7 | / 10 |
| Users | 4.5 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
The band fronted by sisters Ann and Nancy Wilson performs in a two-part concert broadcast in 2005 as part of the Soundstage series jointly produced by WTTW, the PBS station in Chicago, and HD Ready.
Starring: Nancy Wilson (I), Ann Wilson| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 4.5 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 0.0 | |
| Overall | 4.5 |
No roster of durable rock veterans would be complete without Ann and Nancy Wilson, the sisters who have fronted the band Heart for nearly forty years. The sisters may not have founded the band, but they quickly became its public face, and Ann's smoking vocals defined its sound, even as its musical format shifted with changing times. Their performing style and their song-writing talents provided definitive proof, as Janis Joplin had before them and Chrissie Hynde would shortly join them in doing, that a woman could rock as hard, as dirty and as unreservedly as any man. They sang about losing their virginity, having one-night stands and raising children on their own without apology, and Ann's tough delivery brought to the lyrics a distinctive mixture of relish and regret that made the songs memorably ambivalent. But they could also write delicate ballads, which Nancy often sang. One of their biggest hits remains 1978's gentle duet, "Dog and Butterfly". When Heart first gained U.S. attention with singles like "Magic Man" and "Barracuda", everyone thought the band was Canadian. In fact, all the original members were American, including the Wilson sisters, but the band worked in Canada throughout the 1970s after a founding member fled there to avoid being drafted and sent to Vietnam. Even while in Canada, Heart received attention at home, but its reputation soared after the general amnesty by President Carter allowed everyone to return home in 1977. By 1980, it had achieved a string of hit singles and two double platinum albums. Heart's fortunes declined in the Eighties, a victim of personnel changes and the vagaries of taste. So the Wilson sisters changed with the times, reworking their style into power ballads like "Alone" and heavy metal-inflected rockers like "If Looks Could Kill". Just in time to help them out, MTV appeared, where the Wilson sisters' looks did kill, especially Nancy's, whose aggressive and erotically charged style of guitar playing was not only camera friendly but an instant hit with the channel's male audience, which kept the video for "Never" at number one week after week. Today I look at the band's album covers from this era and can't help but laugh at the big hair and circus performer outfits—but the musicianship never flagged. By the Nineties, the sisters began pursuing separate projects, although they continued to work together with Heart. In part, this reflected Nancy's increasing involvement in the film work of her (now former) husband, Cameron Crowe, for whom she scored Jerry Maguire, Almost Famous, Vanilla Sky and Elizabethtown. (They also raised a family.) But in 2002 Heart resumed touring, and in 2004 the band released Jupiter's Darling, its first studio album in over ten years. It was at this point that Heart was invited to perform for Soundstage, the concert series presented on PBS by Chicago's local station, WTTW, in partnership with HD Ready, LLC. The two-hour concert was first broadcast in two parts on July 28 and August 4, 2005. Koch Vision released the concert on DVD in 2008, and Image has now released it on Blu-ray.


I was initially concerned when I saw that Image had chosen to depart from their usual practice with Soundstage concert programs by issuing this nearly two-hour concert on a BD-25. However, except for an unusual amount of aliasing and video noise in the opening pans over the audience members as they cheer the Wilson sisters' initial appearance, the image on the 1080i, AVC-encoded Blu-ray is entirely consistent with the discs I've previously reviewed in this series. The picture is generally free from jaggies or other artifacts from the interlaced format while the image is in motion. (Screencaps are a different issue.) Black levels and resolved detail are consistently good, and colors are rich and well-saturated. As is customary with Soundstage concerts, the audience is fully illuminated along with the performers, which no doubt contributed to the quality of the image capture.

The DTS-HD MA 5.1 track is up to the usual standards met by director Joe Thomas and the technical crew at HD Ready. As per the typical mixing approach for Soundstage concerts, the viewer is placed in the position of an audience member with the sounds of cheering and applause directed to the surrounds, while the band and vocalists remain spread across the front soundstage, with some degree of presence in the surrounds to create a sense of space and depth. Just how loud that applause can be will be evident in the opening moments of the program, when the Wilson sisters are welcomed by the audience. The quality of the audio recording is evident in the reproduction of Ann Wilson's vocals, which are rendered without the slightest crackling or shrillness, which is no mean feat given her typical range. The instruments are well-balanced, and, as I have said in previous reviews, Soundstage and Image continue to set a high standard in simulating the feel of a live performance in the home environment, as much as such an experience can be reproduced. (Note: A PCM 2.0 track is also available for all selections.)

No extras have been included, although the Koch Vision DVD is listed as including an interview with the Wilson sisters.

Many of the Wilson sisters' songs were written and released when both they and I were much younger. Perhaps it's just my own awareness spilling over into the experience, but watching and hearing these songs performed by the same women at much later stages of their lives seemed to lend the songs additional depth and substance—one might even say "gravitas"—in ways that are almost indefinable. Rock music used to be considered strictly a young person's game, but performers like the Wilson sisters have proved otherwise. Highly recommended.

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