6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 1.5 | |
| Overall | 1.5 |
When a young woman is brutally attacked, she seeks the aid of her own flesh and blood, but her Father has other plans for her - a bullet to her head. Now she lives, lives for vengeance. You can't keep a good woman down.
Starring: Mercedes, Jim Schumacher, Tina Alper| Action | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Digital 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 0.5 | |
| Video | 2.5 | |
| Audio | 3.5 | |
| Extras | 1.5 | |
| Overall | 1.5 |
“Honor Killing” is a triple threat offering from Mercedes the Muse, who takes on directing, acting, and screenwriting duties, endeavoring to pay tribute to the underground cinema scene of the 1960s and ‘70s. She dreams up a revenge story to follow, and works with digital tinkering to create a “grindhouse” look to the film, which is meant to resemble a battered print. There’s ambition to celebrate the power of feminist might in cult cinema, but Mercedes the Muse has no discernable artistic ability, content to make viewers suffer through the longest 67 minutes of their lives as she cooks up a dreary, incoherent, and amateurish picture about one woman’s quest to kill all predatory men.


The AVC encoded image (1.78:1 aspect ratio) presentation isn't meant to be pretty. The grindhouse-inspired visuals for "Honor Killing" are messy, with clear imagery difficult to come by during the noisy viewing experience. Cinematography is heavily filtered and tinkered with, leaving detail barely passable when it actually appears. Colors register satisfactorily, delivering bright primaries and greenery. Again, this is an amateur production, and that level of artistry is sustained throughout. Artifacting is present, with banding a common sight, along with blockiness.

The 2.0 Dolby Digital sound mix also attempts to replicate a worn-out movie, which is perhaps the production's way of covering for technical limitations. Dialogue is intelligible, dealing with dubbed voices and background noise. Scoring maintains a clear synth presence, and harsh soundtrack selections bring some buzzsaw energy to the feature, but offer limited sonic power.


"Honor Killing" could be truly brave and detail torturous religious oppression, but the writing gets as far as condemning Catholicism before calling it quits. Instead of creating something challenging and rough with real-world consequences for The Woman with No Name, Mercedes the Muse makes an unwatchable, no-budget cartoon that's a far cry from the shameful pleasures of genuine exploitation.