6.4 | / 10 |
Users | 2.8 | |
Reviewer | 4.0 | |
Overall | 3.1 |
When master monster make-up man Pete is sacked by the new bosses of American International studios he uses his creations to exact revenge...
Starring: Robert H. Harris, Paul Brinegar, Gary Conway, Gary Clarke (I), Malcolm AtterburyHorror | 100% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.0 |
Trying to stretch a trend as far as possible, American International Pictures aimed to keep the money train rolling with 1958’s “How to Make a Monster,” which is a follow-up to studio hits “I Was a Teenage Werewolf” and “I Was a Teenage Frankenstein.” However, instead of dreaming up another fantasy, the writing turns self-referential, transforming AIP into a villain of sorts with tale of horror set inside a movie studio. The idea has the potential to be outrageously fun, but the material only gets so far before it grows exhausted, offering a talky nightmare instead of something more energized.
The AVC encoded image (1.85:1 aspect ratio) presentation is sourced from a "New 2K Scan of a Fine-Grain Film Element." While not a particularly flashy picture to begin with, cinematographic essentials are preserved during the viewing experience, delivering an appealing level of detail with monster makeup additions and studio tours. Facial surfaces retain texture, and costuming is fibrous. Delineation is satisfactory, doing well with shadowy encounters. Color emerges in the final reel, with stable hues preserving violent encounters, offering very ketchup-y red blood. Source has some rough areas, with scratches periodic and speckling common. A few jumpy frames as well.
The 2.0 DTS-HD MA sound mix offers a basic listening experience, with dialogue exchanges clear throughout, managing heated dramatic offerings and monstrous surges. Scoring supports comfortably. Instrumentation isn't sharp, but movie moods are communicated without overwhelming performances.
"How to Make a Monster" runs out of gas at the midway point, offering a musical number to pad the feature, while the payoff to all the early mayhem is more about declarations of vicious intent instead of the real thing. The picture dissolves into conversations instead of action, but it does manage real verve and cleverness in its early scenes. The production doesn't stick the landing, but the initial leap is quite thrilling.
2019
2019
1972
2015
Late Phases
2014
2019
1966
1943
1933
2018
2018
2018
2018
2017
2014
2014
Uncut
2013
2013
Extended Cut
2015
2012