6.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Tom is a psychopath living somewhere in the house of Julie and her husband, but they don't know it. As a child, Tom would hide to escape his parents' abuse until one day he came out and killed them. Now Tom is obsessed with Julie and is slowly coming out of the attic.
Starring: Gary Busey, Mimi Rogers, Michael McKean, Kurt Christopher Kinder, Candace Hutson| Horror | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English, English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.0 |
Note: October's releases from Lionsgate Limited are another variant grab bag of formats and packaging options. Jacob's Ladder 4K offers 4K and 1080 discs in SteelBook packaging, Knock Knock 4K offers only a 4K disc in a DigiPack,
and Lionsgate Limited continues with their curation of Vestron Video outings with this release, offered in 1080 only.
Screenwriter Lem Dobbs is on hand in a supplement on this disc perhaps offering some unintended proof that had he not succeeded as a scenarist,
he
would have made a smashing stand up comedian. Dobbs discusses the travails of being an "unproduced screenwriter" in Hollywood, which Dobbs
evidently was for
quite some time, which then leads him in a somewhat wending course to offer his own advice to any prospective newcomers to the screenplay
writing business. "Forget Syd Field" might seem to be the unspoken subtext of Dobbs' really funny musings, which boil down to "set your film in a
house with limited characters, and get some form of the word 'house' into your title", and you're pretty much guaranteed a green light, no matter
what else is in the screenplay. Dobbs obviously learned this lesson with regard to Hider in the House, a film which he opens his interview
by
more or less apologizing for, while also taking some comedic (?) umbrage at those who claim his work is, um, similar to the weirdly well
remembered 1974 made for television opus Bad Ronald,
with
Dobbs stating he was living in London that year and never saw it.


Hider in the House is presented on Blu-ray courtesy of Lionsgate Films' Lionsgate Limited etailer, here offering a Vestron Video Collector's Edition imprint with an AVC encoded 1080p transfer in 1.85:1. As tends to be the case with these Vestron Video releases, there's really no technical information imparted on the packaging other than the usual generic "digitally restored", though that said, director Michael Patrick expressly mentions a "new print" on the commentary, which while perhaps offering a "quaint" description may indicate this is based off of an at least relatively new scan. The results are appealing if not overly revelatory. I found a lot of the presentation to be just slightly blanched looking, and personally would have preferred more robust contrast, especially in some of the interior scenes, but the palette is generally very nicely suffused (if occasionally looking just slightly skewed toward blues-teals, notably in some outdoor material). Detail levels are quite expressive on close-ups, which are repeatedly utilized. There are some very minor signs of age related wear and tear which escaped whatever restoration gauntlet this may have been put through (if any). Grain resolves without any issues.

Hider in the House features a DTS-HD Master Audio 2.0 track. One of the best things about the film in my personal estimation is the very effective score from Christopher Young, which includes everything from spookily haunting choral work to more idiomatic ominous low strings and brass to up the angst levels. The score is nicely spacious and burnished sounding throughout. Ambient environmental effects can be discerned in both the outdoor material as well as some of the interior moments where, for example, Sykes is pacing manically in his little self built room. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.


This is another cult film whose release will be celebrated by its fan base (there evidently is a fan base for this film), but where some of the supplements, notably the fantastic interview with Lem Dobbs, will be appreciated by those who love "backstage gossip". Technical merits are generally solid and all of the supplements are enjoyable, for anyone who may be considering making a purchase.

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