5.5 | / 10 |
Users | 3.4 | |
Reviewer | 2.5 | |
Overall | 3.4 |
Newly divorced Sarah and her daughter Elissa find the house of their dreams in a small, upscale, rural town. But when startling and unexplainable events begin to happen, Sarah and Elissa learn the town is in the shadows of a chilling secret.
Starring: Jennifer Lawrence, Elisabeth Shue, Max Thieriot, Gil Bellows, Will BowesHorror | 100% |
Thriller | 57% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, Spanish
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy (on disc)
DVD copy
Slipcover in original pressing
Region A (locked)
Movie | 2.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 2.5 |
I really can't think of a more generic horror movie title than House at the End of the Street, which sounds like a ripoff of The Last House on the Left as made by the folks at Asylum Home Entertainment. The title fits, though, because House at the End of the Street is very much a generic horror film, aimed at a generic teen demographic, with a generic, sub-Hitchcockian twister-coaster of a plot. It isn't scary, it isn't surprising, and it plods along with a ho-hum lack of intensity. The only exceptional thing about the film is that it stars Jennifer Lawrence—of Winter's Bone and Hunger Games fame—and what's exceptional about this is that some agent convinced her that this by-the-numbers would-be thriller was a great career move. But it happens; great actors—and Lawrence has certainly shown the potential to be great—sometimes make awful movies. To be fair, House at the End of the Street isn't bad bad, it's just dull. I imagine that by the second half, most of the intended audience will be checking Facebook on their phones, looking up occasionally when a jump scare seems imminent.
House at the End of the Street arrives on Blu-ray with a 1080p/AVC-encoded transfer that seems accurate to source. The movie was shot on 35mm—in what looks to be a fairly chunky high-speed stock—and natural film grain is in abundance, with no digital noise reduction or edge enhancement present. The thickness of the grain cuts back on clarity somewhat, but there's still plenty of high-definition detail visible here, from the ribbed weft of Elissa's white undershirt to moderately well-defined facial textures. The picture is rarely sharp sharp, but any softness is almost certainly due to the lenses and film stocks used. The color grading favors warm, creamy highlights in daytime scenes, fading to blue and greenish casts when night falls. Contrast is good, with stable black levels forming the basis of an image that's balanced and presumably faithful to intent. I didn't spot any blatant compression or encode issues.
This is one of those films that substitutes loud noises for genuine terror, typically relying on throbbing subwoofer output in an attempt to generate some suspense. That said, unnecessary aural jump scares aside, House at the End of the Street does feature some decent sound design, reproduced here in lossless DTS-HD Master Audio 5.1 surround track form. One thing the mix does particularly well is ambience; down at the end of the street, abutting a national park, we're near-constantly surrounded by natural noise—tweeting birds and thrumming insects, pouring rain and wind blowing through the trees. And even if the jump scares are cheap, they at least sound good, with room-shaking bass and fine-edged clarity. My favorite audio moment in the film is a scene near the end where Elissa is trapped in a basement and the lights go out; she moves around us in a loose circle, very convincingly, her breathing growing more intense. It's so convincing, actually, that I wonder if it may have been recorded using binaural audio techniques—it's very dimensional. Dialogue is clean and clear throughout, and the mix is filled out with a typically ominous horror movie score by Theo Green, which has plenty of heft and presence. The disc includes English SDH and Spanish subtitles.
House at the End of the Street is so generic and forgettable that it's beginning to recede from my memory already. I do like the intent—making a Hitchcock-esque thriller for teenagers—but Hush director Mark Tonderai's execution is off; the film just isn't suspenseful or scary enough to be worthwhile. Check it out if you're really into Jennifer Lawrence, for whatever reason, but keep your expectations low. The picture and sound on the Blu- ray release are solid, but the lack of substantial special features and the general meh-ness of the movie lead me to a general recommendation of: skip it.
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