| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
A few times each century, humanity dodges an apocalyptic bullet and in 1969 that bullet was Charles Manson.
Starring: Maria Natapov, Lucas Fleming, LaNecia Edmonds| Dark humor | 100% |
| Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: LPCM 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 1.0 | |
| Video | 2.0 | |
| Audio | 2.5 | |
| Extras | 3.0 | |
| Overall | 2.0 |
One has to be careful when approaching a movie titled “Honky Holocaust.” It’s a Troma Production, which is as brief a review as I can provide, and one that’s filled with racial hostilities, epithets, and stereotypes, with writer/director Paul M. McAlarney trying his hardest to make an offensive, hyper-violent exploitation picture that pushes every button imaginable. It’s a shame the helmer doesn’t have the budget to do something more inventive with his faintly subversive premise, instead spending pennies to achieve his vision for excess, somehow believing that creating a mess is the best way to reach closed minds. “Honky Holocaust” is expectedly awful, but not in an ideal Troma-esque way. It’s just an icky, fetishistic take on an alt-history disaster, with McAlarney flexing his anger issues instead of making a legitimate film.


I'm not exactly sure what the point of bringing "Honky Holocaust" to Blu-ray is, but there's an AVC encoded image (1.78:1 aspect ratio) presentation, and it must be confronted. Wrestling with minuscule budget and severe technical limitations, the viewing experience is inconsistent, with some footage looking clean, while the rest is slightly washed out, with a few sequences lost to excessive brightening. Delineation isn't strong, finding most evening sequences solidified. Detail is acceptable but rarely exciting, doing fine with facial close-ups and gore zone visits, while costuming retains mild texture. Colors are adequate, emphasizing blood reds and greenery, and skintones look accurate.

The 2.0 LPCM sound mix also tangles with terrible production achievements, finding basic dialogue recording out of McAlarney's control. Dramatic exchanges are barely intelligible in concrete environments, while ambient noise also threatens dialogue, making it difficult to follow the story at times. Music is cranked all the way up, drowning out performances, and while instrumentation is understood, it's too loud for comfort. Atmospherics and sound effects are basic in design, with nothing memorable or complimentary to the listening experience.


"Honky Holocaust" is the type of film where a character is shot, digs into his own intestines, and promptly strangles his assassin with goopy guts. McAlarney isn't making high art, but he's also not making a movie, as most of the effort is a grab-bag of gore and rage, trusting the Manson-branded premise is enough to act as structure for what becomes a series of random, thoroughly unpleasant encounters. There's a way to pull off the nonsense "Honky Holocaust" is submitting, but the production gets it all wrong, dropping satiric ambition to play with innards, making it more of a viewing experience for its creator than any possible audience.
(Still not reliable for this title)

2023

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1990

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1973

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1984

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1989