8 | / 10 |
Users | 4.4 | |
Reviewer | 4.5 | |
Overall | 4.4 |
A divorced dad and his ex-con brother decide to rob branch offices of the bank that's threatening to foreclose on the family ranch. Such a poetic act of justice will put them in the crosshairs of a ranger.
Starring: Jeff Bridges, Chris Pine, Ben Foster, Gil Birmingham, Marin IrelandDrama | 100% |
Crime | 49% |
Heist | 42% |
Western | 41% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: Dolby Digital 2.0 (224 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
2.0 audio optimized for late-night listening; audio descriptive: EN/ DD 2.0 / 48 kHz / 640 kbps
English, English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
UV digital copy
DVD copy
Slipcover in original pressing
Region A (C untested)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.5 |
Bonnie and Clyde was one of the most epochal films of its era, and one reason why is because it totally skewed expectations for how an audience should react to a traditional cops versus robbers scenario. While there had certainly been films that had celebrated “scoundrels” if not outright criminals before (The Treasure of the Sierra Madre), Arthur Penn’s 1967 opus made the putative “bad guys” the “good guys” in a way that had never really been seen before. There’s something at least a little similar going on in Hell or High Water, a really interesting effort from the pen of Taylor Sheridan, the writer who brought another passel of morally ambiguous characters brilliantly to life in last year’s Sicario. Hell or High Water begins with an apparently banal view of a largely abandoned Texas town where a dusty late sixties or early seventies muscle car seems to be roaming aimlessly if a bit recklessly as an older woman gets out of her car and walks toward a building’s exterior ashtray to douse her cigarette. As soon as the camera pans past the building’s sign, showing it to be a branch of Texas Midlands Bank, there’s a really wonderfully evoked if subliminal feeling of dread that immediately rises up, and sure enough, as soon as the woman walks around to the front door of the place, two masked men sneak up behind her, put a gun to her head and announce that they’re there to rob the institution. Things don’t go exactly as planned, though, since it’s early in the morning, and the woman doesn’t have access to the bank’s vault. She gets into a distressing conversation with the two thieves, calling them “stupid”, which doesn’t sit very well with one of the robbers. The other robber seems at least a little calmer and gets the woman to tell them when the bank manager will be arriving. Suffice it to say that after a brief delay, the robbers do emerge victorious from their tribulations, taking off in that dusty car and peeling off their ski masks to reveal that they are brothers Toby (Chris Pine) and Tanner Howard (Ben Foster). Already Sheridan’s screenplay has smartly detailed the siblings’ characters and interrelationship, something that will continue to inform this interesting film which is part caper scenario but at least as much a pure character study of both the brothers and, later, the two Texas Rangers who are tasked with bringing them to justice.
Hell or High Water is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.40:1. The film was digitally captured with the Arri Alexa XT and finished at a 2K DI, and there's an appealing consistency to detail levels throughout this presentation. A lot of the film is understandably skewed toward dusty yellows, beiges and ochres, giving the film a kind of generally buttery or amber appearance, at least in the many outdoor scenes. The palette is generally pretty natural looking, though some of the interior scenes, while not graded, bear the look of the ambient lighting sources (some casino scenes therefore have a kind of unnaturally garish appearance which can look a little murky at times). Close-ups offer great levels of fine detail, and some of the aerial and other exterior shots offer some excellent depth of field. There are no instances of image instability and no issues with compression artifacts.
Hell or High Water features an occasionally pretty boisterous, even raucous, sounding DTS-HD Master Audio 5.1 track, one that derives a lot of energy and nice panning activity when the brothers make their getaways in their souped up cars. A couple of scenes involve gunfire (some pretty aggressive in a suitably Texan way), and those offer some punchy lower end. Dialogue is presented cleanly and clearly and effects and score are well prioritized and add to a winningly immersive listening experience.
Hell or High Water makes a couple of missteps along the way, including a couple of needless vignettes involving secondary characters in a local restaurant and, later, at a casino the brothers go to in order to launder their ill gotten gains. But generally speaking, this is a really well crafted and extremely involving character study that pretends to be about cops versus robbers but which really has a much more subtle, introspective center focusing on how siblings or quasi-siblings interact with each other. The film has a really unique feel for its (supposed) Texan locations, and performances are absolutely top notch. Technical merits are first rate, and Hell or High Water comes Highly recommended.
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