5.6 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A hard rock band travels to the tiny and remote town of Grand Guignol to perform. Peopled by hicks, rubes, werewolves, murderous dwarves, sex perverts, and Hitler, the town is a strange place but that doesn't stop the band's lead singer from falling in love with a local girl named Cassie. After Nazi sex perverts kill the band to satisfy their lusts, Cassie calls the rockers back from the grave to save her, the town, and maybe the world.
Director: Krishna ShahHorror | 100% |
Comedy | Insignificant |
Music | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 2.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 4.5 | |
Overall | 4.0 |
It’s never a good sign when a film’s origin story involves the development of 20 minutes of random footage into a full-length feature. 1985’s “Hard Rock Zombies” was never meant to be seen in the traditional sense, originally created for use as a background visual in the little seen “American Drive-In,” but director Krishna Shah had a change of heart, looking to join the horror gold rush of the 1980s with his own offering of MTV visuals and cartoonish violence involving the undead and, well, Nazis. He doesn’t exactly have an idea of what he wants to do with “Hard Rock Zombies,” but Shah is doing it anyways, coming up with a barely coherent comedy that delivers a few gore zone visits and plenty of musical performances, turning this endeavor into a particularly dark and unfunny episode of “The Monkees.”
The AVC encoded image (1.85:1 aspect ratio) presentation for "Hard Rock Zombies" opens with this information from Vinegar Syndrome:
"The following presentation of HARD ROCK ZOMBIES has been sourced from a U.S. 35mm release print, which corresponds to the MPAA R-Rated
version of the film, as distributed by Cannon Films. Unfortunately this version was edited by several minutes to secure an R. The remaining footage has
been re-integrated from a video master, the only known surviving material for these sequences. While we have made every effort to make these format
transitions as seamless as possible, you will notice fluctuations in image and sound quality which inherent in the source."
Indeed, the video footage is noticeable during the viewing experience, largely restoring most of the violence in the feature, which may be useful to fans
of the movie. Detail reaches as far as possible here, offering some sense of skin particulars and musician costuming, along with small town visits, which
retain modest dimension. Colors offer bold red for Nazi imagery and brighter primaries on clothing. Greenery retains some punch, and skintones are
natural. Delineation struggles somewhat, due to the use of a print, which creates very heavy blacks.
The 2.0 DTS-HD MA mix offers a somewhat forceful understanding of musical performances and soundtrack cuts. Instrumentation is acceptable, with heavier percussion and bass. Vocals are clear. Dialogue exchanges are satisfactory, examining a range of accents and performance capabilities. There is a slight dip in quality when the video source is utilized, but these sequences are brief.
"Hard Rock Zombies" is a mess, but a sufficiently contained one. It has trouble shedding the make-em-up nature of its production origin, and when focus is pulled from a hair band trying try to share their music with the world, or kill some overacting Nazis, the whole thing flops around like a dying fish. There's camp value, but only in spurts, as Shah is too busy simply trying to find his movie, unable to really think about what he's doing with this hodgepodge of exploitation, horror, and zany comedy.
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