5.2 | / 10 |
Users | 3.0 | |
Reviewer | 1.5 | |
Overall | 2.4 |
Meet Genevieve. She loves romance. She loves flowers. She loves Valentine's Day. All of which is fitting as the owner of "Roses for Romance," a quaint flower shop in the heart of a friendly Brooklyn, NY neighborhood. Her one problem is that she hates relationships. Having been hurt numerous times in the past when it comes to matters of the heart, Genevieve keeps herself happy by not letting any one man in. Dating is a game to her, a game she is very good at. Genevieve doesn't get dumped and never gets hurt because she doesn't stick around long enough for things to get ugly. Then she meets Greg...
Starring: Nia Vardalos, John Corbett, Judah Friedlander, Zoe Kazan, Jason MantzoukasComedy | 100% |
Romance | 62% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Digital 5.1
English: Dolby Digital 2.0
English, English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 1.5 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 1.0 | |
Overall | 1.5 |
If there’s one thing that’s worse than a bad romantic comedy, it’s a bad seasonal rom-com, the kind that gets trundled out perennially around Christmas and Valentine’s Day along with all the chocolates, greeting cards, and other mawkish accoutrements of supposed holiday cheer that get foisted upon us by industries exploiting our most tender feelings. No, I’m not some stonyhearted, emotionally constipated cynic sneering at lovers passing by with their hands entwined; I just happen to think there’s nothing less romantic than soulless, pre-packaged sentiment, especially when it takes the form of a rigidly formulaic rom-com. Now, there’s nothing expressly wrong with sticking to a formula. The very notion of comedy, tragedy, and romance as literary and cinematic genres implies an expected trajectory and an adherence to certain rules. Like jazz, though, it’s all about the improvisation, throwing in slight variations and unexpected notes. And nothing about I Hate Valentine’s Day is even mildly unexpected.
Genevieve and Greg are as disappointed with this modern art as I am with this movie.
When you think "romantic comedy" and "cinematography," you probably imagine overly bright, slightly unnatural lighting—the better to see our stars' faces with—and a bold, bubbly color palette. Well, add your conception of "low budget" to that combo, and you have I Hate Valentine's Day's visual aesthetic, which tries to emulate the look of more expensive rom-coms, but has a distinctly "made for TV" appearance. That said, this 1080p/AVC-encoded transfer makes the most of the film's meager budget, with a look that's surprisingly sharp and appropriately colorful. Overall clarity is better than expected, with texture amply evident in the actors' clothing, while faces display a good deal of fine detail. Unsurprisingly, red figures prominently in the pleasantly saturated color scheme, but blues and purples also stand out nicely. Black levels are adequately deep as well—with good shadow delineation—and contrast is tight. Topping off the image is a warm and thin speckling of grain, which only spikes during a few wide "New York cityscape" shots that are obviously stock footage. Aside from some minor brightness flickering—occasionally apparent when a character is against a flat, solid color background—I didn't notice any overt transfer issues or compression- related problems. This might not be the prettiest Valentine's Day card that was sent to Blu-ray this year, but it's the thought that counts.
I have no idea what kind of overlap exists between hardcore audiophiles and people who will like this film—I imagine it's an ultra-small demographic—but I'm sure that there are a handful of people out there who are severely disappointed that I Hate Valentine's Day arrives on Blu-ray without a lossless audio track. To be fair, though, the film's Dolby Digital 5.1 surround mix isn't bad, especially considering the fact that this is a low-budget romantic comedy, a genre that isn't exactly renowned for boisterous audio mixes. As you might expect, this is mostly a front-heavy, dialogue- driven experience, but I have to give the film credit for keeping the surround channels surprisingly active. You'll hear patron chatter and the clamor of forks on plates in a lunch diner, for instance, and anytime the characters are outside, traffic moves quietly through the rear speakers. Music often fills out the soundfield as well, although the score, if you can call it that, is dippier than undercooked eggs. Most importantly, the dialogue—inane though it may be—comes through cleanly and naturally. Could a lossless audio track improve anything here? Marginally, sure, but I didn't feel like I was missing anything vital.
Commentary by Nia Vardalos and Producers Jason Shuman and William Sherak
Though I have a hard time recommending anyone watch the film again, Vardalos and her
producers
deliver a brisk, cheerful track that's actually fairly interesting when they discuss the practical ins
and
outs of obtaining funding for an independent rom-com. It's certainly not essential listening, but if
you do enjoy the film, you'll probably enjoy hearing Vardalos talk about it.
Trailer (1080p, 2:05)
Valentine's Day has come and gone, and I Hate Valentine's Day will likely find its way to the bargain bins and dusty back shelves of rental chains and retail stores nationwide. The only reason to rescue a copy from the film's imminent obscurity is if you're a long-time Nia Vardalos fan who collects everything the Grecian comedienne puts out, whether it's good or not. Otherwise, steer clear.
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