6.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Carol inherits a night club from her weird uncle. She moves into the place, only to find out just how weird her uncle really was. She begins to remember more about her very special relationship with her uncle as she battles her memories and her surroundings in her new home.
Starring: Jennifer Jason Leigh, Brenda Vaccaro, James Rebhorn, Steve Buscemi, Frank StalloneHorror | 100% |
Thriller | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English
25GB Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
1988’s “Heart of Midnight” aspires to be a David Lynch-style journey into the abyss of madness, ornamented with abstract and symbolic visuals, while performances generally float on impulse, not interested in dramatic distance. Writer/director Matthew Chapman is ambitious with the feature, slathering it with strange sights and violent sexuality, attempting to tap into something primal and surreal. However, to secure such a hazy environment, Chapman requires a precise understanding of story, and that’s the one thing missing from the effort. All the weirdness and hostility in the world can’t pull “Heart of Midnight” out of its slumber, with Chapman more connected to the execution of select scenes than the construction of a larger behavioral puzzle, providing more questions than answers in this frustrating picture.
Working with an intense color palette, the AVC encoded image (1.85:1 aspect ratio) presentation for "Heart of Midnight" carries a strong sense of primaries, with red particularly effective throughout. The Midnight offers a range of hues, and they come through clearly and comfortably, while skintones are natural. Grain is fine and filmic. Detail is present, but this is a softly shot feature, leaving intense close-ups the most effective with textures, while club interiors and their macabre ornamentation are open for study. Delineation is comfortable, handling evening and low-lit adventures without slipping into complete solidification. Source has moments of mild scratching and speckling, and judder pops up periodically.
The 2.0 DTS-HD MA sound mix delivers a mood of mystery, leading with an active score composed by Yanni, which provides a solid foundation of heavy synth that never intrudes on the action. Dialogue exchanges are satisfactory, handling a range of tempers and overacting with comfort, never slipping into distortion. Atmospherics for nightclub activities are welcome, adding a sense of depth and group dynamic to the mix.
Chapman likes to puzzle his audiences, but when it comes time to provide at least some answers concerning the history of The Midnight and its former inhabitants (along with Fletcher's ultimate fate), the payoff of the film is unfortunately diluted. Trying to put a human face on seemingly unexplainable events, "Heart of Midnight" turns into a conventional thriller, albeit one tinged with unbearably cruel motivations. The movie basically ties Carol to train tracks as it hunts for suspense, going for gunfire when the set-up demands a more cerebral finale that toys with additional lunacy. "Heart of Midnight" never comes together in a convincing fashion, but its final act offers closure to a story, whether the viewer likes it or not. Chapman is looking to create the unknown with his effort, making the sudden shift to disappointingly formulaic answers all the more irritating and needless.
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