7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
In this performance documentary highlighting several Country and Western music artists, the director James Szalapski has decided to let the music speak for itself, eschewing narration and interviews. A little comic relief is provided by a rambling, humorous introduction to a song sung by Gamble Rogers, and there are some down-home shots of the folks in Wigwam Tavern in Nashville. Many of the singers are entertaining in their own right, and there are interesting segments, such as one sequence in the Tennessee State Prison during a performance by David Allan Coe.
Starring: Steve Earle, David Allan Coe, Rodney Crowell, Peggy Brooks, Guy Clark| Documentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 2.5 | |
| Overall | 3.5 |
There's a joke that's been going around for a while that with the advent of self driving vehicles it's only a matter of time before some country music artist writes a tune about his truck leaving him. The joke may obviously assume a certain "template" for the country music idiom, or at least perceptions of it, but that very assumption and/or perception may bring to mind the salient question, "What is country music?" That's part of the subtext of Heartworn Highways, an interesting if kind of aimless documentary that offers a bunch of often spontaneous performances by a group of musicians, some of whom were largely unknown when the film was shot, but who have gone on to careers of considerable renown. Ironically, as the "baby faced newcomers" in the film, these folks are contrasted with older (if no wiser) sorts who have been around the block several times and have survived to tell the tale. Some of the relative elders, like Charlie Daniels, were obviously already at least fairly successful in the film's production era of the mid- seventies, while others had never totally grasped the brass ring. Another participant, David Allan Coe, is a perhaps unspoken paradigm of one of the film's presumed focal points, the so-called "outlaw country" subgenre, which is overtly dealt with in a segment documenting a performance at a prison where Coe discusses his own incarceration. In that regard, it's interesting to note that the film's marketing materials sometimes tout country music's "new wave" as its focus instead of "outlaw country", as if even the creative crew behind the documentary wasn't quite sure what "country music" means, but there is occasional perhaps humorous certainty at times, including a vignette featuring a performance venue owner who laments that "country music" doesn't mean what it used to (whatever that means).


Heartworn Highways is presented on Blu-ray courtesy of Kino Classics, an imprint of Kino Lorber, with an AVC encoded 1080p transfer in 1.78:1. Neither information on the cover nor the insert booklet contain any real technical data, but the newly done trailer included as a supplement on this release mentions a new restoration culled from the original camera negative. The presentation here is commendably organic looking, and the palette in particular looks rather richly suffused, with primaries like reds and blues popping extremely well. Detail levels are somewhat more variable, some of which can be attributed to differing filming conditions. There is quite a bit of recurrent if minor damage afflicting the presentation, with quite a few small but noticeable white flecks repeatedly showing up (some of them can be spotted in some of the screenshots accompanying this review when viewed in full resolution). Grain is occasionally on the chunky side, but resolves without any real issues.

Heartworn Highways features a DTS-HD Master Audio 2.0 track that provides completely capable support for the film's spoken, sung and played moments, though certain slack needs to be granted in terms of the vagaries of some of the live recording situations, notably the open mic and even sequences set in a high school gym and a prison, where things like overall amplitude and encroaching crowd noise can sometimes alter the ability to hear the performers. Fidelity is very good to excellent within that context, and the variety of voices and instruments is typically presented with clarity and precision. Optional English subtitles are available.


If the emphasis here is kind of understood implicitly to be "rule breakers" of one kind or the other, then Heartworn Highways succeeds in offering a gaggle of people who would certainly fit that bill. Perhaps it's understandable, then, that James Szalapski was something of a rule breaker himself, offering a documentary that kind of wanders to and fro without any perceived destination, but coming off as an amiable if occasionally raucous road trip as a result. Technical merits are generally solid, though the source element does show some recurrent if pretty minor damage. The supplements are also very enjoyable. Recommended.

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