6.7 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Fifteen-year-old John Cleaver is dangerous, and he knows it. He’s obsessed with serial killers but really doesn’t want to become one. Terrible impulses constantly tempt him, so for his own sake, and the safety of those around, he lives by rigid rules to keep himself “good” and “normal”. However, when a real monster shows up in his town, he has to let his dark side out to stop it—but without his rules to keep him in check, he might be more dangerous than the monster he’s trying to kill.
Starring: Max Records, Christopher Lloyd, Laura Fraser (II)Horror | 100% |
Supernatural | 4% |
Psychological thriller | Insignificant |
Thriller | Insignificant |
Coming of age | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.66:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (B, C untested)
Movie | 4.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 4.5 |
Adapted from a novel by Dan Wells, “I Am Not a Serial Killer” is one of the better chillers I’ve seen in recent memory, using an enticing sense of mystery to act as glue for macabre events occurring in a tiny Minnesota town. It’s the new film from burgeoning genre moviemaker Billy O’Brien, and he gives his latest work some serious thought, trying to balance the needs of unsettling characterization with slightly damaged people and a grander arc of horror that takes more than a few unusual directions. “I Am Not a Serial Killer” works best without a full understanding of what lies ahead, so the spoiler-sensitive (and you know who you are) should walk away from this review now, preferably straight to a Blu-ray of the picture, ready to appreciate the dramatic subtleties and indie production achievements of the feature, which offers much more than predictable shock value.
Shot on 16mm, the textured charms of the "I Am Not a Serial Killer" cinematography are preserved wonderfully on the AVC encoded image (1.78:1 aspect ratio) presentation. Grain is present and filmic, delivering a wonderful sense of life to the viewing experience, which retains its intended eeriness. Detail is consistently satisfactory throughout, identifying small town architecture and neighborhood distances, and facial particulars are also defined with reasonable clarity. The feature's interest in stranger encounters delivers more unique surfaces and viscosity. Colors are secure and communicative, bringing out the best in neon lightning and wintry locations, providing colder, brighter hues that balance well with apple cheeks and bloodshed. Delineation is ideal. Source is without damage, but inherent issues with debris and hair remain.
The 5.1 DTS-HD MA sound mix does a lot of heavy lifting for the low-budget picture, successfully communicating the mysterious mood O'Brien is aiming for. Surround activity is mostly subtle, with the track favoring a frontal presence to connect with listeners, handling dialogue exchanges with compelling clarity, mindful of emotional outbursts, echoed rooms, and bizarre discoveries. Scoring sounds full and deep, supporting the action and boosting it with tasteful volume surges when the moment calls for emphasis. Instrumentation is ideal. Atmospherics maintain the wintry Minnesota mood, detailing winds and snow, and school bustle is also evocative. Sound effects are mild but accurate.
"I Am Not a Serial Killer" features excellent small town atmosphere to back up its spooky twists and turns, with scrappy cinematography by Robbie Ryan juggling the foreboding atmosphere of a murder spree with the isolation of winter in Minnesota, making the frigid sleuthing pop wonderfully. Costume design also has its highlights, including the use of a winter hat that, when pulled down, gives John a cartoon panda appearance, making his ultimate quest all the more unnerving. Mercifully, there's a beginning, middle, and end to all this murder business, finding Wells's literary structure helping to keep the effort focused and satisfying, never overly obsessed with the process of killing, just the result of it. "I Am Not a Serial Killer" preserves its surprises most of the way through, and they're good ones too, rooted in emotion and welcoming the unreal, gifting the picture a fascinating story to support its weird endgame.
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