7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Two Mormon missionaries attempt to convert a man who turns out to be far more dangerous than they could have anticipated.
Starring: Hugh Grant, Sophie Thatcher, Chloe East, Topher Grace, Elle Young (V)| Horror | Uncertain |
| Thriller | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 2.0 | |
| Overall | 3.5 |
There is a long standing tradition, or at least there used to be a long standing tradition, that if some kind of legal proceeding where a
judgment needed to be reached involved litigants known to anyone like a judge or jury member, those individuals would either be asked (in the
case of a
judge) to recuse themselves or (in the case of a juror) not be allowed to serve in that vaunted group of twelve. In that regard and considering the
underlying conceit of Heretic, it's probably
therefore
necessary for me to state that I was born and raised in Salt Lake City, Utah, and I'm old enough that in my childhood Salt Lake City was still rather
insular in terms of its "ruling class" (and/or religion), and much less (how to put it?) ecumenical than it is nowadays. Suffice it
to
say I am not a Mormon*, and as many non-Mormons who grew up in that environment will probably concur, especially those raised back in the
veritable days of yore when
Mormons were still a
majority in the city (they've fallen to less than 50% in the burg, kind of interestingly), a sense of humor about it all became a necessity. In
that
regard, I unrepentantly joke that Heretic "had me" as soon as I found out it involved two Mormon missionaries being held captive in
the
home of an apparently demented man they're hoping to convert.
*Yes, I'm well aware that "the church" (as it is known in Utah, no further identification necessary) has jettisoned this nickname, which I frankly find
kind of hilarious, given that my music collection is full of albums by the, um, Mormon Tabernacle Choir, and, let's face it, the religion's
formative tome bears that very name. I'll only add that the film itself uses the term and the main supplemental interview with the film's directors
also utilizes it, so I will here, as well. However, in the "a sense of humor is necessary" department, when a rather well known news anchor posted
on her Instagram
account about an invasion of "Mormon Crickets", I responded on her thread that I thought they preferred to be called Latter Day Saint Crickets
now.


Note: While this is a standalone 4K release without a 1080 disc, I am offering screenshots from A24's standalone 1080 release as I think it
actually provides a better representation of the look of the palette in particular, rather than offering screenshots from the 4K disc which are by necessity
downscaled to 1080 and in SDR. Because this release does not include a 1080 disc, the 2K video score above has been intentionally left blank.
Heretic is presented in 4K UHD courtesy of A24 with an HEVC / H.265 encoded 2160p transfer in 2.39:1. Captured with Arri cameras at
source resolutions of 4.6K, I'm assuming this had a 4K DI, though there's no information on the IMDb as of the writing of this review and I haven't been
able to dredge up anything authoritative online. This offers some nice upticks in detail levels from A24's excellent 1080 presentation, something that's
most noticeable in some of the extreme close-ups utilized. But I think it's HDR / Dolby Vision that probably offers the biggest differences when
compared to A24's 1080 release. There are some really appealing new highlights visible from the get go, with the opening outdoor scenes having a
somewhat fresher, just slightly greenish, tone. The introductory inside material in Reed's home also has an appealing almost rosy peach like tone in
this
version which isn't quite as discernable in the 1080 release. HDR definitely aids in helping to at least marginally improve shadow definition in the film's
last hour or so in particular, especially in some of the cellar scenes, which now also have a slightly more cobalt blue sheen to them. The increased
resolution of this format probably also makes the digital grain a bit less subliminal looking.

While maybe not "over the top", either literally or figuratively, Heretic offers a subtly immersive Dolby Atmos track that delivers solid surround activity despite what might seem to be cloistered environments that may not offer great opportunities for "wow" effects. That may in fact be true in one way, because this is a really appealingly nuanced sound design for the most part, one that injects discrete channelization to probably unsettle listeners, and which is commendably free of things like startle effects. Chris Bacon's score is also nicely spacious and engages the side and rear channels effectively. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.


One of the formative memories of my childhood is of my Mother standing at our front door and reading the veritable riot act to Mormon missionaries who would turn up on our doorstep regularly (as in virtually weekly), always at dinner time. It got so bad that my Mother found out the name of the Bishop ostensibly supervising the efforts to convert the "heathen" in our neighborhood, and in a kind of hilariously threatening way telephoned him and alerted him to my father's status (he was a Major General, the ranking Army officer in the entire state of Utah, and commanded Salt Lake City's gorgeous historic Fort Douglas, which typically provided our family a bit of "insulation" from the prevailing culture). She finished by asking him how he'd feel if she started showing up at his house every evening at dinner time to try to convert him. Suffice it to say we had no further mealtime interruptions. In another little piece of personal trivia which kind of plays into the wonderful casting of Hugh Grant, I recently returned from a visit to London, where one of my relatives lives around the corner from Grant in the Kensington neighborhood, and sees him regularly out and about, evidently always affable and never in unapproachable "movie star" mode (she pointed out Grant's cool gray Ferrari to me on a walk one evening). Grant's performance is one of the undeniable delights of this film, and if the screenplay can't quite get its arms around various high-falutin' metaphysical ideas, there's still quite a bit of smart writing, especially for those who are interested in the history of religion and/or belief systems. Technical merits are solid, and the supplements very enjoyable. Recommended.

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