Hunter Killer 4K Blu-ray Movie

Home

Hunter Killer 4K Blu-ray Movie United States

4K Ultra HD + Blu-ray + Digital Copy
Lionsgate Films | 2018 | 122 min | Rated R | Jan 29, 2019

Hunter Killer 4K (Blu-ray Movie)

Price

List price: $19.99
Amazon: $14.96 (Save 25%)
Third party: $9.99 (Save 50%)
In Stock
Buy Hunter Killer 4K on Blu-ray Movie

Movie rating

6.8
 / 10

Blu-ray rating

Users4.2 of 54.2
Reviewer2.5 of 52.5
Overall3.2 of 53.2

Overview

Hunter Killer 4K (2018)

An untested American submarine captain teams with U.S. Navy SEALs to rescue the Russian president, who has been kidnapped by a rogue general.

Starring: Gerard Butler, Gary Oldman, Common, Michael Nyqvist, Linda Cardellini
Director: Donovan Marsh

Action100%
Thriller23%

Specifications

  • Video

    Video codec: HEVC / H.265
    Video resolution: 4K (2160p)
    Aspect ratio: 2.38:1
    Original aspect ratio: 2.39:1

  • Audio

    English: Dolby Atmos
    English: Dolby TrueHD 7.1 (48kHz, 24-bit)
    Spanish: Dolby Digital 5.1

  • Subtitles

    English SDH, Spanish

  • Discs

    Blu-ray Disc
    Two-disc set (2 BDs)
    Digital copy
    4K Ultra HD

  • Packaging

    Slipcover in original pressing

  • Playback

    Region A (locked)

Review

Rating summary

Movie2.5 of 52.5
Video4.5 of 54.5
Audio5.0 of 55.0
Extras1.0 of 51.0
Overall2.5 of 52.5

Hunter Killer 4K Blu-ray Movie Review

Reviewed by Jeffrey Kauffman February 15, 2019

It’s maybe just a little odd in a supplement included on this Blu-ray to hear Gerard Butler wax enthusiastic about Hunter Killer as a “passion project” of his that he evidently fostered for years before it was ever produced. Typically many pet projects of leading lights of the film industry can tend to be a little on the eccentric side, which is of course one reason why they can tend not to be produced quickly. But in the case of Hunter Killer, there’s virtually nothing in the film that hasn’t been seen before, and it’s notable that even Butler refers to what he calls the “submarine genre” as not having been exploited lately, one reason he was so amped up to get Hunter Killer on the big screen. Interestingly, Butler and other talking heads in the featurette discuss that one of the things delaying the film’s production was that relations with Russia had improved at one point so much that making them the perceived “enemies” in the film was deemed unrealistic. That’s arguably a bit of weird reasoning, since Hunter Killer actually promotes a relationship between two submarine commanders, an American named Joe Glass (Gerard Butler) and a Russian named Sergei Andropov (Michael Nykvist), who work together to undercut a coup taking place in Russia. Even the coup aspect would seem to subliminally suggest that Russia isn’t a monolithic enemy in this piece, but one way or the other Hunter Killer ends up playing like a kind of weird mashup of elements in The Hunt For Red October and Seven Days in May.


The film begins with a brief prelude of sorts that shows both a Russian submarine and and American submarine meeting their fates in the frigid waters of the Berants Sea. It’s suggested that there may be a third submarine that took out both of the first two, but elements of the destruction are left up in the air (or down in the water, as the case may be). One way or the other, when the American sub, which had been shadowing the Russian sub, loses contact with military types back stateside, it of course kicks off an immediate search. Because Hunter Killer sticks pretty vigorously to Syd Field screenwriting techniques, there’s only one submarine close enough to the carnage to go investigate, the USS Arkansas, which has just had a new, untested commander appointed, one Joe Glass. The film’s introduction of Glass is one of those patently ridiculous vignettes meant to telescope everything noble about the character into one moment, in this case his hunting decision not to take out a buck (with a bow and arrow, no less) after he sees a doe and fawn following behind.

What’s perhaps most interesting about Hunter Killer is how it seems to be developing pretty resolutely on (as Butler terms it) “submarine genre” lines, only to then kind of dart off into a topside subplot involving an attempted coup in Russia. That element has a whole secondary group of American heroes, a SEAL team headed by a character named Bill Beaman (Toby Stephens), that infiltrates enemy territory to hopefully help figure out what’s going on (one might be tempted to say “what’s going on behind the Iron Curtain” had this film been set in the Soviet Era). Meanwhile (there’s a ton of “meanwhile” in this film), Glass and his team get to the devastating site of the American sub that met its fate in the film’s opening scenes, whereupon they hear a tapping sound coming from the remains of the Russian submarine that met its fate in the opening scenes. That leads to the submarine version that is at least somewhat like a conceit utilized decades ago in Airport 1975, with the Arkansas establishing a “connection” to the ruins of the Russian craft, and ultimately rescuing some crew members, including Captain Andropov.

Along with the sub angle and the SEAL angle, there’s a third set of characters in this arguably overstuffed and too fragmented feeling enterprise, all the folks back at the Pentagon. It’s refreshing in a way to see Gary Oldman as a good guy for a change, but his Admiral Charles Donnegan character is a place holder at best, with little in the writing that Oldman can sink his teeth into. This particular locale also houses Rear Admiral John Fisk (Common) and an NSA analyst named Jayne Norquist (Linda Cardenelli). Also, perhaps a bit humorously for those who may wonder about the long gestational period this film evidently underwent, there’s a female President (Caroline Goodall) who seems awfully similar to the candidate who lost in 2016.

While there’s no denying that each of the strands of this tale are interwoven with each other, Hunter Killer has a curiously “ping ponging” ambience where things never really build to a major head, despite a prevalence of well executed scenes involving a fair degree of tension, and what amounts to a coup against the coup by Russians (again, these are the bad guys?) late in the film. There’s virtually no emotional attachment offered to any of these characters, meaning the “salute” to honorable behavior late in the film between the two would be nemeses (i.e., Glass and Andropov) seems artificial and almost surprisingly uninvolving.


Hunter Killer 4K Blu-ray Movie, Video Quality  4.5 of 5

Hunter Killer is presented on 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.38:1. As I mentioned in our Hunter Killer Blu-ray review, a variety of Arri Alexa models were used for the shoot, but I have been unable to find any authoritative data as to the resolution of the DI. I'm presuming 2K, but as always with my reviews, if anyone can point me to verifiable information confirming a 4K DI, let me know and I'll update the review. In any case, this is a 4K presentation where there is an undeniable and at times quite noticeable uptick in detail, but kind of ironically that may not end up helping things visually, at least in terms of some of the CGI, which to my eyes looked considerably more artificial in this version. Several scenes of things like boats or subs in water, or even some of the other effects like conflagrations and the like, often looked almost "cartoonish" with the increased resolution of this presentation. Otherwise, though, there are some substantial improvements in detail and fine detail levels throughout the presentation, especially since so many of the interior scenes tend to be framed in close-ups. Everything from facial features to the tweedy fabric of Madam President's suit jacket look more precise in this version. Dolby Vision adds some noticeable new highlights, especially in the abundant blue tones of both the underwater and interior sub sequences. Other moments, like the first scene at the headquarters where Common and Oldman interface, have an almost khaki beige tone to them now. While shadow detail is improved overall, there is still some passing crush, noticeably in some of the interior sub scenes, where the dark uniforms of the sailors tend to blend with shadowy backgrounds at times.


Hunter Killer 4K Blu-ray Movie, Audio Quality  5.0 of 5

Hunter Killer features a very effective Dolby Atmos track that regularly engages the Atmos channels with effects like a couple of big explosions, or even the "pings" that dot the submarine sonic environment. Several other big set pieces, like a parachute drop into enemy territory, also offer great opportunity for good surround activity. Trevor Morris' score is spread nicely through the side and rear channels, and dialogue is always rendered cleanly on this problem free track. Fidelity is excellent throughout the presentation, and there's really good attention paid to the difference in ambient reverb when the film switches to the more claustrophobic confines of the submarine. Dynamic range is very wide and adds to the enjoyment of the track.


Hunter Killer 4K Blu-ray Movie, Special Features and Extras  1.0 of 5

  • Audio Commentary with Director Donovan Marsh

  • Surface Tension: Declassifying Hunter Killer (1080p; 24:36) is an above average two part EPK that offers decent interviews and behind the scenes footage.


Hunter Killer 4K Blu-ray Movie, Overall Score and Recommendation  2.5 of 5

Hunter Killer has a decent enough premise, even if large swaths of this film seem like retreads from earlier (and arguably better) films. Butler is stolid enough, and it's certainly a pleasure to see the late Nykvist in one of his last roles, but the film never really attains much momentum, despite some nicely staged action sequences. Fans of the cast may well want to check this out, and for those folks or anyone considering a purchase, the good news is that technical merits are first rate.