7.1 | / 10 |
Users | 2.8 | |
Reviewer | 3.5 | |
Overall | 2.9 |
Four decades after escaping his Halloween night murder spree, a haunted Laurie Strode comes face to face once more with the masked psychopath Michael Myers.
Starring: Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Haluk BilginerHorror | 100% |
Thriller | 38% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS:X
English: DTS-HD Master Audio 7.1 (48kHz, 24-bit)
Spanish: DTS 5.1
French (Canada): DTS 5.1
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region free
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
The macro-level history behind the Halloween movies isn't particularly interesting. After a very successful and genre-defining original classic, the franchise veered into the standard Horror franchise fast lane which it admittedly help shape, spitting out a number of lore-building films, standalone sequels, a franchise film in title only, and a pair of reboots. Indeed, the Halloween brand has essentially taken the path of least resistance through its now forty-year history with various stabs at creativity but largely selling audiences on a name and an expressionless Shape rather than honest character depth and narrative integrity. With this 2018 film, Director David Gordon Green (Pineapple Express) has done something to shake the film loose from the clutches of closed-minded constraints and built a film that ignores decades of Halloween storylines -- including those featuring Jamie Lee Curtis reprising her role as Laurie Strode -- and builds this Halloween as the one and only true sequel to John Carpenter's original.
Like so many of its contemporaries, Halloween was shot on digital. The franchise, of course, has its roots in film and, until now, every movie in the franchise had been shot on film, including
the pair of Rob Zombie pictures. It's a bit of a disappointment, then, that David Gordon Green and
Cinematographer Michael Simmonds chose to break tradition, but it is 2018 and, for better or for worse, digital is becoming, if it has not
already become, the de
facto "new normal" in Hollywood.
Nevertheless, the digitally sourced presentation is top-notch. Universal's 1080p Blu-ray delivers a high yield visual experience, presenting core textural
and color
arrangements with a precision and integrity that are largely above reproach. The picture is crisp, clean, efficient, and highly detailed with only a few
ever-so-slightly softer edges apparent throughout. Textural intimacy and sharpness are first-class throughout, whether considering wonderful detail on
the well worn gates outside of Strode's property, the natural leaves and woods around her rural escape, and the weathered home exteriors and warmer
interiors that make up her defensive retreat. Facial features are finely revealing. The film offers glimpses of Michael Myers from the outset, a
weathered, aged man with dense lines and
white facial hair, seen at angle, briefly, here and there. Such scenes demand the utmost clarity to absorb the rapid-fire glimpses and the Blu-ray is
more
than capable. Michael's mask is a joy upon its true reveal. It's seen near film's start, out-of-focus, but when The Shape reunites with it, lays his hands
on it, and dons it for the first time in the movie, it's a revelation of wear and tear and aging and all of the fine textures that shape it. The scene takes
place during
the day, a plus for the audience's opportunity to witness it in its full glory. The color palette is highly efficient and true. Red blood is a highlight,
particularly in a grungy bathroom seen midway through the film, a scene in which Myers repeatedly slams a character's face into the wall to extremely
bloody result. Clothing,
flashing police lights, natural greens, and fall colors (including orange pumpkins) are all very nicely saturated. Skin tones appear healthy and full while
black levels are appropriately dense and absorbing without crushing critical elements in any given shot. The encode is very efficient, refusing to reveal
any banding in potentially difficult scenes (such as a foggy nighttime scene in chapter six) and it keeps source noise in check, revealing only a little in
lower light shots.
Halloween's DTS:X soundtrack does not often take full advantage or make discrete use of the overhead channels at its disposal, but the track otherwise makes for a fundamentally sound listen. The track builds a full, able-bodied presentation in which music is the most obvious beneficiary of length and clarity. The soundtrack is every bit as effective as one would expect it to be. Musical engagement is wonderful. The opening title track delivers precision notes of a familiar refrain, a wonderful reproduction of Carpenter's original, iconic score. The presentation thereof is largely the front end's task, with modest surround integration only. Such holds true for much of the film. Music is definitely more up front than it is evenly distributed through the rears. The front left and right channels carry the bulk while the back channels, and the overheads, for that matter, offer a complimentary fill that does not absolutely immerse the listener into the score but that does create a fuller listening sensation. Clarity is terrific, essential in detecting and appreciating the details within the original refrain as well as many of the more edgy and experimental notes that define some of the track's more intensive, weighty notes. The subwoofer is used in a complimentary fashion for musical support and does not extend itself prodigiously at any point in the track. Gunshots lack thunderous depth and could even be said to a moderate sonic disappointment, but the low end does find some depth when a car runs a character over in chapter 15 and at a few moments during the final confrontation. Along with music, dialogue is the sonic mainstay and the presentation thereof is without flaw, playing with seamless clarity and positioning and expert prioritization when competing with any surrounding elements.
Halloween's Blu-ray disc contains a collection of deleted and extended scenes and several featurettes. A DVD copy of the film and a Movies
Anywhere digital copy code are included with
purchase. The release ships with an embossed slipcover.
Halloween is a good movie that is a little too reliant on genre structure and paying its respects to the original. It's also more risk-averse than it should be. When the film takes its biggest risk with the best opportunity for long-term reward, is squashes the potential to take the film and franchise in a new and interesting direction that could have better defined the psychosis that exists within, and extends from, Michael Myers. Instead, Director David Gordon Green is content to build a movie that is well made and a worthy successor to the original but one that doesn't allow the apple to fall too far from the tree. Universal's Blu-ray is excellent, featuring top-rate video and high quality audio. A few supplements are included. Recommended.
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1981
Collector's Edition
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Unrated Director's Cut
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Unrated
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Uncut
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Limited Edition
1980
Collector's Edition
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