7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
When young Domenico (Sandro Panseri) ventures from the small village of Meda to Milan in search of employment, he finds himself on the bottom rung of the bureaucratic ladder in a huge, faceless company. The prospects are daunting, but Domenico finds reason for hope in the fetching Antonietta (Loredana Detto). A tender coming-of-age story and a sharp observation of dehumanizing corporate enterprise, Ermanno Olmi’s Il posto is a touching and hilarious tale of one young man’s stumbling entrance into the perils of modern adulthood.
Starring: Loredana Detto, Sandro Panseri, Tullio Kezich, Guido Spadea| Foreign | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
Italian: DTS-HD Master Audio 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
| Movie | 4.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 4.5 |
Note: This film is available on Blu-ray as part of the Il posto + I fidanzati double feature set from Radiance Films.
Ermanno Olmi never seemed to reach the stratospheric heights of some other Italian directors of his same general generation, and in fact it's
arguable
that Olmi is chiefly remembered today for mainly one film,
The Tree of Wooden Clogs (the link points to the Region A release from Criterion, though the film was also released by Arrow Video for Region B in an edition I personally preferred for its warmer color timing). Radiance is perhaps aiding and
abetting a wider appreciation of Olmi's not exactly expansive but still often quite arresting filmography by offering Olmi's first two purely narrative
films (1959's Time Stood Still toed a semi-documentarian line,
though
it's probably best approached as a narrative film when all the dust and/or snow has settled).
Both of the stories in the veritable double feature might be thought of as "small", but they both show Olmi's rather interesting "combo platter" of
Neorealism and more "stylized" presentational aspects, and both have some genuine emotion suffusing their "simple" narratives. As is discussed in
some of the interesting supplements included on each disc in this double feature, both Il posto and I fidanzati offer really
interesting examples of Olmi "breaking free" of his former work as a documentarian, though both films still have definite cinema verité
aspects.


Il Posto is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 1.37:1. Radiance sent check discs for purposes of this review, and so I'm not privy to any verbiage that may be contained in an insert booklet, but the actual presentation begins with some prefatory text cards offering the following information:
This 4K restoration of Il Posto was performed by the Cineteca di Bologna Foundation and Titanus based on original Dupont film negatives and Italian sound negatives. A first generation positive copy was used as reference. Fabio Olmi, DP for many of his father's films, oversaw the colour grading. The film was restored in 2018 at L'Immagine Ritrovata, Bologna.This is a lovely and beautifully organic looking presentation that preserves an at times admittedly pretty thick grain field without ever really sacrificing fine detail levels, at least when lighting conditions allow. There are some very minor variances in densities and clarity that I'm attributing at least in part to some of the location footage, where understandably things may not have been as controllable. That said, even some of the location scenes can offer appealing detail levels on everything from costumes to the textures of stone buildings. It may be arguable that the entire presentation is just a tad on the dark side, but contrast is appealing and consistent. There's really no damage of any major import to mention.

Il posto features a DTS-HD Master Audio 2.0 Mono track in the original Italian. The soundtrack is maybe even more of a cinema verité experience than some of the plot or actual visuals, with an emphasis on ambient environmental sounds, whether those be the quiet rustling of parents in the morning before the kids have completely awakened, some torrential rain or even the clamor of a modern day office environment. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


Il posto may be a prime example of a film delivering some rather profound truths while really not offering a bunch of dramatic plot developments. Panseri's doleful eyes really help bring his characterization of Domenico alive, and the entire cast, many of whom were non professionals, help to keep things feeling real. Technical merits are solid and the supplements very enjoyable. Highly recommended.
(Still not reliable for this title)

The Easy Life | Limited Edition
1962

À bout de souffle | Vintage World Cinema | 60th Anniversary Edition
1960

Out 1: Noli me tangere / Out 1: Spectre | Arrow Academy
1971

Adieu au Langage 3D
2014

One Sings, the Other Doesn't
1977

Arrow Academy
2016

Le livre d'image
2018

Norte, hangganan ng kasaysayan
2013

The Fiancés / The Engagement
1962

Boi Neon
2015

La grande bellezza
2013

1953

Prima della rivoluzione
1964

The Devil's Woman / Eva | Indicator Series | Standard Edition
1962

Father and Master
1977

L'albero degli zoccoli / Arrow Academy
1978

Bande de filles
2014

Il Conformista / Arrow Academy
1970

1962

2013