6.8 | / 10 |
Users | 4.2 | |
Reviewer | 2.5 | |
Overall | 3.2 |
An untested American submarine captain teams with U.S. Navy SEALs to rescue the Russian president, who has been kidnapped by a rogue general.
Starring: Gerard Butler, Gary Oldman, Common, Michael Nyqvist, Linda CardelliniAction | 100% |
Thriller | 24% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1
English SDH, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (locked)
Movie | 2.5 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 1.0 | |
Overall | 2.5 |
It’s maybe just a little odd in a supplement included on this Blu-ray to hear Gerard Butler wax enthusiastic about Hunter Killer as a “passion project” of his that he evidently fostered for years before it was ever produced. Typically many pet projects of leading lights of the film industry can tend to be a little on the eccentric side, which is of course one reason why they can tend not to be produced quickly. But in the case of Hunter Killer, there’s virtually nothing in the film that hasn’t been seen before, and it’s notable that even Butler refers to what he calls the “submarine genre” as not having been exploited lately, one reason he was so amped up to get Hunter Killer on the big screen. Interestingly, Butler and other talking heads in the featurette discuss that one of the things delaying the film’s production was that relations with Russia had improved at one point so much that making them the perceived “enemies” in the film was deemed unrealistic. That’s arguably a bit of weird reasoning, since Hunter Killer actually promotes a relationship between two submarine commanders, an American named Joe Glass (Gerard Butler) and a Russian named Sergei Andropov (Michael Nykvist), who work together to undercut a coup taking place in Russia. Even the coup aspect would seem to subliminally suggest that Russia isn’t a monolithic enemy in this piece, but one way or the other Hunter Killer ends up playing like a kind of weird mashup of elements in The Hunt For Red October and Seven Days in May.
Hunter Killer is presented on 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.38:1. As I mentioned in our Hunter Killer Blu-ray review, a variety of Arri Alexa models were used for the shoot, but I have been unable to find any authoritative data as to the resolution of the DI. I'm presuming 2K, but as always with my reviews, if anyone can point me to verifiable information confirming a 4K DI, let me know and I'll update the review. In any case, this is a 4K presentation where there is an undeniable and at times quite noticeable uptick in detail, but kind of ironically that may not end up helping things visually, at least in terms of some of the CGI, which to my eyes looked considerably more artificial in this version. Several scenes of things like boats or subs in water, or even some of the other effects like conflagrations and the like, often looked almost "cartoonish" with the increased resolution of this presentation. Otherwise, though, there are some substantial improvements in detail and fine detail levels throughout the presentation, especially since so many of the interior scenes tend to be framed in close-ups. Everything from facial features to the tweedy fabric of Madam President's suit jacket look more precise in this version. Dolby Vision adds some noticeable new highlights, especially in the abundant blue tones of both the underwater and interior sub sequences. Other moments, like the first scene at the headquarters where Common and Oldman interface, have an almost khaki beige tone to them now. While shadow detail is improved overall, there is still some passing crush, noticeably in some of the interior sub scenes, where the dark uniforms of the sailors tend to blend with shadowy backgrounds at times.
Hunter Killer features a very effective Dolby Atmos track that regularly engages the Atmos channels with effects like a couple of big explosions, or even the "pings" that dot the submarine sonic environment. Several other big set pieces, like a parachute drop into enemy territory, also offer great opportunity for good surround activity. Trevor Morris' score is spread nicely through the side and rear channels, and dialogue is always rendered cleanly on this problem free track. Fidelity is excellent throughout the presentation, and there's really good attention paid to the difference in ambient reverb when the film switches to the more claustrophobic confines of the submarine. Dynamic range is very wide and adds to the enjoyment of the track.
Hunter Killer has a decent enough premise, even if large swaths of this film seem like retreads from earlier (and arguably better) films. Butler is stolid enough, and it's certainly a pleasure to see the late Nykvist in one of his last roles, but the film never really attains much momentum, despite some nicely staged action sequences. Fans of the cast may well want to check this out, and for those folks or anyone considering a purchase, the good news is that technical merits are first rate.
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