6.3 | / 10 |
Users | 4.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
When a world war event occurs on Earth, America and Russia, both nations secretly contact their astronauts aboard the ISS and give them instructions to take control of the station by any means necessary.
Starring: Ariana DeBose, Chris Messina, Pilou Asbæk, John Gallagher Jr., Costa RoninSci-Fi | 100% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 0.0 | |
Overall | 3.0 |
Director Gabriela Cowperthwaite has tried to forge an unusual career, dealing with oceanic creature concerns in “Blackfish,” exploring the war experience in “Megan Leavey,” and examining intimate relationships in “Our Friend.” Now she heads to the stars with her latest endeavor, which details rising tensions between Americans and Russians on a space station when the world below erupts into nuclear war. “I.S.S.” is written by Nick Shafir, who cooks up a promising tale of paranoia and close-quarters tension, using the space station setting to play with games of trust and escalating violence, with Cowperthwaite in charge of finding a visual and dramatic rhythm to the feature. “I.S.S.” struggles to match the potential of its premise, but the helmer extracts some decent performances and captures compelling visuals with this mostly talky survival film.
The AVC encoded image (2.39:1 aspect ratio) presentation mostly remains in one location during the feature, finding interiors on the I.S.S. retaining depth as characters move from one end of the station to the other. Exterior shots are limited, but the bigness of Earth and the vastness of space is appreciable. Detail is satisfactory, exploring facial surfaces and bodily harm. Costuming is fibrous. Decorative additions to the station are open for analysis. "I.S.S." isn't an overly colorful film, but hues are stable, examining the creams and grays of the station, while computer readouts and lighting bring out more varied hues. Earth shots retain a dreamy blue, while eventual damage registers with a fiery orange. Skin tones are natural. Delineation is satisfactory. Brief, mild banding is present.
The 5.1 DTS-HD MA mix preserves the intimacy of the feature, which only visits a few areas of the station and space during the run time. Dialogue exchanges are sharp, exploring accents clearly and registering levels of panic, with some whispered planning balanced with more active confrontations. Scoring retains crisp instrumentation, offering a range of gentle moments to more active suspense beats. Musical moods push into the surrounds for decent immersion, and low-end percussion is acceptable. Sound effects and atmospherics are compelling, retaining the hum of the station and pressure of space with a decent circular presence.
There is no supplementary material on this release.
Shafir creates personalities and generates situations where trust is gained and lost, but a full sense of a standoff doesn't develop in "I.S.S." Pressure is periodic, and violence is limited to the third act, where matters become a little more physical for all as true intent is identified in the overall mission of sabotage. Such stunt activity doesn't help to escalate the story, with the picture finding its groove with a blend of confrontations and fears, working to understand the delicate nature of communication and responsibility involved in this situation of survival. The movie isn't a slam-bang thriller, and it doesn't carry a profound appreciation of human response, but when it gets to the essentials of paranoia, "I.S.S." almost lives up to its potential.
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