7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
The Life and Times of Steve Marriott is a compelling documentary about one of rock's most dynamic, exciting, and sadly; unsung heroes of rock and roll. Showcasing revelatory interviews with Humble Pie's Peter Frampton, Jerry Shirley, and Greg Ridley, the Black Crowes's Chris Robinson, Rick Nielsen and Bun E. Carlos of Cheap Trick, John Waite, Bad Company/Free drummer Simon Kirke, Quiet Riot's Kevin Dubrow, Ricky Byrd and Marriott historian John Heller among others, the documentary vividly tells the tale of Steve's tragically short life via the use of previously unseen photos, memorabilia, and home movies. Rare fiery performance footage of The Small Faces and Humble Pie frames the action, drawing the viewer closer to this wonderful and underrated artist.
Starring: Kevin Dubrow, Peter Frampton, Simon Kirke, Chris Robinson (LX), John Waite| Documentary | Insignificant |
| Music | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.78:1
Original aspect ratio: 1.33:1
English: Dolby Digital 2.0
English: Dolby Digital 5.1
None
Blu-ray Disc
Three-disc set (1 BD, 1 DVD, 1 CD)
DVD copy
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 2.5 | |
| Audio | 3.0 | |
| Extras | 3.0 | |
| Overall | 3.5 |
Humble Pie is one of those bands that some fans might rightly think of as being a so-called “supergroup”, but which maybe surprisingly didn’t ever make that much of a dent on the singles charts on this side of the pond. Maybe even more surprisingly, Humble Pie did even less well in terms of its singles activity on the charts in the United Kingdom. Arguably best remembered (in the United States at least) for its series of albums that came out on A&M between 1970 and 1975, the band had a venerable lineage in terms of players who had already made their mark in the English music industry, including memorable if probably under recognized lead singer and guitarist Steve Marriott. This interesting release from Cleopatra aggregates a documentary about Marriott with a CD of a 1973 performance recorded at Winterland in San Francisco which offers what some would probably think of as the “classic” band at the height of its initial United States popularity.


The Life and Times of Steve Marriott is presented on Blu-ray courtesy of Cleopatra with an AVC encoded 1080i transfer kinda sorta in 1.78:1 but for all intents and purposes in 1.33:1 in terms of the "important part" of the frame (as can be gleaned from the screenshots accompanying this review, there's a "full frame" inset which is surrounded either by slightly out of focus "echoes" of the edges of the inset frame running down the side where one might expect black bars, or more playful elements like film sprockets and the like, but one way or the other the entire 1.78:1 frame does contain some kind of content). That's just one oddity in this release, which the IMDb lists as having come out in 2015, while the credits list the more believable 2000, as based on the video quality here and the fact that all of the closing credits cite "DVD" this and "DVD" that. This does in fact look awfully like an upscale a lot of the time, with clear signs of stairstepping and the like. Archival video can also show signs of haloing and ghosting at times. Still photographs (of which there are plenty) tend to make it through the gauntlet best a lot of the time, and can offer decent amounts of detail.

Cleopatra has evidently yet to clue in on the fact that many Blu-ray consumers want lossless audio on their discs, especially when those discs are concerned at least in essence with music. This is therefore another Cleopatra release with only lossy Dolby Digital 2.0 and 5.1 mixes, though Cleopatra does provide a second Dolby Digital 2.0 track that has an isolated music score. That track sounded a bit hotter and significantly wetter (i.e., more reverb) to my ears than the "main" soundtrack. Both of the Dolby tracks offer okay fidelity, but the musical elements in particular certainly could have benefited from a lossless presentation. A few of the interviews can sound slightly muffled, but I suspect that was part of the original recording process.


This is one of those rare releases where technical merits aren't all that hot and yet I can still see a number of fans wanting to check out the release. Those who love/d Small Faces and/or Humble Pie will almost certainly find a lot to like here despite some inadequacies in both the video and audio presentation, and the bonus CD offers a really fun, high energy performance.