5.9 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A woman whose car breaks down in the desert finds her way to an abandoned town, where she is menaced by a gang of psycho bikers.
Starring: Tina Louise, Adam West, Russ Alexander, Tania Anatole, Dan Bradley (I)Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 2.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.0 |
Biker films had their time and place, experiencing a heyday during the 1950s and ‘60s, with the image of a raging Hell’s Angels-type was used to strike fear in the hearts of moviegoers, offering them the exotic threat of menacing types clad in leather riding around on deafening vehicles. In 1984, such acts of intimidation didn’t carry the same weight, leaving “Hell Riders” with little to work with while it strives to assemble a terror show featuring particularly inept biker gang members. While it has the star power of Adam West and Tina Louise, “Hell Riders” doesn’t offer much more than the occasional bit of amusing oddity, watching director James Bryan struggle with basic acts of storytelling and conflict.
The AVC encoded image (1.85:1 aspect ratio) presentation is billed as "Newly scanned & restored in 2K from its original camera negative." There's some wear and tear on the source, finding mild speckling and scuffing periodically, but this is a clear view of the production particulars on "Hell Riders," giving the viewer a sharp look at creative achievements and many budgetary limitations. Detail is vivid, with defined facial surfaces, which examine the soiled appearance of the biker gang and the cleaner, slightly more elegant care of the locals and tourists. Makeup work is appreciable, Costuming is fibrous, dealing largely with denim, spandex, and polyester. Exteriors are dimensional, making nature tours compelling, visiting mountains and parks, while the western town at the heart of the conflict is distinct with decorative additions, including clear signage. Colors are bright and inviting, keeping greenery alive and natural. Skintones are exact. Period clothing provides alert primaries. Delineation is communicative. Grain is film-like.
The 2.0 DTS-HD MA mix is dealing with a production that's not attentive to the nuances of sound, marching ahead with a repetitive score that's clear, securing rock guitars and steady percussion. Dialogue exchanges reach the limits of the original recording. Intelligibility isn't threatened, but inherent synch issues are occasionally found. Endless screaming hits a few fuzzy highs, but performance choices aren't lost. Sound effects are understood, including roaring engines and gunshots.
"Hell Riders" offers a few diverting B-movie moments, including an extended visit to the local diner, where the bikers decide to make a mess of everything, smashing up the joint while picking on Allen (Dennis Mancini), a hapless tourist easily tossed around by the vest-wearing ghouls. West stays professional with little to do, and Louise tries to survive the shoot while changing into multiple outfits. The screenplay saves gunplay (the natural response to such a small town invasion) for the final ten minutes, trying to steer the picture into a western-style viewing experience with Doctor Dave in the Clint Eastwood role. Such heroism doesn't take, but there's at least a little effort to do something else besides photograph men riding loud bikes and drunkenly wrestling one another, which "Hell Riders" is content to offer as much as possible as it stretches to reach a sellable run time. Biker films need a lot more verve and attitude than what Bryan is capable of summoning, making the viewing experience more about surviving repetition than cowering in fear.
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