7.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Margaret Schlegel is a flighty yet compassionate middle-class intellectual whose friendship with the dying wife of rich capitalist Henry Wilcox commences an intricately woven tale of money, love, and death that encompasses the country's highest and lowest social echelons.
Starring: Anthony Hopkins, Vanessa Redgrave, Helena Bonham Carter, Emma Thompson, James Wilby| Drama | Uncertain |
| Romance | Uncertain |
| Period | Uncertain |
| Melodrama | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Three-disc set (3 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 5.0 | |
| Video | 5.0 | |
| Audio | 4.5 | |
| Extras | 5.0 | |
| Overall | 4.5 |
One of Merchant Ivory's best remembered E.M. Forster adaptations, Howards End might make perfect viewing for anyone jonesin' for something after Downton Abbey: The Grand Finale, especially if they're unacquainted with this often incisive deconstruction of class consciousness in Merrie Olde (?) England. Howards End had a 1080 release from Cohen some years ago that had one kind of odd technical anomaly (covered in the video section below), but Cohen is now offering a three disc release, with one 4K UHD disc and two 1080 discs which (more or less) recreate the contents of Cohen's original 1080 release (more about that below as well).


Note: Screenshots are sourced from the 1080 disc in this package.
Howards End is presented in 4K UHD courtesy of Cohen Media Group's Cohen Film Collection imprint with an HEVC / H.265 encoded 2160p
transfer in 2.39:1. Three is evidently finally the "charm" in terms of a correct aspect ratio for this film, as I spent some time going over in my
original
review of Cohen's 1080 release. That release was rather weirdly framed at 2.50:1, whereas the even older Criterion release was framed at 2.35:1.
Both my and Svet's prior reviews might provide some interesting "compare and contrast" moments for those wanting to pore over relatively picayune
differences in how various scenes look. I've repeated (as close as I could) a couple of frames from my 1080 review in this review so that, again,
those
interested could see the minor but still commendable adjustments that have been made to finally let viewers see this in, yes, its original
aspect ratio. That may be one small step forward, but this 4K presentation may take at least as much of a step backward due to Cohen's kind of
curious decision not to have any HDR grades. This is even weirder because (somewhat hilariously) the opening Cohen masthead when the disc boots
does have HDR, at least according to my players. That means that this 4K presentation is basically a reproduction of the 1080 presentation
in
terms of palette, which is not necessarily a bad thing, though the film's luscious cinematography (the first time Merchant Ivory utilized Kodak stock,
according to the commentary) undeniably could have benefited from HDR. Detail levels see marginal if not overwhelming improvements in close-ups,
but for all intents and purposes, the 1080 presentation in this set (which as can be seen by the screenshots accompanying this review also corrects
the
aspect ratio) may suffice perfectly well for many.
Note: A couple of sidebar warnings may be in order. Cohen's 1080 presentation now begins with the same interpolated trailer (HD; 2:39)
mentioned below in the supplements section (where it's also interpolated before the first featurette on Disc Two). That may well annoy
some
viewers. Cohen's 4K presentation does not have that (thankfully), but does boot to several other trailers, which can either be chapter
skipped
through or avoided with the Top Menu button on your remote.

The 4K disc in this set features a DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 options, while the 1080 disc repeats the earlier Cohen codecs by offering DTS-HD Master Audio 5.1, along with an LPCM 2.0 mix and a Dolby Digital 5.1 track. The preferable option is of course the DTS-HD Master Audio 5.1 track, one that fully supports the gorgeous music of Richard Robbins, while also offering good if sometimes subtle immersion with ambient environmental effects like the wind that blows through the memorable scene on the bluff between Hopkins, Bonham-Carter and Thompson. Dialogue is presented cleanly and clearly and the track shows no signs of any damage. Optional English subtitles are available.

Note: For convenience sake I've repeated my verbiage on the supplements from my original 1080 review.
4K UHD Disc

If Cohen had gone the extra mile and done some kind of HDR grade for their 4K release, this would probably have made my Top 10 list for the year. On balance, there's at least a corrected aspect ratio this time around, and all of the really excellent supplements have been retained on the 1080 discs. With that one major HDR caveat noted, Recommended.

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