6.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
An unsuccessful sculptor saves a madman named "The Creeper" from drowning. Seeing an opportunity for revenge, he tricks the psycho into murdering his critics.
Starring: Robert Lowery, Virginia Grey, Bill Goodwin (I), Martin Kosleck, Alan Napier| Horror | Uncertain |
| Thriller | Uncertain |
| Crime | Uncertain |
| Adventure | Uncertain |
| Romance | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 3.5 | |
| Overall | 3.5 |
A poor sculptor with limited professional prospects, Marcel (Martin Kosleck) is ready to end it all when he happens to spot The Creeper (Rondo Hatton) drowning in a lake. Saving the man’s life, Marcel hopes to use The Creeper’s distorted facial features to inspire new work. However, when he learns of the stranger’s propensity for violence, he decides to use The Creeper to murder art critics around town.


"House of Horrors" has the benefit of having the ultimate cinematic detail on display: Rondo Hatton's face. The AVC encoded image (1.37:1 aspect ratio) presentation does an acceptable job exploring such unique visuals with an older scan, finding the actor's appearance memorable but not fresh. Set decoration is also open for study, with artwork a common sight in backgrounds. Grain is heavy, slightly chunky. Delineation is passable, as "House of Horrors" deals with a lot of shadow play and limited lighting. Source has some speckling and scratches.

The 1.0 DTS-HD MA sound mix does wrestle with age, as hiss and pops are present during the listening experience. Dialogue exchanges are acceptable, managing performance styles, including Hatton's growl. Scoring retains instrumentation, delivering comfortable support of suspense.


"House of Horrors" tries to squeeze as much mileage out of Hatton as possible, but it's hard to get excited about The Creeper's rampage when the movie barely has a pulse. Instead of launching a bizarre takedown of art world opinion writing, the production serves up small slices of nightmarish encounters, trusting in the sheer power of Hatton's appearance to do all the heavy lifting for the film.
(Still not reliable for this title)

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