6.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
There have been cases of mysterious disappearances of onsen visitors in Atsumi city in S prefecture.The victims were eventually found dead with signs of severe injuries to their bodies resembling a vicious shark attack.
Director: Morihito Inoue| Foreign | 100% |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
Japanese: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 3.0 | |
| Audio | 4.0 | |
| Extras | 3.5 | |
| Overall | 3.0 |
People love shark attack cinema. Earlier this year, “Dangerous Animals” found release, which attempted to subvert the norm in the subgenre, playing around with human predators instead of strictly oceanic ones. And now Japan tries their luck with horrors from the deep in “Hotspring Sharkattack,” which is about an unserious as a film can get. We’ve done the “Sharknado” thing too many times, but writer/director Morihito Inoue delivers a different kind of wackiness with his presentation of death and destruction. He goes camp, but creatively so in the picture, which examines chaos caused by deadly ancient sharks awakened from the deep due to commercial development, seeking revenge on all for such an offense. “Hotspring Sharkattack” is low-budget and loving it, and while there’s definitely a limit on such exaggeration, Inoue has some imagination for his lunacy, mounting a bizarre and amusing riff on sharksploitation bedlam.


The visual presentation (1.78:1 aspect ratio) for "Hotspring Sharkattack" struggles with consistent compression issues. Flare ups are a common sight, with significant banding during the final act tour of oceanic activity. Some blockiness is found as well. Detail is decent, offering a textured examination of skin particulars on the cast, noting differences in age, and oiler bodybuilding displays are intact. Shark appearances are also appreciable, especially when working with puppetry. Exteriors maintain dimension, examining city life and beach panic. Interiors are passably dimensional. Color is alert, working with exaggerated hues for aquatic events and graphics. Clothing and ship designs deliver more powerful primaries, and red blood is distinct. Delineation is satisfactory.

The 5.1 DTS-HD MA mix for "Hotspring Sharkattack" offers crisp dialogue exchanges from a variety of actors and performance choices. Hysterical behavior remains balanced throughout. Scoring favors a thinner sound, but instrumentation is understood and dramatic emphasis is present. Surrounds are limited to musical moods and milder atmospherics, finding the listening event mostly frontal. Sound effects are reasonably defined. Low-end isn't robust, but some emphasis is found with violent events and bass stings.


"Hotspring Sharkattack" transforms from a disaster movie to a deep sea adventure in its final act, loading a few of the characters into a specialized submarine to explore the source of Atsumi's woes. Macho joins the story, representing the most cartoonish aspect of the production as he swims through the depths, battling the electrified menace with his bare hands. Inoue tries to get a lot of mileage out of Macho, and while laughs are present, such weirdness loses its appeal as the film carries on. Even with a short run time, (70 minutes before end credits), "Hotspring Sharkattack" wears out its welcome, as so much B-movie tomfoolery starts to feel heavy, especially without the presence of a solid plot. Still, the helmer remains delighted with his goofiness, pulling excitable performances out of his cast, and visuals have moments of invention, especially when it's clear little to no money was spent to make the feature. As shark attack craziness goes, Japan delivers a passable sensorial pummeling here, delivering strangeness and silliness with a healthy amount of enthusiasm.

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