5 | / 10 |
Users | 0.0 | |
Reviewer | 1.5 | |
Overall | 1.5 |
The last man on earth must battle the undead horde that rules Earth.
Starring: Mark Dacascos, Geoff Meed, Jennifer Lee Wiggins, Ryan Lloyd, Joshua SchlegelHorror | 100% |
Sci-Fi | 8% |
Action | 5% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Digital 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 1.5 | |
Video | 2.5 | |
Audio | 2.0 | |
Extras | 0.0 | |
Overall | 1.5 |
Aha! His interest is piqued!
When The Asylum noticed that Will Smith's I Am Legend was coming to theaters, the "mockbuster" studio decided
to
make their own version and rushed a movie into production. "Rushed" is probably a good descriptor. I Am Omega -- so titled as a
combination
of Smith's I Am Legend and the Charlton Heston film The Omega Man which, coincidentally, was based on the Richard
Matheson novel entitled I Am Legend (what, no love for Vincent Price's The Last Man on Earth?) -- managed to hit store shelves a
full month before Smith's film made its way to theaters, but it
didn't
seem to cause that much confusion, seeing as Smith's film still pulled in nearly $600,000,000 worldwide gross. The Asylum, for those still
in
the dark, is a small studio that makes ultra-cheap knock-offs of popular movies; some of the gems of their catalogue include 2012: Doomsday and Transmorphers: Fall of Man. Yup, it's that kind of studio. Other
than throwing a dart to decide which blockbuster to capitalize on next, the hardest part of the I Am Omega process had to be decision as to
what to call the
thing;
no doubt hours and hours of
hair-pulling, pencil-chewing, and rear-end-numbing numbers crunching and market research analysis resulted in I Am Omega winning out
over the
more obvious choices, The Omega Legend or I Am the Last Omega Legend on Earth. The genius decision to title the film as it is
probably
earned the studio a whole extra sale and two
additional rentals.
Renchard: defender of warm beer.
I Am Omega's 1080p transfer won't be the last one standing in most any comparison, but Echo Bridge's effort suits the material well enough. This is a steady but unremarkable transfer; detail is merely adequate, with close-ups of faces revealing good skin texturing. Assorted objects seen around the movie fare well enough, remaining sharp and mostly clear though never capturing that absolutely realistic appearance. The image is made up of a primarily flat video-like texture with uninteresting colors which, in the transfer's defense, seem like they reflect the filmmakers' efforts to paint a bleak and inhospitable environment. Blacks tend to devour details around the frame, but on the other end of the spectrum, they never appear pale. There's no evidence of excessive blocking or aliasing, though banding does pop up on occasion. Watch for a shot that almost looks like a camera negative. I Am Omega isn't likely to win over hardcore videophiles, but considering the film's low budget and the Blu-ray's bargain price, it's hard to complain too loudly about what Echo Bridge has done here.
I Am Omega's Dolby Digital 2.0 soundtrack isn't going to win any awards, but it's a decent enough presentation of a below-par movie. This track lacks in range; it's focused straight up the middle with little-to-no information elsewhere, but its limited spacing is cancelled out by a fair amount of clarity. Atmospherics are handled up front, and the track does little more than make the sounds known; there's no sense of immersion here. Heavier sound effects, such as a major explosion near film's end, fail to find even a smidgen of power, and various gunshots sound puny and indistinct, almost sounding more like cap gun fire than real automatic weapons fire. Dialogue, too, could use a bit more power; several lines play as muddled and lacking in crispness, but basic intelligibility is never an issue. I Am Omega's soundtrack gets the job done; nothing more, nothing less.
I Am Omega contains no special features.
I Am Omega is a movie that's not bad for The Asylum, but the plot most definitely feels rushed. It leaves so many questions unanswered and so many elements underdeveloped that the movie crumbles simply because it never makes all that much sense. Still, the acting is borderline decent and the story has a few surprises in store for those who stick around until the end, but don't blame anyone who gets up and leaves halfway through; there's no reason to really watch this, even as a companion piece to the films it mocks. Look for the can of Folger's Coffee with the "L" blacked out; that pretty much sums up how low-rent this thing is. Those who might want to give this a spin will find a passable technical presentation and no extras. Rent it, compadre.
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Uncut and Unrated
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