7.8 | / 10 |
Users | 4.4 | |
Reviewer | 4.0 | |
Overall | 4.1 |
Experience the wonderment of our world in Yann Arthus-Bertrand's documentary about our home, the Earth. Award-winning aerial photographer Yann Arthus-Bertrand and narrator Glenn Close take you on a spectacular voyage around the world in 'HOME', a unique film that will enthrall, captivate and inspire you with such breathtaking imagery, you'll want to enjoy it time and time again.
Narrator: Glenn CloseDocumentary | 100% |
Nature | 84% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 5.0 | |
Audio | 4.5 | |
Extras | 0.0 | |
Overall | 4.0 |
A few years ago, I woke up to the dawning realization that my carbon footprint was at least a size 14, maybe even bigger. I was basically wearing pollution snowshoes, traipsing willy-nilly around God’s green-for-now earth without a single thought of the Yeti-sized imprints I might be making. So, my goodly wife and I—not to pat ourselves on the back or anything—made a conscious effort to do the little things: cut back on waste, bring our own bags to the grocery store, recycle anything recyclable, you know, the things even remotely liberal people are supposed to do in a consumer culture newly consumed with going green. And we were surprised by how good it felt, how easy it was, how much pride we took in refilling our svelte aluminum water bottles. But then I watched Home, and had the wind swiftly taken out of my organic cotton sails.
Nearly every frame is this well composed.
"Minerals and metals are even older than the earth. They are stardust. They provide the
earth's colors. Red from iron, black from carbon, blue from copper, yellow from
sulfur."
Colorful doesn't even begin to describe Home's AVC-encoded, 1080p transfer. Every color
of the rainbow—literally, check out the screenshot above—is represented with lush, saturated,
eye-popping realism. Watch elephants as they wade through a verdant marsh. See the starry sky
blues off the coast of Dubai, or the pale sheen of ice-covered rivers from above, branching like
Earth's arteries. Black levels too are strong, from the dense smoke above Iceland's volcanoes, to
the inky deeps of the forest as an oil fire burns fiercely overhead. None of this would matter if the
image itself was dull, but Home cut through my home theater screen with perfectly
balanced contrast and sharp, almost three-dimensional clarity. Nearly every shot has a carefully
composed, painterly quality, and though Home was filmed using an HD Cineflex camera,
the image has a rich filmic look that belies its video origins. Only the darkest scenes show any
signs of digital noise, and the transfer is completely free from any macroblocking or banding
issues, even in the most subtle color gradients and peaked highlights. This is reference-quality
material throughout, and Home truly is a joy to behold.
"Our earth relies on a balance in which every being has a role to play and exists only through
the existence of another being, a subtle, fragile harmony that is easily
shattered."
As Home opens, a deep LFE-heavy rumble builds as the sun rises on a view of Earth from
space, and the DTS-HD MA 5.1 track announces its intention to be every bit as impressive as the
imagery on display. And for the most part, the track fulfills its promise. The first thing to be
aware of, audio-wise, is that ambient noise plays very little part in Home's incredibly wide
scope. As it was shot from a helicopter, the film is mostly composed of vast, pulled-back vistas
that give the appearance of a silent planet, and the mix reflects this with audible but faint
environmental noises. There's rarely a quiet moment, however, as Home's powerful and
dynamic score accents the imagery with pounding tribal drums, sweeping strings, and even some
guttural atonal singing. The soundtrack fills the audio field with chest-pounding musical cues, and
if I have one complaint it's that the bass is sometimes too prevalent. In other instances,
however, the added LFE depth gives a majestic quality to the many waterfalls and volcanoes on
display. Of course, the quality of the narration by Glenn Close is of key importance, and
thankfully, her distinct elocution sounds crisp, round, and only occasionally overpowered by the
soundtrack.
Sadly, Home ships without a single supplement. I'm sure it was quite a journey for director Yann Arthus-Bertand to film in so many countries, and a behind-the-scenes feature about location scouting and shot composition could have been fascinating. I would've also liked to see some background into the fact generating and verifying process. For a film so full of statistics, Home never really mentions the sources of its frequently terrifying data.
Home is beautiful and sobering, an ode to our planet and a portent of what could befall it if we don't reverse our ways. You might not pop this one in as often as Planet Earth—the amazing imagery is tinged by the sadness of its message—but for documentary lovers or HD fans who just want another dose of eye candy, Home is worthy purchase. Highly recommended.
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