6.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Dr. Niemann regales his hunchbacked cellmate, Daniel, with tales of how he had nearly put the brain of a human into a dog. A thunderstorm destroys their prison, and they escape to find refuge in a carnival. The carnival owner has possession of the skeleton of Count Dracula, who can be revived. Niemann has the hunchback kill the owner, and then resurrects Dracula. Later, Niemann and the hunchback encounter a gypsy caravan where Daniel falls in love with a beautiful gypsy girl. She travels with them to Frankenstein's ruined castle, where they find Frankenstein's monster and the Wolf Man frozen in ice. Niemann thaws them out, finding the Monster fairly inert and the Wolf Man changed back to the tormented Larry Talbot. To Daniel's misery, the gypsy girl falls in love with Talbot. Meanwhile, Niemann promises both the hunchback and Talbot new bodies...
Starring: Boris Karloff, Lon Chaney Jr., John Carradine, Anne Gwynne, Peter Coe (III)Horror | 100% |
Sci-Fi | 16% |
Fantasy | 3% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
1991 kbps
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 3.0 |
House of Frankenstein is being released as part of The Wolf Man: Complete Legacy Collection.
House of Frankenstein is a rather poor title for an ensemble film that largely follows the exploits of Doctor Niemann (Boris Karloff) and his
assistant, the hunchback Daniel (J. Carrol Naish). In fact, the movie is only sparsely set within the glacial ruins of Frankenstein's condemned estate.
Instead, it is a travelogue in which Niemann impersonates Professor Lampini (George Zucco) on an enclosed carriage carrying the accouterments for
a carnival exhibit of horrors. The film is an uneven collection of short stories unified only by the association of its two main characters, Niemann and
Daniel. The picture's strongest section belongs to Count Dracula (John Carradine), who poses as the Baron Latos from Transylvania in order to lure
three unsuspecting townspeople into a spellbinding web. Secluded in a country house, the Count wines his guests and woos the young Rita (Anne
Gwynne), who he fits with a magic ring containing romantic poison. This act in the film has a glaring fault, however. Peter Coe is the weak link as
Rita's husband, Carl Hussman, because he breaks the suspense with his detached reaction to the fate of Rita's grandfather. Coe delivers a bland
performance that is too banal for an episode meant to keep the audience on edge.
The Count makes a spellbinding entrance.
House of Frankenstein makes it US debut on this AVC-encoded BD-50 that it shares with two other titles. Presented in its original theatrical aspect ratio of 1.37:1, the movie boasts a high bitrate of 27499 kbps and appears generally clean. The print used is not in as good a shape as the one used on Frankenstein Meets the Wolf Man, though. More grain is visible here and while that would seem a good sign, there are trails of dirt that encroach the image during establishing shots and long shots. Additionally, there are some more tramlines that creep in too. Contrast is not quite as sharp as the preceding film, either. Still, the film looks very good for its age and the most overt damage marks have been eliminated.
Universal has given the film a clean DTS-HD Master Audio 2.0 track encoded at 1991 kbps. Dialog is generally discernible but the monaural track limits
Hans J. Salter's score mainly to the center channel. The studio has done a commendable job of minimizing any source limitations inherent in the
original recording.
Universal has supplied optional English SDH, French subtitles, and Spanish subtitles. I watched the film entirely with the white English subs and they
are presented accurately and fully. They describe sound effects and occasionally (but not always) note the character whose speaking in all caps. They
are either centered in the middle of the screen or placed on the speaking character.
House of Frankenstein is at its best when Niemann brings Dracula back to life and the narrative would have been better served to focus chiefly on the Count's relationship with Rita. The second half introduces the other two monsters a bit too late. Universal earns high marks for respectable video and audio presentations. It's a pretty decent sci-fi film that warrants a mild recommendation.
(Still not reliable for this title)
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