6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A Vietnam vet moves into an apartment and views in other people's windows across the street, meets one of the women, and discovers black theater.
Starring: Robert De Niro, Allen Garfield, Jennifer Salt, Lara Parker, Paul Bartel (I)Drama | 100% |
Dark humor | 6% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 3.0 |
Note: This film is available as part of
De Palma & De Niro: The Early
Films.
Brian De Palma and Robert De Niro share a lot more than just that “De” in their last names. The two forged their early film careers at least
partially
in tandem, and both have of course gone on to become rather monolithic characters in the world of modern cinema. Perhaps precisely because of
their outsized reputations, it may be hard to think of either of them as “beginners”, but the appealing if sometimes kind of unexpectedly
provocative
movies gathered together in this intriguing new set by Arrow show them in the process of learning their craft(s), and as such there’s a perhaps
more
intimate, visceral feeling attending these early efforts than in some of either of these artist’s later, glossier, outings. While The Wedding
Party bears a 1969 release date, putatively dating it after 1968’s Greetings, from a production standpoint it actually predates the
other
two films in this set by several years, since it was evidently actually shot in 1963 but languished unreleased for several years. It was in fact the
unexpected (if “minor” by today’s standards) success of Greetings that helped, at least in part, to garner attention for The Wedding
Party. Hi, Mom! is actually a direct sequel to Greetings, and features De Niro reprising his role as troubled Vietnam vet Jon
Rubin, in a film one talking head in a supplement included in this set likens to
“Taxi Driver light”.
Hi, Mom! is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet contains the following verbiage on the restoration:
Hi, Mom! has been exclusively restored by Arrow Films for this release and is presented in its original aspect ratio of 1.85:1 with mono audio. An original 35mm interpositive element was scanned in 2K resolution on a Lasergraphics Director at EFilm, Burbank. The film was graded on Digital Vision's Nucoda Film Master and restored at R3Store Studios in London. The original mono mix was remastered by MGM.As can perhaps be gleaned from some of the screenshots accompanying this review, along with my description of Rubin as a voyeuristic filmaker and mention of a supposed "documentary" presented within the film itself, Hi, Mom! has arguably the most variable presentation of the three in this set, but with an understanding of the various source elements and post production tweaks, it's another very winning and nicely organic looking offering. There's definitely a smaller format look to a lot of the interstitial material, including Rubin's spying camerawork, some "television" moments and the black and white documentary, all of which can be seen in some of the screenshots. The main part of the film generally has good detail levels, but sometimes De Palma's on the fly focus pulling isn't the strongest (see screenshot 9). The palette is reasonably well saturated, though perhaps a tad on the cool side at times. Grain resolves naturally throughout with no compression issues.
All materials for this restoration were made available by MGM.
Hi, Mom! features an LPCM Mono track which shows a few variabilities in amplitude and overall fidelity, at least some of which I attribute to the "baked in" aspects of the many interstitial things like television news broadcasts and the documentary. Eric Kaz's score also sounds full bodied and encounters no significant issues. The film's long dialogue sections are all rendered cleanly and clearly without any problems whatsoever.
Arrow has packaged this set with Greetings and The Wedding Party sharing a disc, and with Hi, Mom! on its own disc.
Supplements on each disc are therefore not necessarily devoted solely to any given film (this includes the interviews with Charles Hirsch, which can
momentarily veer off into tangential information), and so I'm providing a list of all supplements on both discs in this
set on all three reviews of the films included in the set:
Disc One contains The Wedding Party and Greetings and the following supplements:
Hi, Mom! probably tries a bit too hard to do a few too many things, and as such it's arguably the most diffused feeling film in this set. I'm not sure De Niro really captures the complete gamut of what De Palma was aiming for here, but that said, it also feels like De Palma couldn't quite make up his mind what kind of film he really wanted to make. Technical merits are generally fine for those considering a purchase.
(Still not reliable for this title)
1968
Special Edition
1967
2017
1969
Week End
1967
1970
1975
Adieu au langage
2014
1947
2016
Limited Edition to 3000
1969
W.R. - Misterije organizma
1971
2017
2 ou 3 choses que je sais d'elle
1967
The Easy Life
1962
1957
1968
Special Edition
1967
1967
1970