baby, she will
have one, though she will need to return to the shrine with her husband to make that wish a reality. Hannah of course instantly does
wish for a child, at which point the film segues to her home life with her husband, a Brit (and evidently a non-Jew, though this really isn’t overtly
gotten into that much) named Alistair (James Wilby). Hannah kind of discursively mentions she was at a shrine catering to issues of fertility, and
wonders if Alistair might throw caution to the wind and visit the shrine with her. Alistair perhaps understandably believes his wife’s obviously
intense desire to have a child has clouded her mind with “superstition”, but in a probably unsurprising turn of events, the couple does
return to the shrine, which just as predictably leads to several unexpected consequences.
Immaculate Conception is presented on Blu-ray courtesy of Powerhouse Film's Indicator imprint with an AVC encoded 1080p transfer in 1.85:1. Powerhouse's insert booklet contains the following verbiage on the presentation:
Immaculate Conception was restored by Powerhouse Films at Final Frame Post, London. The film's original 35mm camera negative was scanned at 4K. Colour correction work was supervised and approved by director Jamil Dehlavi and cinematographer Nic Knowland. Restoration work was undertaken at 2K to remove dirt and unstable frames. The film's stereo audio was remastered from the original 35mm separate magnetic track elements, and the alternative mono audio was remastered from an original theatrical print.Whatever qualms one may have about some of the dramatic elements in the film, visually this is quite ravishing a lot of the time, as tends to be the case with Dehlavi's films. While some of this presentation is deliberately "gauzy" looking, with diffusion filters and soft ambient lighting choices, in bright environments, including some nice outdoor material, the palette pops beautifully and detail levels are typically excellent. A lot of the interior work looked skewed toward yellow to me, but I'm assuming this was a deliberate stylistic choice given the participation of Dehlavi and Knowland in this transfer (I never saw Immaculate Conception theatrically, and in fact I'd be surprised if it ever played this market). Some of the darkest interior work can look pretty rough and without the same levels of fine detail as the bulk of the presentation.
Kind of interestingly, Immaculate Conception offers either LPCM 2.0 or 1.0 tracks, both described as "original" (with either "stereo" or "mono", as the case may be) on the Audio Menu. The stereo track definitely opens up the soundstage, probably most dramatically in some of the rather beautiful music that suffuses the film (something else this effort shares with Born of Fire). Dialogue sounded slightly masked in the stereo iteration to me, and was more consistently forward in the mix in the mono version, though there are optional subtitles for anyone having a hard time deciphering what's being said.
Like Born of Fire, Immaculate Conception is often fascinating, if just as often incomprehensible. The film might have done better to have either concentrated solely on the eunuchs and their world, or perhaps on the conflict between Kamal and Shehzada, rather than bringing in the whole "culture clash" element, not to mention the weird fertility aspect, of Hannah and Alistair. If you're a fan of Dehlavi, everything you probably love about the auteur is on display in spades throughout this film. Technical merits are solid, and the supplementary package quite interesting, for those considering a purchase.
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1978
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