7.5 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Evil Julia helps her lover, Frank, come back to the mortal world from hell. Because Frank has used the Lament Configuration box to taste pleasures outside the normal realm of human sensation, freeing him from hell unleashes Pinhead and a menagerie of demons (cenobites) back unto earth.
Starring: Doug Bradley, Andrew Robinson (I), Clare Higgins (I), Ashley Laurence, Sean ChapmanHorror | 100% |
Thriller | 31% |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 5.0 | |
Overall | 4.5 |
Note: This version of this film is available as part of
Hellraiser: The Scarlet Box.
There have been any number of iconic and often gruesome creatures who have haunted the annals of horror films. Most folks would probably put
Jack Pierce’s astonishing work on the Frankenstein
monster
at the top of this list, but there are a number of other horrifying entities that retain their angst producing abilities to this day. Lon Chaney’s
amazing
disfigurement as The Phantom of the Opera
probably continues to populate various nightmares (and it’s interesting to note that subsequent remakes of the film seemed to realize they couldn’t
top Chaney’s own makeup approach, meaning “later” Phantoms rarely had the same viscerally disquieting appearance). The original version of The Mummy certainly had at least a few unsettling looks at
the
bandaged phenomenon, and as patently silly as the transformation scenes typically were (due to old style optical dissolves), Lon Chaney, Jr.’s The Wolf Man probably earns a permanent place in this
admittedly odd category. Ironically, Universal’s “other” big horror character,
Dracula, relied on more subliminal creepiness rather than a ghastly appearance to create his version of night sweats. More modern
horror films have introduced a number of variously unkempt creatures to scare the pants off audience members, but there’s probably no more
frightening entity than Pinhead (one whose suave manner was reportedly based at least in part on Count Dracula), an individual from another
dimension whose cranium has a rather unorthodox array of “piercings”, and who has
given the Hellraiser franchise an instantly recognizable glyph of the horrors the series offers its viewers. Many of the Hellraiser
films
have already had various Blu-ray release, but Arrow has now assembled the first three films in a really beautifully packaged new set that also
provides
a wealth of new supplementary material.
Hellraiser is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's deluxe Hellraiser: The Scarlet Box package includes a hardback book with the following information on the transfers in this set:
Hellraiser, Hellbound: Hellraiser II and Hellraiser III: Hell on Earth have been exclusively restored in 2K resolution for this release by Arrow Films. All three films are presented in their original 1.85:1 aspect ratios. Hellraiser and Hellbound: Hellraiser II are presented with their original 2.0 stereo and 5.1 mixes. Hellraiser III: Hell on Earth is presented with its original stereo 2.0 mix. The original 35mm Interpositive elements for Hellraiser were scanned in 2K resolution at Point.360 Film Labs, Los Angeles. The original 35mm Interpositive elements for Hellbound; Hellraiser II and Hellraiser III: Hell on Earth were scanned in 2K resolution at Fotokem Film and Video, Los Angeles.I highly recommend those interested to open tabs for the two reviews of previous releases of Hellraiser (linked above) so that a side by side (by side) comparison can be facilitated (I've tried to approximate some screenshots from the other reviews in order to facilitate an easy comparison). The color space and brightness of this release is slightly but noticeably different from the previous releases, but perhaps the biggest difference I noticed was with regard to grain, which looks a good deal grittier if not unnatural in this presentation, as well as detail levels, which are improved rather well, especially in terms of some of the elements like fine detail on the close-ups of the dirty hands in the opening sequence or some of the later gore effects. There are some noticeable upticks in an already thick grainfield at various moments (19:11, 23:34, 45:57, just cite three examples) that tend to slightly mask detail levels at times (see screenshots 13, 14 and 15). The palette looks great, with all important reds resonating especially effectively. There's some minor wobble on the opening credits (something that's apparent on all three films in the Scarlet Box set), but things quiet down after that.
The original 2.0 and 5.1 stereo mixes for Hellraiser were transferred and mixed from the original magnetic reels at Deluxe Media/Audio Services. The original 2.0 and 5.1 stereo mixes for Hellbound: Hellraiser II and the 2.0 stereo mix for Hellraiser III: Hell on Earth were transferred and mixed from the original magnetic reels at Post Haste Sound, Inc., Los Angeles.
The 2K scans delivered by Lakeshore Entertainment were fully graded on a Baselight grading system at Deluxe Restoration, London. Thousands of instances of dirt, debris and light scratched were removed through a combination of digital restoration tools. Overall image stability was also improved when necessary.
The 2.0 and 5.1 stereo mixes delivered by Lakeshore Entertainment were conformed at Deluxe Restoration, London. There were occasions during the films when audio synch with picture will appear loose because of instances of ADR/Overdubbing, but these are in keeping with the original theatrical presentation.
The new restorations of Hellraiser and Hellbound: Hellraiser II have been approved by Director of Photography Robin Vidgeon, BSC.
Hellraiser offers both LPCM 2.0 and DTS-HD Master Audio 5.1 mixes (the disc is authored to default to the stereo presentation). Both of these tracks sound nicely full bodied, but the surround track beefs up the rather beautiful Christopher Young score, offering a more pleasant bed of sound that helps to elevate the overall sonic ambience. Some of the ooey-gooey sound effects are a bit more resonant in the surround offering as well. Dialogue is rendered cleanly and with good prioritization and there are no problems to report in terms of dropouts, distortion or even hiss.
- Theatrical Trailer (1080p; 1:37)
- Red Band Theatrical Trailer (1080p; 1:36)
- International Trailer (1080p; 3:27) features the original voice of Oliver Smith as skinless Frank.
- TV Spot 1 (1080p; 00:34)
- TV Spot 2 (1080p; 00:32)
- TV Spot 3 (1080p; 00:32)
- TV Spot 4 (1080p; 00:33)
- Audio Commentary with Clive Barker
- Audio Commentary with Clive Barker and Ashley Laurence
Hellraiser was a rather audacious feature directing debut for Barker, and for many fans it is still easily the best in this apparently deathless franchise. Arrow has assembled a really spectacular assortment of supplements and also offer a generally very pleasing technical presentation. Highly recommended.
1987
Lament Configuration Box Set
1987
Midnight Madness Series
1987
Limited Edition
1987
1987
1987
4K Restoration
1987
(Still not reliable for this title)
Unrated Director's Cut
2006
1988
1992
1981
2018
1981
Limited Edition
1980
2014
2013
2016
2012
Unrated Theatrical and Rated Versions
2013
1982
Collector's Edition
1978
2019
2015
30th Anniversary Edition | Includes "Terror in the Aisles"
1981
Uncut
2013
Collector's Edition
1982
2019