7.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
A father and daughter form an unlikely songwriting duo in the summer before she leaves for college.
Starring: Nick Offerman, Kiersey Clemons, Ted Danson, Sasha Lane, Toni ColletteDrama | Insignificant |
Music | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.99:1
Original aspect ratio: 2.00:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 5.0 | |
Overall | 4.5 |
No matter what type of business “Hearts Beat Loud” does with Blu-ray sales, the film is guaranteed to find its audience one way or another. It’s a sensitive endeavor about the communicative aspects of musicianship and songwriting, and it’s similar to smaller movies like “Once” and “Sing Street,” which also mixed troubled souls with the power of performance. The bonus here is that while constructed out of familiar working parts, “Hearts Beat Loud” is a lovely picture unafraid to touch on real emotions, using music to explore the fears of people on the precipice of enormous life changes. Co- writer/director Brett Haley has a terrific cast to help him achieve such tricky vulnerabilities, and for those who crave the musical arts, the feature delivers a rich sense of craftsmanship and passion behind the creation of songs.
Originally presented on Blu-ray in 2018, Gunpowder & Sky return to "Hearts Beat Loud" with another release, this time going the pressed disc route, avoiding BD-R issues for some consumers. Image quality was there four years ago, and it returns for this AVC encoded image (1.99:1 aspect ratio) presentation, which delivers a bright and appealing look at frame particulars. Colors are vivid, working with varied decorative elements around the record store and living spaces, and exterior events highlight store signage. Costuming secures rich primaries. Skin tones are natural. Detail is sharp, exploring textured facial surfaces and hair. Clothing is fibrous. Interiors are open for inspection, showcasing record store displays with band art, and exteriors retain ideal dimension. Delineation is satisfactory.
Music is the big draw of "Hearts Beat Loud," and the 5.1 DTS-HD MA sound mix is incredibly respectful of the band experience Haley is hoping to convey. Musicianship is sharp, with defined guitar strumming and keyboards, while percussive efforts deliver just enough snap and bottom to give the low-end something to do. Vocals are tight and communicative. Scoring efforts are full, with surrounds deployed to create a circular space of dramatic emphasis. But the We're Not a Band performance scenes, along with assorted creative tinkering, keep the emotional flow of the picture with respectful volume. Dialogue exchanges are appealing, working with subtle emotionality that's never lost. Atmospherics are compelling, finding bar interiors lively with customer bustle, and outdoor interactions retain the feel of their surroundings.
There are a few hiccups in "Hearts Beat Loud," finding Marianne too disposable of a character, with Haley ultimately doing little with the grandmother. And Leslie makes for fine support, but her sexual interest in Frank feels clichéd, intended to create a barrier to help with third act decisions. However, the movie has a big heart and a real dedication to musical performance, arranging an entire show for Frank and Sam to help them settle their differences and bond together as a group. It's a gentle picture that veers into predictability, but Haley keeps the effort on track, trying to extract as much emotional texture as possible, giving the endeavor a lived-in sense of time, love, and harmony.
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