8.1 | / 10 |
Users | 4.2 | |
Reviewer | 4.0 | |
Overall | 4.2 |
Harry and his friends Ron and Hermione return for their third year at Hogwarts School of Witchcraft and Wizardry, where the teenagers are forced to face their darkest fears as they confront a dangerous escaped prisoner and the equally foreboding Dementors, who are sent there to protect them.
Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, Julie Christie, Robbie ColtraneAdventure | 100% |
Fantasy | 79% |
Family | 63% |
Epic | 62% |
Mystery | 35% |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 2.41:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
Portuguese: Dolby Digital 5.1
German: Dolby Digital 5.1
Italian: Dolby Digital 5.1
Dutch: Dolby Digital 5.1
English SDH, French, German SDH, Italian SDH, Portuguese, Spanish, Dutch
50GB Blu-ray Disc
Three-disc set (2 BDs, 1 DVD)
Digital copy (as download)
BD-Live
Slipcover in original pressing
Region free
Movie | 4.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.0 |
The greatest magic trick Harry Potter ever pulled? Growing up with his fanbase. Over the course of the last thirteen years, both J.K. Rowling's novels and their big-screen adaptations have dared to age along with their readers and viewers, addressing increasingly complex issues and dramatically darker themes as the saga's young devotees and equally young protagonists approached adulthood. It's a particularly impressive feat considering the popular author or the wildly successful films could have followed an easier path. Rowling could have simply retained the tone and tenor of earlier entries, creating a colorful but toothless epic destined to fade from memory the moment her wide-eyed readers got their licenses and applied to college. Likewise, the bottom-line wizards at Warner could have stuck with family-friendly director Chris Columbus, recast roles as their fledgling actors neared their twenties or simply slapped a coat of rose-petal paint on Rowling's ever-darkening tale. But visionaries stood firm, organic storytelling prevailed and audiences have reaped the rewards. Harry Potter and his wondrous world have become an international phenomenon -- in print and on screen -- and untold billions have been earned all because an unwavering author and a shrew studio allowed a little boy and his fans to grow up.
Harry Potter and the Prisoner of Azkaban marks the saga's first real step down a very winding, very frightening road. The lights dim deeper and the creatures snarl louder. The threats are unspeakable, forbidden magic hints at dangers unknown and the costs are higher than they've ever been. It's more than that though. The series' young actors come into their own, the story itself claws its way beneath the skin and Azkaban's darkly dreaming director, Alfonso Cuarón (Y tu mamá también and Children of Men), delivers something more substantial than a strong Potter sequel... he delivers a great fantasy film.
Class is in session...
While the latest release of Harry Potter and the Prisoner of Azkaban conjures up the same 1080p/VC-1 transfer that left fans breathless in 2007, Warner's three-year-old encode holds up incredibly well. Michael Seresin's grim vision of Hogwarts is far removed from the colorful school Harry attended in Sorcerer's Stone and Chamber of Secrets. Ghostly golds, chilling blues, ominous primaries, pale skintones and ravenous shadows arrive in force, wiping away the warmth and hope that dominated Chris Columbus' installments of the saga. Not that I'm complaining. Seresin's fittingly bleak photography looks magnificent in high definition and Warner's presentation stays to true to his every dark intention. A few flushed faces and some notable (albeit arguably inherent) crush undercuts the beauty of it all, but color saturation and contrast is nevertheless satisfying and consistent. Detail also earns high marks throughout. Fine textures are well-resolved and revealing, the film's special effects aren't nearly as flat as those in Stone and Secrets, and edge definition, though haunted by a bit of noticeable ringing, is crisp and refined. Notice the weathered threads of Sirius' tattered clothes coming undone, the tiny scratches and specks of dirt on Harry and Hermione's faces, Buckbeak's frilled feathers, Professor Lupin's every dangling hair, individual strands of Dumbledore and Hagrid's beards, the craggly bricks adorning Hogwarts' walls and the faint, almost imperceptible grain that permeates the transfer. Each one a sight to behold. Issues? A handful. Brief flickering is apparent in a number of scenes, minor artifacting and banding creep in (most noticeably in the fog-draped background around the 1:38:30 mark), and blacks are a tad muted in two sequences near the end of the film. Otherwise, the encode is polished and proficient, leaving The Prisoner of Azkaban with little to do but impress videophiles of all ages.
The Prisoner of Azkaban's stirring DTS-HD Master Audio 5.1 surround track is full of sonic wonder, much like Warner's comparable 2007 uncompressed LPCM offering. Dialogue is never overwhelmed by the power of it all, nor does it float above the fray. Instead, voices dive into the Dementor-plagued trenches, take the fight to the film's rousing soundscape and emerge as an organic component of the mix. Prioritization is impeccable -- even the slightest sound effects are present and accounted for -- and dynamics are engaging. Sternum-rattling LFE output makes every roar and implosion an experience all its own, yet never goes so far as to draw unnecessary attention to itself. Likewise, lively rear speaker activity envelops the listener in the majesty of Hogwarts and the dangers of its forests, but never to superficial extremes. The whole of the soundfield is as believable and immersive as it could possibly be (this is, after all, a fantasy film), directionality is altogether convincing and exceedingly transparent pans hurl wizard bolts and screaming spirits from channel to channel without incident. (It doesn't get much better than Chapter 15's stormy Quidditch match.) If I have any complaint it's that John Williams' soaring score is a bit subdued at times. It isn't a debilitating anomaly in the slightest, and may very well trace back to the film's original sound design, but it did catch my attention on more than one occasion. Regardless, The Prisoner of Azkaban sounds fantastic, so much so that it shouldn't disappoint anyone.
Less "ultimate" than the previous Ultimate Edition Harry Potter releases (Sorcerer's Stone and Chamber of Secrets), the 3-disc Ultimate Edition of Prisoner of Azkaban doesn't feature a Director's Cut or extended version of the film, nor does it offer a Picture-in-Picture experience. The outer box and some of its contents are slightly different as well -- the set is a wee bit taller, jettisons a Digital Copy disc in favor of a code for a downloadable copy of Azkaban, and comes bundled in a two-tier, side-access lenticular slipcover -- but not so much that it doesn't complement Warner's first two UE box sets. Inside though, it looks strikingly similar to its predecessors (pictured here and here). A hefty interior box houses three components: a tri-fold 3-disc digipak, a small envelope containing two collector's cards and a handsome 50-page hardcover book. Unfortunately, the set's special features aren't going to leave anyone cheering. The third installment of "Creating the World of Harry Potter," the saga's engrossing eight-part documentary, is the Ultimate Edition's biggest draw, but even it can't distract from the otherwise dull, disappointing, EPK-riddled supplemental package.
If you already own the 2007 Blu-ray release of Harry Potter and the Prisoner of Azkaban, you're probably wondering if the 2010 Ultimate Edition is worth your hard-earned cash. The answer though depends on what you're looking for. If you already own Warner's first two Harry Potter UE box sets and you're eager to dig into the third installment of "Creating the World of Harry Potter," this release is most certainly for you. However, if you aren't a complete supplemental junkie or despise oversized box sets, stick with the original 2007 Blu-ray release. It offers the same excellent video transfer, a comparable audio mix and all of the special features on Disc Three of the 2010 UE. Not that those who purchase this particular edition will be disappointed. "Creating the World of Harry Potter" is worth the price of an upgrade alone (at least in this humble writer's opinion) and newcomers and longtime saga purists will be thrilled with the AV presentation. Either way, The Prisoner of Azkaban is a fantastic fantasy film and the first truly great chapter in the Harry Potter series.
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