6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Bart Millard, lead singer of MercyMe, faces a personal crisis at the peak of his success. As his world unravels, he struggles with his beliefs and inner demons while seeking a path through adversity.
Starring: John Michael Finley, Milo Ventimiglia, Sophie Skelton, Trace Adkins, Dennis Quaid| Drama | Uncertain |
| Family | Uncertain |
| Biography | Uncertain |
| Music | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1
English, English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 5.0 | |
| Extras | 4.0 | |
| Overall | 3.0 |
Like a lot of people who have made the inarguably insane decision to try to make a living as a musician, I have had several long stints as Music Director of various Christian denominations (along with a Jewish shul or two), but I never encountered what is now known as the "Contemporary Christian" idiom of worship music until I provided leadership for a large Episcopalian parish on the outskirts of Portland, Oregon. When I began my tenure there, the priest was an absolutely wonderful British guy who somewhat comically had an aversion to Contemporary Christian music because, as he quite saliently in my opinion stated, a lot of the lyrical content of Contemporary Christian songs tends to emphasize "I" over "we", something this insightful priest thought was contrary to Christian theology, or at least sociology. Which brings us to "I Can Only Imagine", the chart topping song by MercyMe that provided the background for the eponymous film I Can Only Imagine (my review of that film also offers the above anecdote about the Episcopal priest). Personal pronouns aside, this follow up film features a somewhat older if arguably not considerably wiser Bart Millard (John Michael Finley), who finds out that a chart topping tune may not necessarily automatically solve all of life's little problems. Who knew?


I Can Only Imagine 2 is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. As of the writing of this review, there's really not much technical information available online, but this is a nice looking digital capture that I suspect had a 2K DI. Clarity is consistent throughout, and unlike the first film there are some rather interesting grading and lighting choices that suffuse things, including a lot of blue tinged material (admittedly kind of like the first film) in the concert footage in particular, but also with some almost "golden hour" yellows in a number of other moments. Some of the scenic (assumed) drone shots are especially nice looking, with "all American" vistas unfolding behind the tour bus. Close-ups deliver commendable detail levels. I'm wondering if some interior aerial material of concerts may have been done with a GoPro or something a bit less hi res and maybe even prone to aliasing artifacts than the bulk of the presentation, but those moments are fleeting.

I Can Only Imagine 2 features a nicely immersive Dolby Atmos track that understandably gets a lot of its surround activity courtesy of the music, not necessarily implying only the concert footage (which does offer some of the most noticeable Atmos engagement). The use of source cues and of course other diagetic moments like tunes being written and the like provide great opportunities for fluid presentation and excellent fidelity. Occasional crowded framings, like the assemblage on the tour bus, can also offer clear engagement of the side and rear channels, and ambient environmental effects can dot some of the outdoor (or even arena) material. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.


I had a nice (non religious) Easter gig this year where an audience member asked if I could play "I Could Only Imagine", which of course I could and did, but I also chatted with her for a moment beforehand because I knew I would be getting this in my queue in this particular nook and cranny of my work life. I asked her what she thought of it, and she was quite effusive in stating that it was much better than the first film, which she had completely loved. In the "forgive me my sins" department, as evidenced by my scores for both the first film and this one, while undeniably emotional at times, this follow up in particular seems overly designed for mass consumption, kind of like a hit song. That said, those who are more in line with that audience member's sentiments will no doubt find this a worthy sequel. Technical merits are solid and this boasts a rather bounteous supply of bonus material, for anyone who may be considering making a purchase.