7 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
The uptight and dumb small time thief Nick Robey and his partner and only friend Al Molin steal $10,000.00 from a man, but the heist goes wrong. Al Molin is killed by a policeman and Nick shoots him in the spine. He hides out in a public swimming pool and meets the lonely spinster Peggy Dobbs in the water. Nick uses Peggy to lie low. He offers a ride in a taxi to her and she invites him to her apartment, where she introduces her family to him. When Nick discovers that he killed the cop, he decides to use Peggy's apartment as hideout to wait the police manhunt cool down. When Nick finds that Peggy loves him, he invites her to leave town with him and asks her to buy a used car. However, Nick cannot trust anybody and believes Peggy has betrayed him Written by Claudio Carvalho, Rio de Janeiro, Brazil).
Starring: John Garfield, Shelley Winters, Wallace Ford, Selena Royle, Gladys GeorgeFilm-Noir | 100% |
Drama | 39% |
Crime | 1% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 16-bit)
BDInfo verified
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 1.0 | |
Overall | 3.5 |
“He Ran All the Way” is a crime picture (adapted from a book by Sam Ross), but it finds a special position of paranoia to keep tensions taut. Hit with political troubles during its initial 1951 release due to Red Scare interest with screenwriters Dalton Trumbo and Hugo Butler, and star John Garfield, the feature emerges today as a fascinating look at claustrophobic intimidation, using guns and chases to provide entrance into a disquieting psychological thriller, supported by wonderful performances and an atypical sense of escalation for the moviemaking era.
Some concern arises during the main titles, with pronounced vertical scratches popping into view, and the initial transition into the feature is marred by severe macroblocking. Once settled into movie, the AVC encoded image (1.37:1 aspect ratio) presentation calms down, with only debris and milder scratches detected. Detail is capable, delivering sweaty close-ups with strong facial particulars, and apartment decoration is relatively crisp and easily surveyed. Stable contrast holds balance, while delineation is satisfactory, keeping shadows communicative. Grain is filmic.
The DTS-HD MA sound mix manages period levels comfortably, with only a few sharper surges in intensity, rendering some highs on the crispy side. Dialogue exchanges are deep and secure, balanced well with scoring needs, finding music bolder but never distracting, holding a sense of instrumentation. Street atmospherics are eager, and the group dynamic during pool scenes is never cluttered. Hiss and pops are present throughout the listening experience, but rarely distract.
Helping "He Ran All the Way" reach heights of suspense is cinematography by James Wong Howe, who captures shadowy fear and tight spaces of conflict amongst the family, generating a pressure cooker environment inside Peggy's apartment. Performances are also communicative, with Winters capably delivering a complex reading of Peggy's headspace, which is clouded with fear and lust, and Garfield (in what would be his final role) isolates behavioral nuances within Nick, who vacillates between a gun-waving goon and a master conductor of fear. "He Ran All the Way" works toward a satisfying finale, but the opening act is its true achievement, mastering a set-up that's exciting and frightening, giving the rest of the movie plenty of subplots to explore.
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