6.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Two little league teams take on their coaches' sibling rivalry, and end up doing battle in a place the baseball world never expected it: in the outfield of the Home Run Derby.
Starring: Matthew Lillard, Dean Cain, Barry Bostwick, Annabeth Gish, Wayne Duvall| Family | Uncertain |
| Sport | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 3.0 | |
| Extras | 0.0 | |
| Overall | 3.5 |
If you take all of the bad behavior out of the Little League team in The Bad News Bears and shift it to the adults, you get something like Home Run Showdown, a family-friendly movie from Oz Scott, a thirty-year veteran of television (with the occasional feature) for whom craftsmanship is second nature and whose 2004 DGA nomination for directing The Cheetah Girls on the Disney Channel certified his credentials as a maker of kid entertainment. In the wild 'n' crazy Seventies, when Bad News Bears was released, a pre-pubescenet Tatum O'Neal could talk about going on the pill and stake her virginity on a game of air hockey against a teenage Jackie Earle Haley. No such potentially offensive hijinks intrude in the script by first time writers John Bella and Tim Cavanaugh. Yes, they do include a female player on their team of Little League misfits, but she's pure tomboy, with the temper to match. When she wants to recruit a hotshot to join their ranks, she beats him at soccer. Sex is never mentioned. The kids' conflicts provide more than a few laughs, but they're really just counterpoint for the film's main plot, which is a sibling rivalry carried into adulthood between two brothers, both of whom tried their luck as professional ball players. Now returned to their home town in Michigan, they battle constantly until their exasperated father, in a last-ditch effort to end the war, challenges them to a duel as rival Little League coaches. The variation from the usual sports film cliche is that the winner won't be decided by a championship Big Game. It'll be determined by which team shags the most balls at the annual Home Run Championship, an exhibition event where select players from Little League teams get to stand in the outfield of a real baseball stadium and field balls that are hit by pro players trying for home runs. The team that shags the most balls wins, and the player who hits the most balls over the fence is awarded an honorary title. It's a camera-friendly notion with visual rivalries already built in, and director Scott makes the most of it.


According to both the credits and IMDb, Home Run Showdown was shot on film, with post-production accomplished on a digital intermediate. The cinematographer was David Stockton, whose recent credits include the TV series Alcatraz. The image on Image Entertainment's 1080p, AVC-encoded Blu-ray is clean and detailed with the almost invisible grain structure (in most shots) that is characteristic of DI-completed projects. Still, the origination on film is detectable in softer textures and less severe edges that nicely complement the pastoral settings. (If the late George Carlin were still performing his famous routine comparing baseball and football, he'd probably say that baseball is analog, while football is digital.) Black levels and contrast are set appropriately, and colors are varied, natural and never oversaturated. Home Run Showdown had a limited theatrical run, in which it would have been projected at 1.85:1, but the image on the Blu-ray has been framed at 1.78:1. With no extras and only a single lossless soundtrack, a BD-25 accommodates the 94-minute film without compression issues.

The film's DTS-HD MA 5.1 soundtrack is pleasant but average, with clearly rendered dialogue and a nice sense of ambiance in various environments, but it's otherwise a slight affair. Elaborate surround effects would overwhelm this small-scale movie, which needs to remain true to its modest ambitions. The charming score by Austin Wintory (The River Why), who is becoming something of a fixture on the independent scene, is well-presented, as is the song "All Right Day", co-written and performed by Bill Cantos, which opens and closes the film.

The disc contains no extras, not even a trailer.

A script like Home Run Showdown could easily have turned preachy or maudlin, but Oz Scott has been directing TV since The Jeffersons, and as eminent directors including John Frankenheimer and Sidney Pollack have often said, TV requires a director to be a disciplined craftsman. Oz keeps his pacing tight and his scenes lean, and he knows how to move a story forward efficiently. His reputation was no doubt a significant draw for talent with the name recognition of Dean Cain (with whom Oz had worked on Lois and Clark) and Matthew Lillard, whose face still has the goofball quality that makes him ideal for comedy but has now acquired enough mileage to express serious emotions like regret and remorse. Home Run Showdown is a minor work, but it was made by professionals, and that's always a valuable find in family entertainment. Recommended.
(Still not reliable for this title)

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