6.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
When beloved varsity quarterback disappears during the "Satanic panic of the late 1980s, a struggling high school band of outcasts realizes they can capitalize the town's sudden interest in the occult by building a reputation as a Satanic metal band, until a bizarre series of murders, kidnappings, and reported "supernatural activity" triggers a leather-studded witch hunt that leads directly back to them.
Starring: Emjay Anthony, Chiara Aurelia, Kezii Curtis, Nikki Hahn, Bruce Campbell| Horror | 100% |
| Thriller | Insignificant |
| Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 0.0 | |
| Overall | 4.0 |
Premiering on Peacock in October of 2024 and set in the 1989, 'Hysteria! Season One' arrives on Blu-ray courtesy of Universal. The horror and
nostalgia-infused series stars genre stalwart Bruce Campbell ('Evil Dead', 'Army of
Darkness'), Julie Bowen ('Modern Family') and Anna Camp ('True Blood', Pitch Perfect') alongside young actors Emjay Anthony ('Bad Moms',
Krampus'), Chiara Aurelia ('Cruel Summer', Luckiest Girl Alive') and Kenzii Curtis ('Dolemite is my Name'). This release includes all eight episodes
spread across two Blu-ray discs. 'Hysterial Season One' is devoid of any supplemental material. Neither a slipcover nor a Digital Code are included.
Cinema has no shortage of boogeymen. Evil entities bent on death and destruction feature in a host of horror films
stretching back to the very beginnings of motion pictures, with some like 1922's Nosferatu being considered not only a classic of the horror
genre but of film in general. More modern horror films from the late 1970s and beyond would see the rise of various horror franchises such as
Halloween, Friday the 13th, and Child's Play where the largest common thread between the growing number of
installments is the boogeyman in question (Michael, Jason and Chucky),who despite, and perhaps even because of, their murderous and evil ways
essentially become the stars of the franchise with cinemagoers returning time and again to bear witness to more graphic, gruesome and inventive
kills and
an ever-increasing body count.
It was in this horror film heyday of the 1980s as Michael, Jason, Chucky and others of their ilk were at the height of their powers when a more
"real"
boogeyman took center stage in communities across the United States; Satan. Just as panicked townsfolk in colonial America saw witches
everywhere in the early 1690s, so, too, was Satan lurking around every corner in the 1980s. The crusade against Satan was moved forward by an
amalgam of organized religion, local and federal law enforcement, concerned parent groups, and others, with Satanists being accused of
abductions,
child molestation, murder, and ritual sacrifice.
The very soul of the nation seemed to be at stake, and the primary Satanic recruiting tools the crusaders seemed to blame were heavy metal music
and the nascent role-playing game designed by E. Gary Gygax and Dave Arneson, "Dungeons & Dragons". The latter was so worrisome that a
made-
for-TV movie, Mazes and Monsters (1982) starring Tom Hanks, was crafted to warn suburban parents of the mind-destroying powers of the
game. While it didn't delve deeply into the Satanic aspects and dangers that various groups vociferously espoused, it still functioned as a clear
warning against the game. But while "Dungeons & Dragons" in those early days had a much smaller fanbase, less name recognition, and
dramatically smaller market penetration within the gaming industry as a whole, it was a different story for evils of heavy metal. Records by Ozzy
Osborne, Black Sabbath, Alice Cooper, Judas Priest, Iron Maiden, AC/DC, and KISS, lined record store shelves in malls across the country. All were
relatively mainstream acts at the time and each was accused, in one way, shape. or form of being a Satanic influence on the youth who listened to
them - either by virtue of their lyrics, their cover art, their live stagecraft, or a confluence of these elements. Acts like AC/DC and KISS faced
additional accusations as various concerned groups alleged their very names were acronyms that divulged and gave credence to their Satanic
origins
and allegiances. It's this world that Hysteria! Season One calls home.


Hysteria! Season One has a somewhat inconsistent visual presentation, with its inadequacies most likely stemming from the digital tinkering done to the image and its color palette. At times fine detail can be incredibly high with facial particulars being available. Bruce Campbell's face, especially in daytime exterior shots and interior close-ups provides viewers an opportunity to observe every fine line and wrinkle on a visage that is indelibly inked into the minds of genre fans the world over. Every strand of his greying hair is likewise visible. Other times, such as in the opening scene for example, the faces of the two young lovers are almost impossibly smooth, casualties of an image that has clearly been tinkered with to create a warm, romantic/nostalgic amber-hued bedroom. The same holds true for other interior shots that bear similar traits of manipulation, where fine detail is removed from the face of an increasingly frantic and disturbed Julie Bowen. Still, other times, detail can be impressive, with every fiber of the rich in Faith's bedroom being discernible, and the age and wear on the strange white masks (I won't spoil anything here) that are seen on occasion, and the scuffed and battered interior and exterior of an ominous white van. Blacks, while inky, can be of concern, with environmental and character particulars being lost to the darkness. CGI is effectively used for various demonic creature shots, and though such shots are brief, they are well done. Primaries, especially reds, pop nicely, with blood effects presenting with a rich and viscous crimson. Considering the era I would have preferred a properly filmic look, but what is here is more than adequate (just not stellar).

Hysteria! Season One's DTS-HD Master Audio 5.1 audio is a real crowd pleaser. Music fans will be excited to hear the surrounds used to great effect to support the '80s-infused soundtrack, from Belinda Carlisle's bright and syrupy pop vocals to the much more frequently featured heavy metal (and adjacent) songs of the era. During the all-important opening scene, the vigorous and ominous pounding on the bedroom door fills the sound stage, placing the viewer in the same state of alarm as the two teens. The series' theme song muscularly pumps through the sound field, enveloping the viewer in pounding drums, thumping bass, and screaming guitars. Dialog is consistently front and center, and is never less than understandable. Directionality is accurate and fluid as objects and vehicles move smoothly through the field. Bass is impressive and deep, adding menace to various sound effects and a sumptuous bottom end to the soundtrack. It's a solid track.

Sadly, Hysterial Season One is devoid of any on-disc supplemental material. An episode guide, however, is provided on the artwork's inner print.

While most may associate the 1980s with fashion trends like huge shoulder pads and lots of unnecessary zippers, the birth of MTV, and unbridled consumerism, Hysteria! Season One reminds viewers that, as absurd as it may sound, they were also the time of the war against the evil powers of rock and roll to save the souls of our nation's youth from Satan. Propelled by a terrific soundtrack and populated with a committed cast led by Julie Bowen, Anna Camp, Emjay Anthony, and Bruce Campbell, the series has enough devilish delights to please established horror fans and newcomers alike. Hysteria! Season One may be the only eight episodes we'll ever receive, but the season is mostly self-contained and while more episodes would have been welcome, none are needed to complete this chapter in the lives of Dylan, Jordy, and Spud. Recommended.
(Still not reliable for this title)

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