7 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
Two parents enter a race against time when they receive a distressing late-night phone call from their daughter after she caused a tragic car accident.
Starring: Rosamund Pike, Matthew Rhys, Megan McDonnell (VIII), Tadhg Murphy, Stephen Jones (XXXIII)| Psychological thriller | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 2.5 | |
| Audio | 4.0 | |
| Extras | 2.5 | |
| Overall | 2.5 |
Babak Anvari, the director of “Under the Shadow,” “Wounds,” and “I Came By,” goes minimalist for his latest, “Hallow Road,” which is scripted by William Gillies. The picture mostly takes place during a single panicked car ride, tracking growing concern from the parents of a young woman who’s involved in an accident on a long stretch of forest road. It’s a race to reach the scene, but Gillies has something more in mind for the endeavor, which develops into a study of marital ties, guardianship, and trauma as the miles tick by for the main characters. “Hallow Road” is not a major production, running just 74 minutes (before end credits), and it could very well work more interestingly on the stage. However, tension remains in the feature, as Anvari keeps his actors nicely agitated and Gillies provides an acceptable mystery to solve as the long drive develops new emotional challenges.


The image presentation (2.39:1 aspect ratio) for "Hallow Road" is consumed at times by compression issues. Banding is present nearly throughout the entire viewing experience, with a few significant flare-ups encountered. Posterization is also found, along with patches of blockiness. Detail is there, offering decent skin particulars when the image isn't plagued by issues, and car interiors register with passable dimension. Delineation also takes a hit at times, but the nighttime appearance of the feature isn't completely swallowed by solidification. Color registers as intended, with cooler hues for automobile interactions, while media and tech displays deliver sharpness. Domestic interactions maintain a warmer appearance, and street lighting provides heavier greens and reds. Skin tones are natural.

The 5.1 DTS-HD MA is working with the limited sonic reach of "Hallow Road," which primarily focuses on dialogue exchanges between the main actors. Emotional beats register with clarity, and argumentative moments are balanced. Scoring delivers capable support, and musical moods offer some expanse in the surrounds. Sound effects are distinct, and atmospherics are appreciable. Low-end isn't challenged for the largely conversational endeavor.


There's a psychological game in play in "Hallow Road," watching the parents react to the central crisis in different ways, turning the drive into a therapy session. And Gillies adds a few complications along the drive, both real and imagined, keeping wrong decisions and mistakes in play as time passes. "Hallow Road" is headed to a dramatic destination, and while an interesting one, it's debatable if the conclusion is satisfying after an hour of close- quarters alarm. Rhys and Pike are up for the challenge, capably selling dialogue and physical quaking as the unknown comes for their characters. They help to give the film some urgency while Gillies arranges a mystery and Anvari hopes to generate a spooky atmosphere for the endeavor, ending up with an involving understanding of shock and guilt.