7 | / 10 |
Users | 4.5 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A dancer is pinned for murder after his shoe prints are found at the scene of the crime. His wife follows the trail of clues to the genuine killer.
Starring: Don Castle, Elyse Knox, Regis Toomey, Charles D. Brown, Rory MallinsonFilm-Noir | 100% |
Crime | Insignificant |
Drama | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.5 | |
Video | 5.0 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 3.5 |
"Don't be mean to cats" is the lesson learned from William Nigh's forgotten noir I Wouldn't Be in Your Shoes. This low-budget 1948 production, based on a short story by Cornell Woolrich about a man wrongly accused of murder, stars a little-known cast and went relatively unseen for decades. Warner Archive's sparkling new Blu-ray, sourced from original nitrate elements and treated with the studio's usual purist-friendly touch, marks the film's first home video release and that alone should pique the interest of die-hard genre fans. It's pretty much a blind buy by default.
The circumstantial evidence piles up once Tom finds an unmarked billfold with $2,000 of "old money" -- large-print bills no longer commonly circulated -- that he decides to turn in to the police but, spurned by Ann and mounting debt, they hold onto it for a week instead. Like that one guy in Goodfellas, though, she soon makes a few big purchases and that basically seals the deal for police inspector Clint Judd (Regis Toomey, most famous for supporting roles in The Big Sleep and His Girl Friday), who quickly arrests Tom in his apartment and grills him about that fateful night. His alibi is pretty weak -- seriously, he threw his shoes at a cat -- and, though it's corroborated by his wife, the case doesn't hold up in court and he's given the death penalty. Desperate to prove her husband's innocence, Ann privately enlists Judd to do a little more local investigation; after all, the real killer might be only a shoe's throw away. Judd's more than happy to help, of course, as he's been infatuated with Ann since his regular appearances at her dance classes.
Capably acted with great dialogue and an ever-twisting narrative, I Wouldn't Be in Your Shoes feels like a pretty solid candidate for one of
those "forgotten film
noir" collections. It's just good enough to stand on its own two feet, but not exactly as an all-time classic: the
ultimate twist is predictable (and pretty silly when you think about it), and the late push to make Ann a seasoned detective rings hollow. As for the
characters themselves, they're certainly memorable in their own right -- and refreshingly gray-shaded, rather than pure black and white -- but are
mostly clichéd within genre boundaries. The film's real selling point is obscurity, which admittedly boosts its appeal slightly and might even
warrant a courtesy four-star upgrade on the right day. So while it's a solid B-choice at best, I Wouldn't Be in Your Shoes is still well worth
watching and Warner Archives' Blu-ray, unsurprisingly, is an absolute stunner from a technical perspective. If you're a seasoned genre fan
with little or no memory of this one, you'll probably enjoy the ride.
Although it's the rare Warner Archive release pressed on a single-layer Blu-ray, I Wouldn't Be in Your Shoes boldly carries a torch for the studio's growing list of great catalog transfers. Although shot on a modest budget, the film's prime film noir visuals make it an ideal candidate for WAC's restoration process, which as usual takes the purist-friendly approach with a careful touch and dazzling results. This 1080p transfer is sourced from a recent scan of original nitrate elements, yielding a terrific amount of image detail that really shows off the film's stylish cinematography. True to the genre, shadows play a big role in its overall aesthetic, with silvery greys and black levels that hold up perfectly. On the other end of the spectrum, lighter contrast levels and stray bright whites also shine with no apparent blooming, while its suitably strong mid-range details and strong gradients don't suffer from banding or other harsh compression-related issues. Film grain, as always, is readily apparent and has not been scrubbed away with excessive noise reduction. All told, it's a very clean and stable image that might just be one of the strongest home video debuts in recent memory. This is more outstanding work, as usual, from one of the most reliable boutique labels in the business.
The film's DTS-HD 2.0 Master Audio mix cleanly showcases one-channel source material that's obviously been kept in great shape. Conversations are clean and crisp with no sync issues or other defects, whether they're held in a cozy coffee shop or a near-empty moonlit street. There's not much action, gunshots or otherwise, but those moments pack a reasonably strong punch that sporadically livens up this dialogue-driven production. The stock score assembled by prolific composer Edward J. Kay (King of the Zombies, Lady, Let's Dance) sounds terrific as well with a somewhat thin but dynamic presence that supports many of the film's most memorable scenes. Although this two-channel split mono track will never be confused for a true stereo presentation, it's a capable effort that gets the job done nicely.
Optional English (SDH) subtitles are included during the main feature, but unfortunately not the extras.
This one-disc release ships in a standard keepcase with original one-sheet poster artwork and no inserts, while the menu interface features what might be the most painfully uncomfortable close-up I've seen to date. The included bonus features are minimal -- and not film-specific, unfortunately -- but still very much appreciated.
William Nigh's I Wouldn't Be in Your Shoes, produced by Walter Mirisch (In the Heat of the Night), is a largely forgotten film noir that's worth (re)discovering. Some of its characterizations are a little shaky and the ultimate twist is pretty ridiculous, but it's well-acted and still very impressive for a low-budget production -- even if yes, the main selling point is obscurity. Warner Archive takes it in stride with another rock-solid catalog release: this one's got top-tier A/V specs, of course, but its short runtime is offset by a few vintage bonus features. Recommended to the right crowd.
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