6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A live concert recorded on April 13, 2007, at the Orpheum Theatre in Los Angeles, in which Ann and Nancy Wilson and the current line-up of their band play every track of their first album, thirty years after its release, plus encore tracks.
Starring: Ann Wilson, Nancy Wilson (I)| Music | 100% |
Video codec: VC-1
Video resolution: 720p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby TrueHD 5.1 (48kHz, 16-bit)
None
25GB Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 3.5 | |
| Video | 2.0 | |
| Audio | 3.0 | |
| Extras | 1.5 | |
| Overall | 3.0 |
Fresh from reviewing Heart: Live, the impressive Blu-ray of the venerable band's 2005 performance for the PBS Soundstage series, I was eager to see the Blu-ray version of the "concept" performance from two years later entitled "Dreamboat Annie". Dreamboat Annie results from the same Heart revival era that engendered the Soundstage concert, but it's less of a career review than a look back at a particular moment in time, specifically 1977, when the Wilson sisters, vocalist Ann and guitarist Nancy, released their first album and began getting noticed outside the local scene in Vancouver. On April 13, 2007, thirty years after the album's release, the sisters played through its entire songlist (and more) at Los Angeles' Orpheum Theatre with a band that was still called Heart but in which all of the key musicians besides the Wilsons had been replaced over the years. Of course, the sisters too had changed. Having so recently provided an overview of their careers, I direct the interested reader there rather than repeating what I've already written. The Dreamboat Annie concert was released on DVD later that same year in October 2007, but a Blu-ray release was delayed until November 2008. For reasons unknown, that disc wasn't reviewed here upon release, but the gap has now been filled.


Despite the listing on the jacket, the video on this VC1-encoded Blu-ray is a disappointing 720p (not 1080i, as is typical of most concert videos recorded in hi-def video). Unlike Soundstage's productions, the Dreamboat Annie concert was staged and lit in classic razzle-dazzle rock show style, with brightly colored lights, mist on the stage and the audience in the dark. (I love L.A.) When I first started watching the concert, I thought perhaps the slight indistinctness of the images resulted from the lighting effects. Then I began to wonder whether, somewhere along the mastering chain, someone had fiddled with the contrast and blown out the details—but that seemed unlikely, since the blacks remain solid, inky and unaffected. But when I got the disc over to my desktop to begin taking screencaps, the truth came out. The detail is weaker, because, at 720p resolution, there's less picture information on the disc to begin with. Making allowances for this lesser image, what's there does have nicely saturated colors, a complete absence of noise or motion artifacts and a generally pleasing appearance if you're not expecting too much. Then again, 720p isn't a very demanding resolution, and it can cover a multitude of sins in the source material. I'm enough of a Heart fan to say that this concert Blu-ray is worth owning (at the right price), but buyers should know what they're getting. (Note: The screencaps included with this review have been upconverted to 1080p.)

Dreamboat Annie's Dolby TrueHD 5.1 track is, to me, a classic demonstration of the adage that the source is more important than the format. Is it good? Yes. Does it have power, punch and bass extension? Sure. Does it give you a sense of the audience at the Orpheum Theatre applauding, cheering and surrounding you? Of course. Can it hold a candle to the mixes achieved by the engineers who have perfected the art of reproducing the sound of live performance for Soundstage. Not a chance. Now, in fairness to Dreamboat Annie's sound mixers, some of the difference no doubt reflects an alternate philosophy toward reproducing live performance. The mixers for Soundstage carefully layer the individual instruments so that they blend but don't muddy each other, which, let's face it, is not how attendees at a rock concert typically experience heavily amplified sounds as they're spontaneously created. The mix on Dreamboat Annie is probably much closer to the real thing, in the sense that it's mushy, messy and imperfect, with none of the clean-up or acoustical purification that Soundstage's engineers impart to their mixes. In theory, I understand the appeal. In practice? No thanks. The rough edges of live performance are offset by the adrenaline rush of actually being there in the moment. But when listening to something after the fact, something that's been recorded and mixed for the ages and for multiple plays at a later date, give me the cleaned-up version every time. Don't get me wrong; the track is eminently listenable and powerful. It's just that a lossless presentation of a rough-edged, occasionally indistinct, sometimes brittle mix remains just that. Lossless treatment doesn't make it better.


Despite the inexplicable decision by Summit to master the Blu-ray at 720p and my reservations about the sound mix, any performance by Heart is worth owning, if you're a fan, and the interviews with the Wilson sisters on this disc are essential viewing. Look for a bargain price and add it to your collection.
(Still not reliable for this title)

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