6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
It's autumn in New York. Sam has broken up with his girlfriend and his father has recently died. World-weary and sloppy drunk, he finds temporary solace in the arms of Anna, a mysterious vampire who draws him away from his friends and into a web of addiction and madness.
Starring: Larry Fessenden, Meredith Snaider, Aaron Beall, Patricia Coleman, Heather WoodburyHorror | 100% |
Drama | Insignificant |
Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.34:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 3.5 |
Note: This title is currently available as part of The Larry Fessenden Collection.
You might think Larry Fessenden would be better known as a director, given the fact that entries in his filmography bear such iconic titles
as
Jaws, A Face in the Crowd and Chinatown
. Of course Steven Spielberg, Elia Kazan and Roman Polanski might prefer to have someone pointing out the fact that Fessenden’s films
with those titles are not the “famous” ones, so to speak, so there’s that. Fessenden has carved an interesting niche for himself as an indie
horror meister,
while also frequently appearing as an actor in not only his own films, but those by such iconic names as Martin Scorsese (Bringing Out the Dead) and Neil Jordan (The Brave One). Fessenden might seem like a somewhat odd subject for a
“career
retrospective” of sorts like the new four disc set from Scream Factory which assembles Fessenden’s films from a fifteen year span (give or
take)
bridging the 1990s to the 2000s. Fessenden may exploit an unabashedly (and unapologetically) lo-fi ambience in many of his films, but he’s
also an (at times at least) unusually intelligent writer of horror. While each of these films has its own hurdles to overcome (as even
Fessenden
admits in his charmingly self deprecating commentaries), this set also provides an interesting example of an independent filmmaker growing
and
becoming more and more technically competent as his career progresses. There's at least some thematic consistency in play between these
quite disparate films, including a recurrence of the traditional horror staple that Mother Nature doesn't take kindly to humans not respecting
her enough.
Habit is presented on Blu-ray courtesy of IFC Midnight and Scream Factory, an imprint of Shout! Factory, with an AVC encoded 1080p transfer in 1.34:1. As Fessenden mentions in his informative commentary included on this Blu-ray, the film was shot in 16mm, and often in low to no light conditions on ASA 500 stock, which was then a fairly new medium. The results offer only baseline detail in scenes where, for example, Sam and Anna walk through the city at night lit only by the spill from a storefront. Blacks can tend to overwhelm both exterior shots at night and dimly lit interior scenes. Perhaps surprisingly, grain is not as heavy as seen in No Telling, but this film has occasional issues with splotchy yellow artifacts in some of the darker moments.
Habit's lo-fi ambience means the DTS-HD Master Audio 5.1 mix is only sporadically immersive, offering discrete placement of effects like ambient urban noise. There's a fair amount of force to some of the cues in a party scene, and dialogue is presented cleanly and clearly as well throughout the film. A DTS-HD Master Audio 2.0 track is also included as an option.
Habit is an unusually hypnotic film, even if Fessenden blows his ambiguity cover too easily. He's quite winning as the downtrodden Sam, and Meredith Snaider is a properly enigmatic would be vampire. The film is notable for its gritty urban atmosphere and its almost dystopian proclivities. Technical merits are generally very good and the supplementary package is very enjoyable. Recommended.
(Still not reliable for this title)
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