7.5 | / 10 |
Users | 4.7 | |
Reviewer | 3.5 | |
Overall | 4.2 |
Henry is a soft-spoken loner with a cool exterior masking an inner rage that boils at blast furnace intensity. When fellow ex-con Otis invites Henry to move into his Chicago apartment, he becomes a willing participant in Henry's senseless, random killing sprees. Meanwhile, Otis' unsuspecting sister, Becky, is smitten with Henry, whose broken childhood mirrors her own.
Starring: Mary Demas (I), Michael Rooker, Anne Bartoletti, Elizabeth Kaden, Ted KadenHorror | 100% |
Mystery | 4% |
Thriller | Insignificant |
Crime | Insignificant |
Drama | Insignificant |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: LPCM 2.0 (48kHz, 16-bit)
English
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 3.0 | |
Overall | 3.5 |
In cinema, if violence is entertaining it’s usually because it’s unrealistic. We clap when a survivor dispatches a zombie with a satisfying headshot, scream with squeamish delight as a masked slasher deals an original deathblow, and hold our breath waiting for the bad guys to get their bloody comeuppance. Dramatic conventions have a distancing effect, allowing on-screen violence to heighten or expunge emotion without the sickening consequences of real-life bloodshed. The outcome is much different, however, when a film tries to present violence as it actually is—chaotic and senseless, brutal and unnecessary. Henry: Portrait of a Serial Killer opts for the latter, objectively examining a week in the life of an unrepentant murderer. Ultimately, Henry is not only about violence, but also, in a specifically meta-cinema way, about an audiences’ perception of and reaction to the carnage they’re seeing committed in the film.
The face of a killer...
Let's not sugarcoat this. Henry: Portrait of a Serial Killer is an ugly film. No matter how much you bump the resolution or tweak with the color timing, it will always be an ugly film. In a sense, though, it's perfectly ugly, with form and function, medium and message serving the same gritty, grime-covered ends. Here on Blu-ray, the film receives a 1080p/VC-1 encoded transfer that shows a slight but appreciable upgrade from prior DVD releases. Colors certainly seem stronger, warmer, and more stable, particularly reds, like Henry's coat and the film's ample blood. As Henry was shot on 16mm, an occasionally heavy grain field buzzes over the image and, by extension, the film isn't exactly sharp by modern standards. Close-ups obviously show more detail than the film's DVD counterpart, but some of the medium and longer shots have a softer, unresolved appearance. Black levels prove to be the film's repeat offender, frequently crushing detail during darker scenes. The daylight segments in downtown Chicago tend to look best, but I was also momentarily impressed by the hood-mounted shot of Henry and Otis driving in the rain, a shot that shows a surprising amount of depth. Still, much of the film has a dull, dingy, depressive look that is an inalienable effect of the low-budget source material. Even dressed up in a high definition transfer, Henry is still a grim and dirty affair, but I can't imagine it being any other way.
Henry's Linear PCM 2.0 stereo track likewise represents the film well, even if the lo-fi audio capture is less than impressive today. As director John McNaughton reveals in his deleted scenes commentary, only two lines of dialogue were dubbed in post-production. All other lines were captured on-set or on-location, and the result is a somewhat uneven vocal mix. For example, you'll notice some discrepancies in ambient volume as the camera cuts back and forth between two actors. The sound quality during the scene in the underpass sounds flat-out horrible—muffled and indistinct—and I also noticed two instances of slight clipping. Still, the rest of the dialogue is intelligible and mostly clean. The dated score sounds as good as it can—with digital drums and buzzing synth lines—and for a 2.0 mix there's a decent amount of bass. I won't hesitate to say that this is the best that Henry has ever sounded, but it is noticeably inferior to other catalog titles from the mid-1980s.
Commentary by Director John McNaughton
McNaughton is joined on this feature-length track by documentarian David Gregory, who steers
the conversation with thoughtful questions pertaining to thematic material and the film's
production. McNaughton is candid and talkative, and the interview format of the commentary
means there's never a dull moment.
Portrait: The Making of Henry (SD, 52:34)
Through interviews with director John McNaughton, co-writer Richard Fire, co-producer Steven
Jones, and all the principal actors, this new documentary paints a portrait of what it was like to
work on Henry, from the early inspirations for the film to the film's battle with the MPAA.
While there's a degree of overlap with McNaughton's commentary track, fans will appreciate the
perspective of the other cast and crew members.
The Serial Killers: Henry Lee Lucas (SD, 26:19)
As the inspiration for the film, Henry Lee Lucas—known as "The Confession Killer"—murdered
somewhere between 50 and 75 people during his cross-country killing spree with fellow killer
Ottis Toole. Several investigators and police officials tell Henry's story here, along with archival
clips from an interview with Henry himself. Grisly stuff, this.
Deleted Scenes and Outtakes (SD, 21:25)
Since the original sound elements are missing, director John McNaughton provides commentary
for these twenty-odd minutes of deleted scenes, most notably including an awkward and
rightfully excised physical exchange between Henry and Otis.
Interview with John McNaughton, 1998 (SD, 30:44)
Most of the material covered here is dealt with more completely and dynamically in the "making
of" documentary and McNaughton's own commentary track. There's some interesting stuff here
for trivia-heads, but as a whole the interview is fairly dull.
Still Gallery (1080p)
Contains 34 stills, promo pieces, and one-sheets.
Original Storyboards (1080p)
Includes about 80 drawings. Like the Still Gallery, this is user-controlled.
Theatrical Trailer (SD, 1:53)
At first glance, there's nothing fun about Henry: Portrait of a Serial Killer. Dark, realistic, and unflinching, it's definitely not a film you'd put on for your annual Halloween party. Still, there's a vein of coal black comedy running throughout the film if you're willing to mentally mine for it. Henry might not be one of those films that you return to repeatedly, but it looks better than ever on Blu-ray—even if that's not saying much. Hardcore horror-hounds will definitely want to pick this one up, but casual fright fans will probably want to venture a rental. Recommended.
1980
Collector's Edition
1988
1979
1999
2011
Unrated Director’s Cut
2008
2004
1991
1987
Hellraiser V
2000
I corpi presentano tracce di violenza carnale / Carnal Violence
1973
Collector's Edition
1983
2020
2003
2013
2005
Standard Edition
1973
2014
1981
1986