7.1 | / 10 |
Users | 4.5 | |
Reviewer | 3.0 | |
Overall | 3.1 |
The inspiring and unknown true story behind MercyMe's beloved, chart topping song that brings ultimate hope to so many is a gripping reminder of the power of true forgiveness.
Starring: J. Michael Finley, Madeline Carroll, Dennis Quaid, Trace Adkins, Cloris LeachmanFamily | 100% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
UV digital copy
DVD copy
Slipcover in original pressing
Region A (C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.0 |
Christian Copyright Licensing Incorporated will probably be a recognizable name to anyone who has spent any time in a so-called “music ministry”, as indeed I have in various guises for much of my adult life. It actually struck me as kind of funny that two huge religiously oriented publishing or publishing related entities are housed either in or near my hometown of Portland (ironically, a place known for people claiming to be "spiritual but not religious"), namely CCLI (as the aforementioned group is commonly known around the globe) and the probably less widely known company that handles a lot of the music publishing for Pacific Northwest (and beyond) Catholics and Episcopals, Oregon Catholic Press (or OCP for the acryonym inclined). CCLI has a huge online component for churches who subscribe, including a kind of cool feature called SongSelect that offers Music Ministers or other interested musicians the chance to download charts or leadsheets to what many would call “Contemporary Christian” tunes, kind of like mainstream websites like Sheet Music Plus. When “I Can Only Imagine” hit to the top of the Contemporary Christian charts (not to mention some more “ecumenical” charts like the Billboard Hot 100, where it made it to 71, a relatively rare feat for a religiously themed tune), one of the singers at whatever church I was working for at the time asked me to print out a copy, and I literally thought the church printer spool had repeated itself somehow when the music that emerged went on for pages — and pages — and pages. But, no, that was simply how much space it took to tell the “story” that “I Can Only Imagine” told, a saga about a man standing before Divine judgment and feeling a rush of grace of salvation. As the inimitable Paul Harvey used to state, this new film bearing the same title as the song purports to tell “the rest of the story”, dealing with the real life tale of songwriter Bart Millard (played by Brody Rose as a young boy, and then J. Michael Finley for the bulk of the film), whose family dysfunctions play at least a tangential role in sparking the inspiration for the song.
I Can Only Imagine is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.38:1. Cinematographer Kristopher Kimlin comes in for some early props in the commentary included on this Blu-ray as a supplement, and indeed there's some beautiful imagery scattered throughout this film, perhaps surprisingly not relegated solely to "Norman Rockwell" scenes of American landscapes. Even some interior scenes of performance venues or even close-ups of hands striking piano keys have a certain luster and an almost burnished palette at times. Detail levels are typically excellent throughout the feature, though a few shots, including some arguably "overly meaningful" shots filled with effulgent lighting (and often graded toward blue) have less fulsome fine detail levels. There are no issues with compression anomalies.
Perhaps surprisingly for a film which features so much music so prominently, I Can Only Imagine's DTS-HD Master Audio 5.1 mix, while perfectly fine, can sound just a trifle restrained at times. The music, including the title song, certainly nicely fills the surround channels, and some scenes which feature live audiences have the hustle and bustle of a crowd, but a lot of this film plays out in quieter dialogue scenes, and in many of these surround activity is relatively minimal. Fidelity is fine throughout this presentation, offering excellent support for both music and dialogue.
MercyMe fans or those who may have come to love "I Can Only Imagine" even if they don't care one whit for Contemporary Christian music as a genre will probably find a lot to like in this film, though as with many faith based enterprises, it may be too treacly for "outsiders". Honest performances help to elevate this story, even if a lot of it plays a bit on the melodramatic side. Technical merits are solid for those considering a purchase.
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