Holler Blu-ray Movie

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Holler Blu-ray Movie United States

Slipcover in Original Pressing
IFC Films | 2020 | 91 min | Not rated | May 26, 2026

Holler (Blu-ray Movie)

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Movie rating

6.6
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer4.0 of 54.0
Overall4.0 of 54.0

Overview

Holler (2020)

To pay for her education, and the chance of a better life, a young woman joins a dangerous scrap metal crew.

Starring: Jessica Barden, Pamela Adlon, Austin Amelio, Becky Ann Baker, Gus Halper
Director: Nicole Riegel

Drama100%

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.67:1
    Original aspect ratio: 1.66:1

  • Audio

    English: DTS-HD Master Audio 5.1

  • Subtitles

    English SDH

  • Discs

    Blu-ray Disc
    Single disc (1 BD)

  • Packaging

    Slipcover in original pressing

  • Playback

    Region A (B, C untested)

Review

Rating summary

Movie3.0 of 53.0
Video4.0 of 54.0
Audio4.5 of 54.5
Extras4.0 of 54.0
Overall4.0 of 54.0

Holler Blu-ray Movie Review

Reviewed by Brian Orndorf June 25, 2026

The agony of life in the Midwest is once again examined in “Holler,” which is perhaps the first production to deal with false manufacturing promises made by Donald Trump during his first presidential term, setting the scene for a once thriving industrial town facing its final days of life. Timeliness is appreciated, with writer/director Nicole Riegel trying to capture the current woes of American life, examining cycles of poverty and denial facing those who are unable to make a meaningful difference in their lives. “Holler” deals with rough emotions and bitter realities, and it gets somewhere when it concentrates on universal feelings of frustration, with a little helplessness mixed in. The rest of the picture is more difficult to digest, as Riegel is prone to meandering with her storytelling, looking to coast along on atmosphere when the feature could clearly benefit from a sharper dramatic approach.


In small town Ohio, Ruth (Jessica Barden) is 18 years old and struggling with everything in her life. Her mother, Rhonda (Pamela Adlon), is currently in jail, dealing with longstanding drug addiction issues, and her brother, Blaze (Gus Halper), is forced to become her caretaker, trying to maintain some sort of domestic stability for his little sister. The siblings make money through the sale of scrap metal, though they don’t earn much from scrap yard manager Hark (Austin Amelio). When Ruth learns she’s been accepted to college, she knows the financial burden is too much. Joined by Blaze, she turns to Hark for greater responsibility within his organization, with the pair brought on to his scrap crew, taught how to collect metal illegally for sale to foreign buyers. Taking control of the gig, Ruth starts to make some cash, but a brighter future beckons with higher education, putting the young woman in a difficult position as she hopes to find a way out of a bleak existence.

“Holler” is similar to 2010’s “Winter’s Bone” in many ways, depicting a hardscrabble life for an intelligent teenager who’s stuck in a family and living situation that’s not easily escapable. For Ruth, the prison is Ohio, living in what was once a bustling industrial area, but is now a shell of its former self, with residents trying to scrape by on numbing factory work, including Linda (a scene-stealing Becky Ann Baker), who’s something of a matriarchal figure in the community. With Rhonda in jail, Blaze is tasked with becoming a parent to Ruth without a steady paycheck to support them, facing eviction as they try to come up with some cash collecting soda cans for Hark. Riegel sets a dark tone for “Holler,” adding a layer of misery as winter arrives, but she’s clear about Ruth’s smarts, with poverty threatening her school performance, facing morale-busting teachers and troublemaking as she attempts to steal books from the library to keep feeding her mind.

“Holler” takes viewers into the scrap experience, with Hark creating the illusion of respectable work while also dealing in organized theft with a few associates. Chinese buyers want metals, including copper, and Hark needs extra hands, recognizing desperation from Blaze and Ruth, teaching them the ways of the business. Riegel follows the team during one of their jobs, with the gang stealing wires and metal from the walls of an elementary school, exposing Ruth to the realities of the crime, but also showcasing her usefulness as Hark isn’t used to brainpower from his employees. The writing shows promise with Ruth’s experience within the crew, but Riegel pushes her luck with a brief subplot concerning Hark’s flirtations with the teenager, which pulls the feature away from more pressing domestic matters. British actress Barden also struggles with her Midwestern accent, remaining unsteady when she speaks, hurting the performance.


Holler Blu-ray Movie, Video Quality  4.0 of 5

"Holler" was originally shot on 16mm, and the image presentation (1.67:1 aspect ratio) handles grain acceptably. There are a few blurrier shots (possibly due to camera issues) and a couple dips into pointillism, but the overall graininess of the endeavor is retained. Detail reaches as far as possible, capturing decent skin particulars and fibrous costuming with heavier cold weather gear. Interiors are dimensional and exteriors provide compelling depth, taking in the industrial areas and bleak neighborhoods. Color retains a cooler appearance, with crisp weather whites and steely scrapyard tours. Primaries emerge with clothing choices, and livelier hues are found with signage and leisure activities. Delineation is satisfactory, preserving evening events.


Holler Blu-ray Movie, Audio Quality  4.5 of 5

The 5.1 DTS-HD MA mix retains a lot of surround activity. Atmospherics are alert around industrial spaces, playing with separation and character movement. Community bustle is also appreciable. Dialogue exchanges are crisp, balancing hushed emotional exchanges and argumentative behavior. Scoring supports with sharp instrumentation, and soundtrack selections offer defined vocals. Low-end isn't challenged.


Holler Blu-ray Movie, Special Features and Extras  4.0 of 5

  • Booklet contains essays by Bilge Ebiri and Katie McNeill.
  • Intro (1:17, HD) provides a little backstory on the production of "Holler" from executive producer Paul Feig.
  • Commentary features writer/director Nicole Riegel and actors Jessica Barden and Gus Halper.
  • Behind the Scenes (7:32, HD) supply an examination of the production experience on "Holler," spending time on the set, observing the construction of shots and cast and crew camaraderie during the low-budget shoot.
  • Image Gallery (3:52) collects BTS snaps.
  • Deleted Scenes (4:00, HD) are provided.
  • "Holler" (22:43, HD) is the original short film that inspired the feature. An introduction is provided by writer/director Nicole Riegel, who explains the evolution of the idea, with the short and the feature very different creations.
  • "In Conversation #1" (43:28, HD) is a video conference discussion of "Holler" with writer/director Nicole Riegel and actress Jessica Barden, hosted by "Winter's Bone" director Debra Granik.
  • "In Conversation #2" (36:39, HD) is a video conference discussion of "Holler" with writer/director Nicole Riegel, hosted by director Derek Cianfrance.
  • A Theatrical Trailer has not been included on this release.


Holler Blu-ray Movie, Overall Score and Recommendation  4.0 of 5

"Holler" has a compelling understanding of fear, with factory workers nervous about losing their jobs and Blaze tries to do right by his sister, sacrificing his own mental health in the process. It connects as a character study, following Ruth as she learns to recognize her situation through experience, seeing the degenerative ways of crime and violence while a seemingly impossible college dream remains within her grasp. The emotional and community details of "Holler" are superb, but Riegel seems intent on keeping the movie in a daze to capture Ruth's headspace, and this type of overly measured approach allows the picture to slowly dissolve as it goes, resulting in a wandering, ineffective third act, failing to live up to the material's evocative introductions.