5.6 | / 10 |
Users | 4.5 | |
Reviewer | 2.5 | |
Overall | 3.5 |
An assassin teams up with a woman to help her find her father and uncover the mysteries of her ancestry.
Starring: Zachary Quinto, Rupert Friend, Ciarán Hinds, Thomas Kretschmann, Hannah WareAction | 100% |
Thriller | 36% |
Crime | 11% |
Martial arts | 9% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 7.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1
French: Dolby Digital 5.1
Portuguese: Dolby Digital 5.1
Russian: DTS 5.1
Czech: Dolby Digital 5.1
Hungarian: Dolby Digital 5.1
Polish: Dolby Digital 5.1
Turkish: Dolby Digital 5.1
Ukrainian: Dolby Digital 5.1
All DD 5.1 tracks are 48kHz/448kbps/16bit. Polish: voice over.
English SDH, French, Portuguese, Spanish, Arabic, Bulgarian, Croatian, Czech, Danish, Estonian, Finnish, Greek, Hebrew, Hungarian, Icelandic, Korean, Latvian, Lithuanian, Norwegian, Polish, Romanian, Russian, Serbian, Slovak, Slovenian, Swedish, Turkish, Ukrainian
50GB Blu-ray Disc
Single disc (1 BD)
UV digital copy
Slipcover in original pressing
Region free
Movie | 2.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 2.5 | |
Overall | 2.5 |
There’s some kind of lesson to be learned when contrasting the reaction I received when I initially reviewed John Wick to the reaction some of my colleagues have received when they included the film on their Best of 2015 lists. My initial review was met with at least some reader brickbats (what else is new?) because I didn’t give the Keanu Reeves action flick an out and out rave. Those complainers were nowhere to be found when the film showed up on the year end lists of at least a couple of my cohorts here at Blu- ray.com, and instead there were people disparaging its choice as any kind of “best.” The salient point here is probably nothing other than “you can’t please everyone,” which in the world of Blu-ray reviewing typically means “you can’t please anyone,” but there’s another issue with regard to John Wick which might perhaps help to inform some people who are wondering whether or not they’d like Hitman: Agent 47. While I found John Wick perfectly acceptable on certain levels, I personally felt that its attempt to invest its titular character with actual—well, character tended to detract from what was in essence a kind of videogame ambience (others obviously disagreed). There’s very little of that proclivity on display in Hitman: Agent 47, a film which embraces its franchise’s videogame roots and simply posits a cinematic adaptation of what tends to draw players to the IO Interactive enterprise, namely the chance to kick some serious butt as a genetically altered assassin type who, very John Wick style, is able to take out untold numbers of nemeses while barely blinking an eye. Hitman: Agent 47 follows in the rather unheralded wake of 2007’s Hitman, and if initial critical and box office response to this supposed reboot is any indication, any quick follow up is probably not forthcoming. That said, at least Hitman: Agent 47 doesn’t have any outsized ambitions (for better or worse), and delivers some expertly staged set pieces that feature a lot of bone crunching action that may at least temporarily satisfy undemanding adrenaline junkies.
Hitman: Agent 47 is presented on Blu-ray courtesy of 20th Century Fox Home Entertainment with an AVC encoded 1080p transfer in 2.39:1. Shot digitially with the Arri Alexa XT Plus, Hitman: Agent 47 benefits from very little of the traditional color grading schemes that typically inform these action efforts, and the refreshingly natural looking palette pops quite impressively throughout the film. Close-ups offer abundant fine detail in elements like the fine down on Ware's arms or the crags in Friend's face. The overall look is commendably sharp and well detailed, with consistent contrast and above average shadow detail. There's one kind of strange anomaly that begins shortly after circa 33:30, when Katia and Smith are in a hotel room. One set of shots with Katia against a wall have weird flashes of light, to the point that I almost thought there might be a flickering television in the room that was creating the effect. A careful parsing of the scene shows that not to be the case, and no other shots (either the master or any other coverage within this particular sequence) show it, so I'm assuming there may have been some kind of technical malfunction of the camera.
Hitman: Agent 47's lossless DTS-HD Master Audio 7.1 is an expectedly manic affair, with near ubiquitous surround activity providing a wealth of immersion in the equally nonstop action elements. Great panning effects as car zing through city streets, or the visceral sounds of flesh pounding the living daylights out of other flesh provide a wealth of sonic activity, much of which is expertly placed throughout the soundfield to create an amped up if not exactly "lifelike" environment. Dialogue is very cleanly presented, and Marco Beltrami's decent if unambitious score also sounds great.
There is one kind of neat and genuine surprise in Hitman: Agent 47, but it's a relatively picayune one which deals with the "real" meaning of Katia Van Dees' name. That may be some indication of how rote much of this film is, but unlike John Wick (to cite just one example), it doesn't seem like the filmmakers had any undue ambitions to really create anything other than a baseline living comic book filled with lots of action and not much else. The film's two quick "stings" at the end obviously point the way toward what was once a planned sequel, though my hunch is any follow up is going to take some kind of miracle to actually see the light of day. Technical merits are generally very strong for those considering a purchase.
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